The Journeyer

And somehow she undid what must have been a single knot or clasp sustaining all her clothes, for they all dropped away from her at once. She stood before me in the warm lamplight, garbed only in her beauty and her provocative smile and her seeming surrender and one ornament, one only, a spray of three brilliant red cherries in the elaborately arranged black hair of her head.

Against the pale sharbat colors of the room, the Princess stood out vividly red and black and green and white: the cherries red upon her black tresses, her eyes green and their long lashes black and her lips red in her ivory face, her nipples red and her nether curls black against the ivory body. She smiled more broadly as she watched my gaze wander down her naked body and up again, to rest on the three living ornaments in her hair, and she murmured:

“As bright as rubies, are they not? But more precious than rubies, for the cherries will wither. Or will they instead”—she asked it seductively, running the red tip of her tongue across her red upper lip—“will they be eaten?” She laughed then.

I was panting as if I had run all the way across Baghdad to that enchanted chamber. Clumsily I moved toward her, and she let me approach to her arm’s length, for that was where her hand stopped me, reaching out to touch my foremost approaching part.

“Good,” she said, approving what she had touched. “Quite ready and eager for zina. Take off your clothes, Marco, while I attend to the lamps.”

I obediently disrobed, though keeping my fascinated eyes on her the while. She moved gracefully about the room, snuffing one wick after another. When for a moment Moth stood before one of the lamps, though she stood with her legs neatly together, I could see a tiny triangle of lamplight shine like a beckoning beacon between her upper thighs and her artichoke mount, and I remembered what a Venetian boy had said long ago: that such was the mark of “a woman of the most utterly desirable bedworthiness.” When all the lamps were extinguished, she came back through the darkness to me.

“I wish you had left the lamps alight,” I said. “You are beautiful, Moth, and I delight in looking at you.”

“Ah, but lamp flames are fatal to moths,” she said, and laughed. “There is enough moonlight coming through the window for you to see me, and see nothing else. Now—”

“Now!” I echoed in total and joyful accord, and I lunged, but she dodged adroitly.

“Wait, Marco! You forget, I am not your birthday gift.”

“Yes,” I mumbled. “I was forgetting. Your sister. I remember now. But why are you stripped naked, Moth, if it is she who—?”

“I said I would explain tonight. And I will, if you will restrain your groping. Hear me now. This sister of mine, being also a royal Princess, did not have to endure the mutilation of tabzir when she was a baby, because it was expected that she would someday marry royalty. Therefore, she is a complete female, unimpaired in her organs, with all of a female’s needs and desires and capabilities. Unfortunately, the dear girl grew up to be ugly. Dreadfully ugly. I cannot tell you how ugly.”

I said wonderingly, “I have seen no one like that about the palace.”

“Of course not. She would not wish to be seen. She is excruciatingly ugly, but tender of heart. So she keeps forever to her chambers here in the anderun, not to chance meeting even a child or a eunuch and frightening the wits out of such a one.”

“Mare mia,” I muttered. “Just how is she ugly, Moth? Only in the face? Or is she deformed? Hunchbacked? What?”

“Hush! She waits just outside the door, and she might hear.”

I lowered my voice. “What is this thing’s—what is this girl’s name?”

“The Princess Shams, and that is also a pity, for the word means Sunlight. However, let us not dwell on her devastating ugliness. Suffice it to say that this poor sister long ago gave up hope of making any sort of marriage, or even of attracting a transient lover. No man could look at her in the light, or feel her in the dark, and still keep his lance atilt for zina.”

“Che braga!” I muttered, feeling a frisson of chill. If Moth had not been still visible to me, only dimly but alluringly, my own lance might have drooped then.

“Nevertheless, I assure you that her feminine parts are quite normal. And they quite normally wish to be filled and fulfilled. That is why she and I contrived a plan. And, because I love my sister Shams, I conspire with her in that plan. Whenever she espies from her hiding place a man who wakens her yearning, I invite him here and —”

“You have done this before!” I bleated in dismay.

“Imbecile infidel, of course we have! Many and many a time. That is why I can promise you will enjoy it. Because so many other men have.”

“You said it was a birthday gift—”

“Do you disdain a gift because it comes from a generous giver of gifts? Be still and listen. What we do is this. You lie down, on your back. I lie across your waist, staying always in your view. While you and I fondle and frolic— and we will do everything but the ultimate thing—my sister creeps quietly in and contents herself with your lower half. You never see Shams or touch her, except with your zab, and it encounters nothing repugnant. Meanwhile, you see and feel only me. And you and I will excite each other to a delirium, so that when the zina is accomplished down there, you will never know it is not me you are having it with.”

“This is grotesque.”

“You may of course decline the gift,” she said coldly. But she moved close, so that her breast touched me, and it was anything but cold. “Or you can give me and yourself a delight, and at the same time do a good deed for a poor creature doomed always to darkness and nonentity. Well … do you decline it?” Her hand reached for the answer. “Ah, I thought you would not. I knew you for a kindly man. Very well, Marco, let us lie down.”

We did so. I lay on my back, as instructed, and Moth draped her upper body across my waist, so I could not see below it, and we commenced the preludes of music-making. She lightly stroked her fingertips over my face and through my hair and over my chest, and I did the same to her, and every time we touched, everywhere we touched, we felt the sort of tingling shock one can feel by briskly rubbing a cat’s fur the wrong way. But there was no wrong way she could have fondled me—or I her, as I discovered. Her nipples got perkily swollen under my touch, and even in the dim light I could see the dilation of her eyes, and I could taste that her lips were engorged with passion.

“Why do you call it music-making?” she softly asked at one point. “It is far nicer than music.”

“Well, yes,” I said, after thinking about it. “I had forgotten the kind of music you have here in Persia … .”

Now and then, she would extend a hand behind her, to stroke the part of me she was shielding from my sight, and each time that gave me a deliciously urgent start, and each time she withdrew her hand just in time, or I should have made spruzzo into the air. She let me reach a hand down to her own parts, only whispering in a quaver, “Careful with the fingers. Only the zambur. Not inside, remember.” And that fondling made her several times come to paroxysm.

And later she was straddling my chest, her body upright, her nether curls soft against my face, so that her mihrab was within reach of my tongue, and she whispered, “A tongue cannot break the sangar membrane. You may do with your tongue all you can do.” Though the Princess wore no perfume, that part of her was coolly fragrant, like fresh fern or lettuce. And she had not exaggerated in speaking of her zambur; it was like having the tip of another tongue meet mine there, and lick and flick and probe in response to mine. And that sent Moth into a constant paroxysm, only waxing and waning slightly in intensity, like the wordless singing she did in accompaniment.

Delirium, Moth had said, and delirium it became. I truly believed, when I made spruzzo the first time, that I was somehow doing it inside her mihrab, even though the mihrab was still close and warm and wet against my mouth. Not until my wits began to collect again did I realize that another female person had to be astride my lower body, and it had to be the seclusive sister Shams. I could not see her, and I did not try to or want to, but from her light weight upon me I could deduce that the other Princess must be small and fragile. I turned my mouth from Moth’s avidly thrusting mount to ask, “Is your sister much younger than you are?”

As if coming reluctantly back from far distances, she paused in her ecstasy just long enough to say, in a breathless small voice, “Not … very much …”

And then she dissolved into her distances again, and I resumed doing my best to send her ever farther and higher, and I repeatedly joined her in that soaring exultation, and I made my subsequent several spruzzi into the alien mihrab, not really caring whose it was, but retaining enough consciousness to hope vaguely that the younger