he squeezed, those eyes still danced at him. Louie regularly woke screaming and soaked in sweat. He was afraid to sleep.

He started smoking again. There seemed no reason not to drink, so each evening, he swigged wine as he cooked, leaving Cynthia sitting through dinner with a tipsy husband. Invitations to clubs kept coming, and now it seemed harmless to accept the free drinks that were always offered. At first he drank just beer; then he dipped into hard liquor. If he got drunk enough, he could drown the war for a time. He soon began drinking so much that he passed out, but he welcomed it; passing out saved him from having to go to bed and wait for his monster. Unable to talk him into giving it up, Cynthia stopped going out with him. He left her alone each night while he went out to lose the war.

Rage, wild, random, and impossible to quell, began to consume him. Once he harassed a man for walking too slowly on a crosswalk in front of his car, and the man spat at him. Louie gunned the car to the curb, jumped out, and, as Cynthia screamed for him to stop, punched the man until he fell to the ground. On another day, when a man at a bar accidentally let a door swing into him, Louie chested up to him and provoked an embarrassing little scuffle that ended with Louie grinding the man’s face in the dirt.

His mind began to derail. While sitting at a bar, he heard a sudden, loud sound, perhaps a car backfiring. Before he knew it, he was on the floor, cringing, as the bar fell silent and the patrons stared. On another night, he was drinking, his mind drifting, when someone nearby yelled something while joking with friends. In Louie’s mind, it was “Keirei!” He found himself jumping up, back straight, head up, heart pounding, awaiting the flying belt buckle. In a moment the illusion cleared and he saw that, again, everyone in the bar was looking at him. He felt foolish and humiliated.

One day Louie was overcome by a strange, inexplicable feeling, and suddenly the war was all around and in him, not a memory but the actual experience—the glaring and grating and stench and howl and terror of it. In a moment he was jerked back out again, confused and frightened. It was his first flashback. After that, if he caught a glimpse of blood or saw a tussle in a bar, everything would reassemble itself as prison camp, and the mood, the light, the sounds, his own body, would all be as they were, inescapable. In random moments, he felt lice and fleas wriggling over his skin when there was nothing there. It only made him drink harder.

Cynthia urged Louie to get help, so he went, reluctantly, to see a counselor at a veterans’ hospital. He spoke of the war and the nightmares, and came home feeling as turbulent as when he’d left. After two or three sessions, he quit.

One day he opened a newspaper and saw a story that riveted his attention. A former Pacific POW had walked into a store and seen one of his wartime captors. The POW had called the police, who’d arrested the alleged war criminal. As Louie read the story, all of the fury within him converged. He saw himself finding the Bird, overpowering him, his fists bloodying the face, and then his hands locking about the Bird’s neck. In his fantasy, he killed the Bird slowly, savoring the suffering he caused, making his tormentor feel all of the pain and terror and helplessness that he’d felt. His veins beat with an electric urgency.

Louie had no idea what had become of the Bird, but he felt sure that if he could get back to Japan, he could hunt him down. This would be his emphatic reply to the Bird’s unremitting effort to extinguish his humanity: I am still a man. He could conceive of no other way to save himself.

Louie had found a quest to replace his lost Olympics. He was going to kill the Bird.

*

Returning home to the postwar housing shortage, Weinstein took out a $600,000 loan, built an apartment complex in Atlanta, and offered the 140 family units to veterans at rents averaging less than $50 per month. “Priorities: 1) Ex-POWs; 2) Purple Heart Vets; 3) Overseas Vets; 4) Vets; 5) Civilians,” read his ad. “…  We prefer Ex-GI’s, and Marines and enlisted personnel of the Navy. Ex-Air Corps men may apply if they quit telling us how they won the war.” His rule banning KKK members drew threatening phone calls. “I gave them my office and my home address,” Weinstein said, “and told them I still had the .45 I used to shoot carabau [water buffalo] with.”

*

As Halloran parachuted over Tokyo, the Zero that had shot him down sped toward him, and Halloran was certain that he was going to be strafed, as so many falling airmen were. But instead of firing, the pilot saluted him. After the war, Halloran and that pilot, Isamu Kashiide, became dear friends.

Thirty-six

The Body on the Mountain

IT WAS THE FIRST WINTER AFTER THE WAR. AN AGED POLICE officer trudged through a village high in the mountains of Japan’s Nagano Prefecture, knocking on doors, asking questions, and moving on. The Ministry of Home Affairs, frustrated at the failure to track down Mutsuhiro Watanabe, was renewing its effort, sending out photographs of and reports on the fugitive to every police chief in Japan. Chiefs were under orders to report twice a month on their progress. Police officers conducted searches and interrogations nearly every day. In one prefecture alone, 9,100 officers were involved in the search for him. The officer in Nagano was part of this effort.

It was around noon when he reached the largest house in the village, home to a farmer and his family. Someone answered the door, and the family, thinking that he was a census taker, invited him in. Inside, the policeman found an old, portly farmer, the farmer’s wife, and their live-in laborer. As the laborer prepared a plate of pickles and a cup of tea, a traditional offering to visitors, the officer pulled out a photograph of Watanabe, dressed in his sergeant’s uniform. Did they recognize the man? None of them did.

The officer left, moving on to a neighbor. He had no idea that the fugitive he was seeking had just been standing right in front of him, holding a plate of pickles.

——

The Bird had come to Nagano Prefecture the previous September, after having fled his brother’s home, then Kofu. Reaching the hot springs resort community of Manza Spa, he’d checked into an inn. He chose an alias, Saburo Ohta, a common name unlikely to attract notice or dwell in anyone’s memory. He had a mustache, which he’d begun growing in the last days of the war. He told people that he was a refugee from Tokyo whose relatives were all dead, a story that, in postwar Japan, was as common as white rice. He vowed to live by two imperatives: silence and patience.

Manza was a good choice, trafficked by crowds in which Watanabe could lose himself. But he soon began to think that he’d be better hidden in the prefecture’s remote mountain regions. He met the old farmer and offered himself as a laborer in exchange for room and board. The farmer took him to his home in the rural village, and Watanabe settled in as a farmhand.

Each night, lying on a straw mat on the farmer’s floor, Watanabe couldn’t sleep. All over Japan, war-crimes suspects had been captured, and were now imprisoned, awaiting trials. He’d known some of these men. They’d be tried, sentenced, some executed. He was free. On the pages on which he poured out his emotions about his plight,

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