Alice had revered Hoffmann, but Jack would leave Herbert Hoffmann in peace, too. So what if Hoffmann had almost surely met William Burns?
“Now that you’re getting close, maybe you’re afraid to find him, Jack,” Nico said.
It was Jack’s turn not to say anything; he just tried to look unafraid.
“Maybe you’re afraid that you’ll cause your father pain, or that he won’t want to see you,” the policeman said.
“Don’t you mean that I’ll cause him
“Now that you’re getting close, maybe you don’t want to get any closer—that’s all I’m saying, Jack.”
“Maybe,” Jack said. He didn’t feel like much of an actor anymore. Jack Burns was a boy who’d never known his father, a boy whose father had been kept from him; maybe what Jack was really afraid of was losing his missing father as an
If William had wanted a Herbert Hoffmann, Jack thought he knew which kind. He imagined it was one of Hoffmann’s sailing ships—often seen sailing out of port, or in the open sea on a long voyage. Sometimes there was a dark lighthouse and the ship was headed for rocks. Herbert Hoffmann’s Sailor’s Grave was among his most famous; there were his Last Port and his Letzte Reise or Last Trip, too. In most cases, Hoffmann’s ships were sailing into danger or unknown adventures; the feeling the tattoos gave you was one of farewell, although Herbert Hoffmann had done his share of homeward-bound tattoos as well.
A Homeward Bound would not have been his father’s choice, Jack was thinking. On the ship that had carried Jack away from his dad, Jack sensed there would have been more of a Sailor’s Grave or a farewell feeling—at least from William’s point of view. A ship leaving harbor conveys an uncertain future.
Or else William Burns had stuck to music on his skin. Jack could imagine that, too.
There was a nonstop flight from Los Angeles to Amsterdam—a little more than ten hours in the air. Richard Gladstein was going to be tired. He would leave L.A. at 4:10 in the afternoon and land in Amsterdam at 11:40 in the morning, the next day. Jack assumed that Richard would want to take a nap before they met Vanvleck for dinner that evening.
For two days, Jack didn’t leave his hotel room except to go to the gym on the Rokin. He lived on room service; he wrote pages and pages to Michele Maher. He came up with nothing he would send to her, but the stationery at the Grand was both more plentiful and more attractive than that at the Hotel Torni.
Jack did manage to come up with a clever way of asking Michele Maher the full-body tattoo question—that is, dermatologically speaking.
On a postcard of the Oudezijds Voorburgwal canal, he gave Michele the following options.
o
o
Of course he didn’t send that letter or the postcard. For one thing, he didn’t have a U.S. stamp for the return delivery; for another, the “
His second day alone, Jack almost went to see Els again in her apartment on the Sint Jacobsstraat. He didn’t want to sleep with a prostitute in her seventies—he just liked Els.
Mainly Jack would lie awake at night—imagining his little face on the ship’s deck, where his mother had lifted him above the rail. Jack was just smiling, and waving to beat the band, while the damage was being done around him—especially to his dad.
In Hamburg, maybe William had met someone; that might have helped him to forget Jack, if he’d
When Richard arrived, he went straight to bed and Jack went back to the gym. Jack was eating more carbs and had changed his weightlifting routine; he’d managed to put on a few pounds, but Jack was still no Jimmy Stronach. (Not that there was anything he could have done to acquire Jimmy’s
In the gym on the Rokin, possibly in a failing effort to drown out the awful music in the weight room, Jack tried singing that ditty his mother had sung only when she was drunk or stoned—the one that seemed to resurrect her Scottish accent.
How funny that it had once been Alice’s mantra to never be a whore.
Jack thought of their nightly prayer, which—when he was a child—they usually said together. He remembered one night in Amsterdam when she fell asleep before he did, and he said the prayer by himself. Jack had spoken a little louder than usual, because he had to pray for the two of them. “The day Thou gavest, Lord, is ended. Thank You for it.” (Of course that had probably happened more than
Jack took a footbridge across the canal on his way back to the Grand. He stood on the bridge and watched a sightseeing boat drift by. In the stern, a small boy sat looking up at the footbridge—his face pressed to the glass. Jack waved, but the boy didn’t wave back.
It was already dark when Jack walked with Richard Gladstein to the Herengracht, to a restaurant called Zuid Zeeland, where they were meeting William Vanvleck. Jack was in no mood for the meeting. He kept thinking about the
V.
31.
Five years later—as if striking the match that would set fire to Jack’s life in Los Angeles, strip his character bare, and ultimately lead him to seek his father—a young woman (younger than he realized at the time) sat not quite fully clothed on Jack’s living-room couch in that forlorn dump he still lived in on Entrada Drive. She was thumbing through his address book, which she’d picked up off his desk, and reading aloud the women’s names. In an insinuating tone of voice, she would first say the name and then guess what relationship