'Anything?' he hissed.
'There are two rotorships on the other side of the house,' reported the king's agent. 'I'm certain the largest is the one that left the power station. People are moving around on board. Lengths of cable are running out of the main ship and into the mansion through veranda doors. We cannot get in that way without being spotted. On this side of the building everything is locked up tight. The place is a wreck but the windows and doors look new. I'm kicking myself-I should have asked Trounce to teach me how to use Oliphant's lock-picks!'
Swinburne took out his pocket watch and angled it until the moonlight shone on its face.
'Almost eleven,' he whispered. 'We have to get in there!'
'I, not we,' murmured Burton. 'I told you, you're here to keep your eyes open, nothing else! No risk taking!'
'If you can't find a way in, Richard, I'm going to have to take a risk.'
'What are you talking about?'
'The chimney.'
'Eh?'
'I can scale the vines to the roof, climb down the chimney, and open a window from the inside. I'm trained, remember?'
'No, I'll find another way.'
However, though he scouted around the mansion again, Burton could find no means of entry, and reluctantly agreed to his friend's proposal.
'Stay here; I'll come and get you,' breathed Swinburne.
Impulsively, Burton gripped the poet's hand and shook it. 'Good luck!' he said.
Swinburne nodded and padded away.
Moments later Burton spotted a flash of red moving quickly up the side of the building: Swinburne's hair reflecting the moonlight.
Though tiny in stature and rather frail in appearance, the poet ascended with self-assurance, testing each vine before gripping it, rapidly heaving himself up to the cornice, then throwing an arm over a gargoyle and swinging up onto it. From there, he clambered over the crenellations at the edge of the roof and disappeared from view.
Burton inhaled deeply. He hadn't realised he'd been holding his breath.
Here we go again, thought Swinburne as he stepped across the flat walkway behind the faux battlement and settled himself onto the sloping roof. At least this time, if he lost his footing he'd merely slide down to the walkway-no chance of a fatal plummet through space.
He started levering himself up over the moss-covered shingles. They were loose and cracked under his weight. Pieces slipped from under him and rattled down the slope, their noise seeming magnified by the night's silence. He thought it unlikely that anyone inside the building, on the ground floor, would hear the racket, but if anyone was in the upper rooms, there'd be trouble.
What could he do, though, except keep going? So he pushed himself on until he reached the top, and there he stood and moved to one of the chimneys.
He looked up at the sky. It was clear, cold, star-filled, with a slivered moon mounted at its apex.
He looked down the flue. It was dark, filthy, seemingly bottomless, and led straight to his enemies.
Swinburne hoisted himself onto its edge and swung his legs into the shaft. He pressed his knees against the decrepit brickwork, braced himself, then lowered himself in. Using the sides of his feet, his hands, elbows, and shoulders to control his descent, he edged down into pitch darkness.
Soot crumbled away around him. He'd chosen a chimney far from the part of the mansion where Burton had seen the light, but if anyone passed by the room below, they would certainly hear the susurration of the powder landing in the hearth and would enter to investigate.
Nevertheless, he kept going, and cheered himself up by thinking about the delectable floggings Vincent Sneed had treated him to not many days previously. Where pain was concerned, Algernon Swinburne was a connoisseur. Unfortunately, the hurt from his many wounds, which now started to trouble him, was of an entirely different order from a birch or belt to the buttocks. It wasn't nearly so pleasurable!
He stopped and rested, suddenly shaken by an unanticipated wave of fatigue.
How much farther to go? There was no chink of light other than the square opening above but he felt sure that the hearth wasn't far below.
'Come on!' he mouthed silently. 'The meeting must have started by now!'
Down, down, down into darkness.
His feet crunched onto ossified wood; he slipped and a metal grate clanged beneath his boots.
'Damn!' he breathed.
He felt around, found an opening, and climbed through, his ankle catching a rack of fireplace tools, sending them crashing to the floor. He winced as the clanging echoed in the unlit room, sounding as loud as the bells of Big Ben.
He shuffled forward, his hands held out in front of him, feeling for any obstruction. He found none until he encountered a wall. Following this, he came to a door, groped for the doorknob, and pulled. With a guttural creak, the portal opened to reveal more darkness beyond.
He knew that the lit room Burton had seen was somewhere off to his right and toward the back of the mansion, so rather than move in the direction of danger, he turned left and, with a hand against the wall, he crept along what he presumed was a hallway.
A few moments later, his fingers ran across another door. He opened it. Pitch black beyond.
'I'll keep going,' he told himself, and passing the room, he tiptoed on to the next. It was locked, but the one after that wasn't, and when he pushed open the door, he saw a vague rectangle opposite. He crossed the room, the bare boards complaining beneath his feet, and found himself standing before a curtain-shrouded window. A yank at the material caused it to collapse into a dusty heap at his feet. Moonlight momentarily blinded him. He blinked and looked down at himself: he was completely black.
As Burton had suggested, the window was solid, though its panes were caked with dust, and looked as if it had been fitted relatively recently; the hard wood was not at all worm-eaten and the catches, which were of an ingenious and intricate design, seemed very modern. For a few minutes they resisted his exploring fingers, but then came a click, and he slid the window up and climbed through it. Dropping to the ground, he ran along the side of the building until he came to the front steps. A shadow loomed from beneath one of the griffins.
'Algy?'
'This way, Richard.'
He led Burton back to the window and they climbed into Darkening Towers.
Burton pulled his lantern from his pocket and twisted it into life. Its light crawled across dirty walls, illuminating peeling paper and cracked plaster and an old portrait hanging askew. Items of furniture, hidden beneath dust sheets, stood against the walls.
Dulling the lantern's glare by holding the clockwork device inside his coat, Burton crossed to the door and passed into the hallway, with Swinburne at his heels. He saw that the floor was thick with dust aside from a trail of sooty footprints that disappeared into the third door along. Beyond that, they proceeded into intricate passages that wound through the mansion with a seeming disrespect for logical design.
Brushing aside cobwebs and stepping carefully over the rubble of collapsed wall and ceiling plaster and pieces of broken furniture, they moved in silence, ears straining for any sound.
'Wait!' hissed Burton.
He twisted his torch, killing the flame.
There was a soft glow of light ahead.
'Remain here, Algy. I'll be back in a moment.'
'Be careful, Richard.'
Burton crept along the corridor until he reached a junction. Straight ahead, the hallway widened considerably and was free of dust and debris. To his left, a short passage led to large double doors with inset glass panels out of which light streamed. They revealed a ballroom beyond, with a gallery circling it and large chandeliers hanging from the ceiling. A lumbering machine stood within view and Burton recognised it from Swinburne's description: Isambard Kingdom Brunel. He could hear the muffled sound of bells ringing; Brunel was talking to someone.
The king's agent returned to his friend.
