Patrick did his best to forget the details of that house—all the pictures of Otto senior, for example. It was no surprise to see photographic evidence that Otto senior and Doris had been sweethearts—she’d already told Wallingford about that—but the photos of the Clausens’ marriage were more than Patrick could bear. There was in their photographs not only their obvious pleasure, which was always of the moment, but also their anticipated happiness—their unwavering expectations of a future together, and of a baby in that future. And what was the setting of the pictures that so seized Wallingford’s attention? It was neither Appleton nor Green Bay. It was the cottage on the lake, of course! The weathered dock; the lonely, dark water; the dark, abiding pines. There was also a photo of the boathouse apartment under construction, and there were Otto’s and Doris’s wet bathing suits, drying in the sunlight on the dock. Surely the water had lapped against the rocking boats, and—especially before a storm —it must have slapped against the dock. Patrick had heard it many times. Wallingford recognized in the photographs the source of the recurrent dream that wasn’t quite his. And always underlying that dream was the
Looking at the photographs, Wallingford began to realize that it was not the
“unmanly” loss of his hand that had conclusively turned his ex-wife against him; instead, in refusing to have children, he’d already lost her. Patrick could see how the paternity suit, even though it proved to be false, had been the bitterest pill for Marilyn to swallow. She’d wanted children. How had he underestimated the urgency of that?
Now, as he held Otto junior, Wallingford wondered how he could not have wanted one of these. His own baby in his arms!
He cried. Doris and her mother cried with him. Then they shut off the tears because the twenty-four-hour international news team was there. Although he was not the reporter assigned to this story, Wallingford could have predicted all the shots.
“Get a close-up of the hand, maybe the baby with the hand,” Patrick heard one of his colleagues say. “Get the mother and the hand and the baby together.” And later, in a sharply spoken aside to the cameraman: “I don’t care if Pat’s
On the plane back to Boston, Wallingford remembered how happy Doris had looked; although he rarely prayed, he prayed for the health of Otto junior. He hadn’t realized that a hand transplant would make him so emotional, but he knew it wasn’t just the hand.
Dr. Zajac had warned him that any decline in his slowly acquired dexterity could be a sign of a rejection reaction. Also, rejection reactions could occur in the skin. Patrick had been surprised to hear this. He’d always known that his own immune system could destroy the new hand, but why
No doubt “bugger” was an Irma-ism. She and Zajac, whom she called Nicky, were in the habit of renting videos and watching them in bed at night. But being in bed led to other things—Irma was pregnant, for example— and in the last video they’d watched, many of the characters had called one another
Wallingford was still napping—dreaming of the cottage on the lake—when Mrs. Clausen came to his hotel room. She hadn’t called first. Her mother was watching the baby. She’d brought the car and would drive Patrick to her house to see Otto junior a little later.
Wallingford didn’t know what this meant. Was she seeking a moment to be alone with him? Did she want some contact, if only with the hand, that she didn’t want her mother to see? But when Patrick touched her face with the palm of his hand—being careful to touch her with his
Doris didn’t even take off her coat. She’d had no ulterior motive for coming to his hotel. She must have felt like taking a drive—that was all. This time, when Wallingford saw the baby, little Otto appeared to recognize him. This was highly unlikely; nevertheless, it further broke Patrick’s heart. He got back on the plane to Boston with a disturbing premonition. Not only had Doris permitted no contact with the hand—she’d barely looked at it! Had Otto junior stolen all her affection and attention?
Wallingford had a bad week or more in Boston, pondering the signals Mrs. Clausen might be sending him. She’d said something about how, when little Otto was older, he might like seeing and holding his father’s hand from time to time. What did she mean by “older”—how much older? What had she meant, “from time to time”? Was Doris trying to tell Patrick that she intended to see him
He thought of calling Mrs. Clausen before he called Dr. Zajac, but there was an hour’s time difference between Boston and Green Bay and he didn’t want to wake up the new mother or her baby. When he phoned Zajac, the doctor said he’d meet him at the hospital—adding, “I told you skin was a bugger.”
“But it’s been a
“You’re in uncharted water,” Zajac replied. The doctor and Irma had seen a video with that lamentable title,
“Fifty percent probability of
“Of rejection
They had to remove the hand before Mrs. Clausen could get to Boston, bringing her baby and her mother with her. There would be no last looks, Dr. Zajac had to tell Mrs. Clausen—the hand was too ugly.
Wallingford was resting fairly comfortably when Doris came to his bedside in the hospital. He was in some pain, but there was nothing comparable to what he’d felt after the attachment. Nor was Wallingford mourning the loss of his hand, again—it was losing Mrs. Clausen that he feared.
“But you can still come see me,
This time, she paid no attention to the whopping bandage, which was so big that it looked as if there might still be a hand under it. While it pleased Wallingford that Mrs. Clausen took his right hand and held it to her heart, albeit briefly, he was suffering from the near-certain foreknowledge that she might not clutch this remaining hand to her bosom ever again.
“I’m proud of
“With your help,” she whispered, blushing. She let his hand go.
“I love you, Doris,” Patrick said.
“But you can’t,” she replied, not unkindly. “You just can’t.”