“My union wants me out of here,” said Redfern. “The airline industry policy is, ‘Always blame pilot error.’ Never the airline’s fault, over-scheduling, maintenance cutbacks. They’re going to go after Captain Moldes on this one, no matter what. And me, maybe. But—something doesn’t feel right. Inside. I don’t feel like myself.”
Eph said, “Your cooperation is critical. I can’t thank you enough for staying, except to say that we’ll do everything in our power to get you healthy again.”
Redfern nodded, and Eph could tell that his neck was stiff. He probed the underside of his jaw, feeling for his lymph nodes, which were quite swollen. The pilot was definitely fighting off something. Something related to the airplane deaths—or merely something he had picked up over the course of his travels?
Redfern said, “Such a young aircraft, and an all-around beautiful machine. I just can’t see it shutting down so completely. It’s got to be sabotage.”
“We’ve tested the oxygen mix and the water tanks, and both came back clean. Nothing to indicate why people died or why the plane went dark.” Eph massaged the pilot’s armpits, finding more jelly-bean-size lymph nodes there. “You still remember nothing about the landing?”
“Nothing. It’s driving me crazy.”
“Can you think of any reason the cockpit door would be unlocked?”
“None. Completely against FAA regulations.”
Nora said, “Did you happen to spend any time up in the crew rest area?”
“The bunk?” Redfern said. “I did, yeah. Caught a few z’s over the Atlantic.”
“Do you remember if you put the seat backs down?”
“They were already down. You need the leg room if you’re stretching out up there. Why?”
Eph said, “You didn’t see anything out of the ordinary?”
“Up there? Not a thing. What’s to see?”
Eph stood back. “Do you know anything about a large cabinet loaded into the cargo area?”
Captain Redfern shook his head, trying to puzzle it out. “No idea. But it sounds like you’re on to something.”
“Not really. Still as baffled as you are.” Eph crossed his arms. Nora had switched on her Luma light and was going over Redfern’s arms with it. “Which is why your agreeing to stay is so critical right now. I want to run a full battery of tests on you.”
Captain Redfern watched the indigo light shine over his flesh. “If you think you can figure out what happened, I’ll be your guinea pig.”
Eph nodded their appreciation.
“When did you get this scar?” asked Nora.
“What scar?”
She was looking at his neck, the front of his throat. He tipped his head back so that she could touch the fine line that showed up deep blue under her Luma. “Looks almost like a surgical incision.”
Redfern felt for it himself. “There’s nothing.”
Indeed, when she switched off the lamp, the line was all but invisible. She turned it back on and Eph examined the line. Maybe a half inch across, a few millimeters thick. The tissue growth over the wound appeared quite recent.
“We’ll do some imaging later tonight. MRI should show us something.”
Redfern nodded, and Nora turned off her light wand. “You know… there is one other thing.” Redfern hesitated, his airline pilot’s confidence fading for a moment. “I do remember something, but it won’t be of any use to you, I don’t think…”
Eph shrugged almost imperceptibly. “We’ll take anything you can give us.”
“Well, when I blacked out… I dreamed of something—something very old…” The captain looked around, almost ashamedly, then started talking in a very low voice. “When I was a kid… at night… I used to sleep in this big bed in my grandmother’s home. And every night, at midnight, as the bells chimed in the church nearby, I used to see a thing come out from behind a big old armoire. Every night, without fail—it would poke out its black head and long arms and bony shoulders… and
“Stare?” asked Eph.
“It had a jagged mouth, with thin, black lips… and it would look at me, and just… smile.”
Eph and Nora were both transfixed, the intimacy of the confession and its dreamlike tone both unexpected.
“And then I would start screaming, and my grandmother would turn on the light and take me to her bed. It went on for years. I called him Mr. Leech. Because his skin… that black skin looked just like the engorged leeches we used to pick up in a nearby stream. Child psychiatrists looked at me and talked to me and called it ‘night terrors’ and gave me reasons not to believe in him, but… every night he came back. Every night I would sink under my pillows, hiding from him—but it was useless. I knew he was there, in the room…” Redfern grimaced. “We moved out some years later and my grandmother sold the armoire and I never saw it again. Never dreamed of it again.”
Eph had listened carefully. “You’ll have to excuse me, Captain… but what does this have to do with…?”
“I’m coming to that,” he said. “The only thing I remember between our descent and waking up here—is that he came back. In my dreams. I saw him again, this Mr. Leech… and he was smiling.”
INTERLUDE II
The Burning Hole
HIS NIGHTMARES WERE ALWAYS THE SAME: ABRAHAM, OLD or young, naked and kneeling before the huge hole in the ground, the bodies burning below as a Nazi officer moved down the row of kneeling prisoners, shooting them in the back of the head.
The burning hole was behind the infirmary in the extermination camp known as Treblinka. Prisoners too sick or too old to work were taken through the white-painted barracks with a red cross painted on it, and into the hole they went. Young Abraham saw many die there, but he himself came close to it only once.
He tried to avoid notice, worked in silence, and kept to himself. Each morning he pricked his finger and smeared a drop of blood on each cheek in order to appear as healthy as possible at roll call.
He first saw the hole while repairing some shelving in the infirmary. At age sixteen, Abraham Setrakian was a yellow patch, a craftsman. He curried no favor; he was no one’s pet, merely a slave with a talent for woodwork that, in a death camp, was a talent for living. He had some value for the Nazi Hauptmann who used him without mercy, without regard, and without end. He raised barbed-wire fences, crafted a library set, repaired the railways. He carved elaborate pipes for the Ukrainian guard captain at Christmastime in ’42.
It was his hands that kept Abraham away from the hole. At dusk he could see its glow, and sometimes from his workshop the smell of flesh and petrol mixed with sawdust. As his fear took hold of his heart, so did the hole take residence there.
To this day, Setrakian still felt it in him, every time fear took hold—whether crossing a dark street, closing his shop at night, or upon waking from the nightmares—the tatters of his memories revived. Himself kneeling, naked, praying. In his dreams he could feel the mouth of the gun pressing against his neck.
Extermination camps had no function other than killing. Treblinka was disguised to look like a train station, with travel posters and timetables, and greenery woven into the barbed wire. He arrived there in September 1942 and spent all of his time working. “Earning his breath,” he called it. He was a quiet man, young but well raised, full of wisdom and compassion. He helped as many prisoners as he could and prayed in silence all the time. Even with the atrocities he witnessed daily, he believed that God was watching over all men.
But one winter night, in the eyes of a dead thing, Abraham saw the devil. And understood the ways of the world to be different from what he’d thought.
It was past midnight and the camp was as quiet as Setrakian ever saw it. The forest murmur had quieted down and the cold air was splitting his bones. He shifted quietly in his bunk and gazed blindly at the darkness surrounding him. And then he heard it—
