couldn't wait to sit their charges down in front of a TV. Here, for once, was the unvarnished truth.
Of Bazza Mackenzie, mercifully, there was no mention in the News feature. Eadie had kept Mackenzie's financial contribution towards the project to herself, and she and Faraday had celebrated when J-J's CID file was closed after the CPS ruled the interview at Central inadmissible. Free from police bail, J-J had decided to accept Eadie's invitation to join Ambrym full time and develop a small library of, as she put it, in-your-face social documentaries. J-J's editing work on the anti-war video had shown every sign of opening a number of doors in London post-production houses, but in the end he'd decided to stay in Portsmouth.
And Bazza himself? Eadie filled a plastic cup with coffee from the machine and made her way back towards the Coroner's Court. According to Faraday, Mackenzie was expanding his interests abroad, chiefly in Dubai and the Costa del Sol. A planning application had been lodged for a new extension to the family home in Craneswater and there was talk in certain quarters of the city that Bazza had designs on one of the sea forts off Southsea Beach. The latter rumour, said Faraday, had proved to be baseless, but Mackenzie's new management team at the Solent Palace were giving the hotel an ambitious makeover. To mark the official reopening, they'd put in an extremely competitive bid to host the CID midsummer ball.
The inquest started at eleven o'clock with a series of witnesses summoned to plot the course of Daniel Kelly's final hours. Eadie herself described the taped interview and Daniel's growing distress as the minutes ticked away without any sign of the expected delivery. When it came to the moment when he retreated to the kitchen to at last prepare his fix, she kept the details to a minimum, knowing that Eckersley planned to show the video sequence later.
Next into the witness box was Daniel's sometime girlfriend and ex-flat mate Sarah, who'd discovered his body. Then came the attending paramedic, followed by a uniformed PC and the duty CID officer, Dawn Ellis. The pathologist read from her report on the outcome of the post-mortem, noting the presence of quantities of unusually pure heroin in the contents of Daniel's stomach. Death, she said, had been caused by asphyxia following the in gestation of vomit.
Eckersley, as Coroner, brought the proceedings to an end with a carefully delivered summing-up. The bulk of his comments, offered in sympathy rather than judgement, were directed to Daniel Kelly's father, who'd sat motionless throughout the proceedings, hunched in a nicely cut cashmere overcoat. Daniel's death, said Eckersley, was a tragedy in itself and a warning to us all. Drugs and desperation had killed him. It was, in an exact sense, the total waste of a life. Daniel had misjudged the strength of that final wrap and Eckersley had no hesitation in returning a verdict of Accidental Death.
In conclusion, with a brief word of gratitude to Eadie, Eckersley announced his intention of showing the final few minutes of Daniel Kelly's conscious life, part of a new video destined for the nation's classrooms. Here, he said, was a tiny flicker of hope at the end of a sad, sad story.
The lights in the court were dimmed. The pictures began to roll. A quivering needle searched for a vein. In the gloom Eadie could see Daniel's father, stony-faced, staring at the screen. The plunger eased the muddy brown liquid into Daniel's arm. Moments later, he was loosening the tourniquet, slack-jawed, moist-lipped, happy, feeling his way out of the kitchen, across the lounge, wanting nothing but oblivion.
As the camera lingered at his son's bedroom door, Eadie was still watching Daniel's father. Daniel had collapsed on the bed, plucking feebly at the duvet. The shot slowly tightened on the face on the pillow. There was a flicker of movement, a tiny nerve beneath an eye.
Then the big face rolled to the left, directly towards the watching camera. Daniel was smiling. Eadie saw his father's head tip back in despair. His eyes closed. He took a deep breath.
Then the screen cut to black.
Later that same day, early evening, Faraday found himself in the Southsea branch of Waitrose. He joined the shortest of the queues at the checkout, wondering if he had time to fit in a visit to Nick Hayder up at the QA. On the point of unloading his basket at the till, he felt a tug on his arm. It was Harry Wayte.
'Joe,' he said amiably. 'Long time.'
'Harry.' Faraday offered a nod. 'How's tricks?'
'Fine. Finally jacked it in last week.'
'Jacked what in?'
'The job. Bunch of us had a few bevvies at a pub over in Fareham.
Would have dropped you an invite but… No offence.'
Faraday studied Wayte for a moment. To the best of his knowledge, Professional Standards were still pursuing an enquiry, though he was woolly about the details.
'My brief says they're wasting their time.' Wayte could read his mind.
'Can't find anything to tie me to Bazza. Not a shred, Joe. Not a phone call. Not an e-mail. Not a penny I can't account for. Not a single, fucking dicky bird. Look.' He nodded at the waiting checkout assistant. 'You're pissing her off, too.'
Minutes later, in the car park, Faraday was finishing a call on his mobile when he caught sight of Wayte emerging from the supermarket.
With his flapping raincoat and bulging carrier bags, he looked an old man already. He crossed the tarmac and paused behind a new-looking BMW convertible while he fumbled for his key.
Faraday pocketed his mobile and stirred the Mondeo into life.
Slipping the clutch, he eased the car forward. Wayte was loading the boot of the BMW with litre bottles of German lager. Faraday paused beside him. The car was blue with a Play Up Pompey sticker on the back.
Wayte glanced up. Faraday was still gazing at the Pompey sticker.
'Nice motor, Harry. Must have cost a bit.'
Wayte looked down at him, savouring this small moment of truth.
'You're right,' he said at last. 'It did.'
