Borromini

Sant’Agnese in Agone, 1653–57.

Rome. (Photo Credit ill.40)

Giovanni Paolo Pannini

Preparations to Celebrate the Birth of the Dauphin of France, 1729.

Oil on canvas, 110 x 252 cm.

Musee du Louvre, Paris. (Photo Credit ill.41)

Borromini

Sant’Ivo alla Sapienza, 1642–60.

Rome. (Photo Credit ill.42)

Pier Leone Ghezzi

Dr. James Hay as Bear Leader, c. 1704– 29.

Pen and ink on paper, 36.3 x 24.3 cm.

British Museum, London.

(Photo Credit ill.44)

Giovanni Paolo Pannini

Interior of Saint Peter’s, Rome, 1731.

Oil on canvas,

145.7 x 228.3 cm.

Saint Louis Art Museum,

Saint Louis, Missouri. (Photo Credit ill.45)

Giovanni Paolo Pannini

Interior of the Pantheon, 1734.

Oil on canvas, 144.1 x 114.3 cm.

Samuel H. Kress Collection, National Gallery of Art, Washington, D.C. (Photo Credit ill.46)

Giovanni Battista Piranesi

The Prisons (Carceri), 1745– 61.

Etching, 77.79 x 51.43 cm.

Los Angeles County Museum of Art,

Los Angeles, California.

(Photo Credit ill.47)

Anton Raphael Mengs

Johann Joachim Winckelmann, 1755.

Oil on canvas, 63.5 x 49.2 cm.

Metropolitan Museum of Art, New York.(Photo Credit ill.48)

Alessandro Albani

Villa Albani, 1751–63.

Etching, 43.2 x 62.2 cm.

Staatliche Museen zu Berlin

Kupferstichkabinett, Berlin. (Photo Credit ill.49)

Henry Fuseli

The Artist Moved by the Grandeur of Ancient Ruins, 1778–80.

Red chalk on sepia wash, 105.4 x 90.2 cm.

Kunsthaus, Zurich. (Photo Credit ill.50)

Johann Zoffany

Charles Towneley and His Friends in the Towneley Gallery, 33 Park Street, Westminster, 1781–83.

Oil on canvas, 127 x 99.1 cm.

Towneley Hall Art Gallery and Museum, Burnley, Lancashire, England. (Photo Credit ill.51)

Jacques-Louis David

Oath of the Horatii, 1784.

Oil on canvas, 326 x 420 cm.

Musee du Louvre, Paris. (Photo Credit ill.52)

Johann Heinrich Wilhelm Tischbein

Goethe in the Roman Campagna, 1786–87.

Oil on canvas, 164 x 206 cm.

Staedelsches Kunstinstitut, Frankfurt am Main. (Photo Credit ill.53)

Johann Heinrich Wilhelm Tischbein

Johann Wolfgang von Goethe at the Window of His Dwelling on the Corso in Rome, 1787.

Watercolor, 30.2 x 19.6 cm.

Freies Deutsches Hochstift, Frankfurt am Main. (Photo Credit ill.54)

McKim, Mead & White

Pennsylvania Station, 1910.

New York, New York. (Photo Credit ill.55)

Bibliography

Adcock, F. E. (1960; reprint of 1990) The Roman Art of War Under the Republic. New York: Barnes and Noble Reprints.

Ademollo, A. (1883) Il Carnevale di Roma nei secoli XVII e XVIII. Rome: A. Sommaruga.

Ades, Dawn, et al., eds. (1996) Art and Power: Europe Under the Dictators, 1930–45. The Age of Neo-Classicism. Catalogue to Council of Europe exhibit, London, 1972.

Alberti, L. B. (1965) On the Art of Building in Ten Books. Trans. J. Rykwert, et al. Cambridge, Mass., and London: Alec Tiranti.

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