The Strain

Destiny. The ISS research facility orbited earth sixteen times each day, or about once every hour and a half, at a speed of seventeen thousand miles per hour. Occultations were no great feat in low earth orbit: blocking the sun with any round object in a window revealed the spectacular corona. Thalia’s interest therefore was not in the alignment of the moon and the sun—from her fast-moving perspective, there was indeed no occultation—but rather the result of this phenomenon upon the slow-rotating earth.

Destiny, the primary research lab on the ISS, measures twenty-eight by fourteen feet—although the interior working space of this cylindrical module, due to the amount of equipment tied down to the squared-off sides, is tighter than that, measuring roughly five humans long by one human across. Every duct, pipe, and wire connection was directly accessible and therefore visible, such that each of Destiny’s four walls looked like the back of a panel-size motherboard. At times Thalia felt like little more than a tiny microprocessor dutifully carrying out computations inside a great space computer.

Thalia walked her hands along the nadir, the “floor” of Destiny—in space there is no up or down—to a broad, lenslike ring studded with bolts. The portal shutter was designed to protect the integrity of the module from micrometeoroids or collisions with orbital debris. She maneuvered her sock-covered feet against a wall grip and manually opened it, revealing the two-foot-diameter optical-quality window.

The blue-white ball of earth came into view.

Thalia’s duty assignment was to point and shoot some earth photos with a hard-mounted Hasselblad camera via remote trigger. But when she first looked out on the planet from her unusual vantage point, what she saw made her shudder. The great black blot that was the shadow of the moon looked like a dead spot on the earth. A dark and threatening flaw in the otherwise healthy blue orb that was home. Most unnerving was that she could see nothing at all within the umbra, the central, darkest part of the moon’s shadow, that entire region disappearing into a black void. It was something like viewing a postdisaster satellite map showing devastation caused by a mighty fire that had consumed New York City, and was now spreading out over a broad patch of the eastern seaboard.

Manhattan

NEW YORKERS CONGREGATED in Central Park, the fifty-five-acre Great Lawn filling up as though for a summertime concert. Those who had set out blankets and lawn chairs earlier in the morning now stood on their feet with the rest, children perched on their fathers’ shoulders, babies cradled in their mother’s arms. Belvedere Castle loomed purple-gray over the park, an eerie touch of the gothic in this pastoral open space dwarfed by the East and West Side high-rises.

The great island metropolis ground to a halt, the stillness of the city at that hour felt by all. It was a blackout vibe, anxious yet communal. The occultation imposed a sort of equality upon the city and its denizens, a five-minute suspension of social stratification. Everyone the same under the sun—or the lack thereof.

Radios played up and down the lawn, people singing along with Z100’s spinning of the seven-minute Bonnie Tyler karaoke favorite “Total Eclipse of the Heart.”

Along the East Side bridges connecting Manhattan to the rest of the world, people stood next to their stopped vehicles, or sat on the hoods, a few photographers with specially filtered cameras clicking from the walkways.

Many rooftops hosted early cocktail hours, a New Year’s Eve—type celebration dampened, for the moment, by the fearsome spectacle in the sky.

The giant Panasonic Astrovision screen, in night-dim Times Square, simulcast the occultation to the terrestrial masses, the sun’s ghostly corona shimmering over “the crossroads of the world” like a warning from a distant sector of the galaxy, the broadcast interrupted by flickers of distortion.

Emergency 911 and nonemergency 311 systems took a torrent of calls, including a handful from preterm pregnant women reporting early “eclipse-induced” labor. EMTs were dutifully dispatched, even though traffic all over the island was at a virtual standstill.

The twin psychiatric centers on Randall’s Island in the northern East River confined violent patients to their rooms and ordered all blinds drawn. Nonviolent patients were invited to assemble in the blacked-out cafeterias, where they were being shown movies—broad comedies—although, during minutes of the totality, a noticeable few grew restless, anxious to leave the room but unable to articulate why. At Bellevue, the psych ward had already seen an uptick in admittances that morning, in advance of the occultation.

Between Bellevue and the New York University Medical Center, two of the largest hospitals in the world, stood perhaps the ugliest building in all of Manhattan. The headquarters of the chief medical examiner of New York was a misshapen rectangle of sickly turquoise. As the fish truck off-loaded bagged corpses, wheeled on stretchers into the autopsy rooms and walk-in refrigerators in the basement, Gossett Bennett, one of the office’s fourteen medical examiners, stepped outside for a quick break. He could not see the moon-sun from the small park behind the hospital—the building itself was in his way—so he instead watched the watchers. All along FDR Drive, which the park overlooked, people stood between parked cars on the never-idle throughway. The East River beyond was dark, a river of tar reflecting the dead sky. Across the river, a gloom overhung all of Queens, broken only by the glow of the sun’s corona reflected in a few of the highest, west-facing windows, like the white-hot flame of some spectacular chemical-plant blaze.

This is what the beginning of the end of the world will look like, he thought to himself before returning to the M.E.’s office to assist in the cataloging of the dead.

JFK International Airport

THE FAMILIES OF the deceased passengers and crew of Regis Air Flight 753 were encouraged to take a break from paperwork and Red Cross coffee (decaf only for the aggrieved), and walk outside onto the tarmac in the restricted area behind terminal 3. There, with nothing in common but their grief, the hollow-eyed mourners huddled together and faced the eclipse arm in arm—some leaning on others in solidarity, others in need of actual physical support—their faces turned to the dark western sky. They did not know yet that they would be split up soon into four groups and shuttled in school buses to their respective medical examiner’s offices where, one family at a time, they would be invited into a viewing room and shown a postmortem photograph and asked to formally identify their loved one. Only families who demanded to view the actual physical remains would be allowed to do so. They then would be issued hotel room vouchers to the airport Sheraton, where a complimentary dinner buffet would be offered and grief counselors placed at their disposal all night and into the next day.

For now, they stared up at the black disk glowing like a spotlight in reverse, sucking light away from this world and back up to the heavens. This obliterating phenomenon was to them a perfect symbol of their loss at that very moment. To them, the eclipse was the opposite of remarkable. It seemed merely appropriate that the sky and their God would see fit to mark their despair.

Outside the Regis Air maintenance hangar, Nora stood apart from the other investigators, waiting for Eph and Jim to return from the press conference. Her eyes were turned toward the ominous black hole in the sky, but her vision was unfocused. She felt caught up in something she did not understand. As though a strange new foe had arisen. The dead moon eclipsing the living sun. Night occulting day.

A shadow flowed past her then. She detected it as a shimmer from out of the corner of her eye, something like the slithering worm shadows that had undulated over the tarmac just before totality. Something just outside her field of vision, at the very edge of perception. Fleeing the maintenance hangar like a dark spirit. A shadow she felt.

In the split second it took her pupil to move to it, the shadow was gone.

Lorenza Ruiz, the airport baggage-conveyer operator who had been the first to drive out to the dead airplane, found herself haunted by the experience. Standing in the aircraft’s shadow that previous night,