Crush

here, with the unbridled power of the locomotive bearing down on her, knowing she was going to have to jump onto this moving monster, she started to have doubts she would be able to carry through on her plans. And that didn’t happen often to Karen Vail.

The train rumbled by her, first the locomotive and then the dining cars. She fought the urge to shut her eyes, to tell her there wasn’t a train barreling down the track to her left. Step the wrong way and she’d be crushed. Or worse.

And up ahead, just as she had suspected, John Mayfield moving closer to the train. The bastard wasn’t going to make this easy. As she started to feel the burn of the cold night air in her lungs, Vail realized she had no choice. It was either that or shoot him. And while that was an option, it was not a good one. She had a chance to catch him—ethically. When she reached the point that plan was no longer viable, she would raise her Glock and fire. But not yet.

As she mused on that thought, John Mayfield reached out and grabbed the iron railing on the third car, jumped, and pulled himself aboard.

FIFTY-FIVE

There were some things about being a profiler Karen Vail did not enjoy. She had made a list once, then folded it and shredded it. She didn’t need to be reminded she was dealing with the extremes of human depravity.

But one thing that was not on the list was jumping onto a moving train.

The wine train did not travel at the same speeds as a traditional train—because, after all, its purpose was to leisurely troll the five cities it passed through en route to its turnaround point, to allow its passengers ample time to enjoy the lush countryside, mountains, and vineyards, while savoring a wine-paired, freshly prepared meal at the hands of a renowned, onboard chef.

That’s what she kept telling herself as she pumped her arms harder, catching up a bit to the last car, reaching up for the railing—lifting herself up—and getting thrown back against the train’s siding. She held on, whipped around and stretched her right arm onto the opposing handle while feeling for the wide metal steps she knew lay somewhere near her feet.

She lunged forward—and slammed her shin into the hard edge of the step above. But at least she was aboard. She had a feeling that would not be the hardest part of catching John Mayfield.

A sudden, spasmodic coughing fit wracked her body. She bent forward while straining to hold on, hacking away until her throat felt raw. A moment later, she was able to stand erect, the spasm passing. She risked taking a deep breath, squared her shoulders, then wiped her mouth on her sleeve.

Inward and onward. Mayfield’s inside.

Vail pushed through the door, then reached for her handgun—but it wasn’t there. Neither was her backup weapon, which had been burned in the fire. Her Glock was locked in Dixon’s vehicle, where she had left it when they went to work out. There were no fixed Bureau rules on where to leave your sidearm when you were not able to carry it with you—so long as it was secure. Leaving it in a gym locker did not qualify as “secure”—so she’d left it in the car.

Fuck. Given Mayfield’s size—and what he does to his victims—she would have to be extremely careful, unarmed and in the close quarters of a train. Not much room to maneuver, to duck and roll— or run. Not that she shied from a conflict—this was Karen Vail—but cooler heads had to prevail, and if the circumstances were not to your advantage, you changed those circumstances so they would help you achieve your goal.

Vail apparently did not have that luxury.

She looked around, then stepped into the rail car and pulled her credentials case. Held it up to soothe the minds of the passengers and to identify herself should a fight with Mayfield break out. At least they’d know who to root for.

As she moved forward, the creds raised to eye level, the passengers waved and gave her a thumbs up. Actually, they did neither. Most sat there, some squinting confusion. The presence of an FBI agent who no doubt wore a very serious expression did not spell good news for the rest of their expensive wine train journey.

None of them presented a threat, so Vail moved on. She walked through the car, headed toward the end of the train, searching the seats—below and behind—for the big man who, until recently, went by the moniker of “UNSUB.”

But Mayfield was no longer an “unknown subject.” They knew who he was. And, at the moment, they knew where he was.

Except that Mayfield was not in this car. Vail turned around and walked toward the front of the train, the slight side-to-side sway of the car throwing off her balance as she stepped toward the doorway. Into the next car, also one with large, plush, fixed rotating seats that faced the windowed sides. And above, a glass ceiling.

But this was not time to dream about the vacation that could have been, the one that John Mayfield had stolen from her and Robby. Now was the time to catch the bastard, make him pay for the people he had murdered.

So she moved forward, suddenly realizing that while she was making her way through the train, there’d be no way to know if Mayfield had jumped off the train. Fuck. I hadn’t thought of that. I hate it when I blow something. And I blew this. But what was I to do? No backup. It was just me and my two eyes.

Vail pulled her phone and moved to the nearest window. Normally, the patrons in the gold velour seats would’ve moved aside at the sight of her big, black handgun. People tended to do that, FBI badge or not. But those who were unaware of who she was merely threw dirty looks at this pushy woman who was bullying her way past them to grab a window view. C’mon, people, it’s dark out now. Not a whole lot to see out there.

While standing there, nose against the glass, hoping to see a large man dressed in gym clothing bathed in a car’s headlights, she phoned Dixon. Dixon answered quickly, as if she was expecting the call.

“Yeah—”

“I’m on the train. You see Mayfield?”

“Who the hell’s Mayfield?”

“Panda,” Vail said. “Panda’s other name—his real name, I think—is John Mayfield. He was onboard, but I lost sight of him and have no way of telling if he’s jumped off.”

“Haven’t seen him. I’m in the car, coming up alongside the train now.”

“Good. Keep pace with it. I’ll let you know if I find him.”

If I go flying through the glass, that would likely serve as your first clue.

Vail signed off, shoved her BlackBerry into its holster, then crossed into the next car. No windowed skylight in this one. But a well-restored and meticulously maintained interior nonetheless. Carpeted interior, paisley fabric seats . . . and curtains on the windows. I could enjoy this, she thought, if Robby were here and she wasn’t chasing a serial killer through the Napa countryside.

Focus, Karen. Catch the fucker.

She moved between cars, hearing the rhythmic clanking as the wheels struck the rail joints, thump-thumping as the train barreled down the track. Vail scanned the car she was in. People seemed to lean away when they caught a glimpse of her—she was no doubt looking pretty ragged . . . hungry, tired, stressed, and, oh, yeah, there was that gold badge she was holding out in front of her. She hoped people still respected authority.

Vail forged forward into the next car, where patrons were sitting at tables, gold velour curtains blanketing the mirrorlike windows, beyond which lay the Napa countryside—actually, probably now Rutherford, on its way toward St. Helena, if she remembered her map correctly. There was a hint of light out the left windows, to the west . . . a silhouetted vineyard flicking by.

Gone, blurring past her, signaling the metaphoric passage of time.

Then she had a feeling. John Mayfield was still on the train. Somehow, she just knew.

So she moved forward. Stopped to ask a man in his forties if he had seen a large man dressed in gym attire moving through the cars. Yes, he said, and he pointed “thataway.” Vail couldn’t help thinking she was in some inane children’s cartoon, asking “Which way did he go?”

But she continued on nonetheless. Because this wasn’t an ink and celluloid drama. It was an honest to goodness race to find a man who murders people. Innocent people.