catastrophe?
How can you prevent something you can’t even name?
I click and click, and end up nowhere.
Feniton Acres is one of the eco-towns that sprung up before the housing crisis. I arrive there later than I had planned, sometime after six. The destination I have programmed into my satnav is part of a mall with a central car park. There is a jacuzzi franchise, a fishing-gear supplier, a vet’s, a cinema, a few upmarket clothes stores sporting mannequins in discreet leisurewear. Behind it all, there’s a golf course. The church itself, vast and pink, is low- slung, with a crab-like shell and a Scandinavian architecture-kit feel: a militantly uncombative building in a manufactured community. Amid the carefully spaced rowan trees and Japanese maple, I note with amusement that here, at least, the halt and the lame are welcome: In addition to several disabled parking bays, there is wheelchair access in the form of a cement ramp leading up to the main entrance.
Like many people concerned with the impression they make, I tend to hesitate in doorways — a bad habit which has worsened since my accident. But here, I do not have the luxury of preparing myself. The entrance is of the hospital or hypermarket variety, with sensored glass doors that slide open automatically. It must be well soundproofed because wheeling my way in, I’m hit by an unexpected boom of music. A disco-like hymn is underway. A rush of conditioned air brings an instant chill and gooseflesh to my bare arms. Inside there is a sea of people swaying to the music. They radiate happiness.
A few heads turn and I’m smiled at encouragingly. Among the five hundred or so worshippers, there’s a high proportion of black and brown skin in relation to white — much more than you would expect from Feniton Acres’s demographic. The hall is a giant carpeted space in a neutral, pale blue. Near the front, beneath a cement cross that rises in bas-relief from the whitewashed wall, there’s a band with guitars, some timpani, wind instruments and percussion, all played by men, apart from the saxophone, which is wielded by a teenaged girl in jeans. A few more smiles of welcome as I am ushered by a smart-suited young man to a space near the front of the hall, by an aisle, with a view of the action. He hands me a white envelope and a pen and whispers, ‘This is for your tithe. We all give what we can.’ On the front of the envelope are boxes to fill in, with name, address and credit-card information.
Near me a young woman is facing the congregation and swaying to the music using elegant arm and hand movements which look vaguely familiar. Several members of the audience, none of whom are singing, watch her intently. Then it dawns on me: they are deaf, and she is translating the hymn into sign-language. Though why she might need to I am not sure, as the words appear on a huge screen at the back of the hall in blue letters.
In front of me, a woman’s blocky body sways to the rhythm.
And then I see him.
In real life Leonard Krall is bulkier, more imposing and somehow more vital — more human — than the suave man in the photos on his website. He’s wearing a dove-grey suit, very well-cut, and has a microphone hooked over one ear. He doesn’t look like someone whose wife has been stabbed to death with a screwdriver and whose daughter is possessed by Satan. Catching my eye briefly and giving a nod, he rocks his whole body as he sings. A happy man, you’d say. A man who knows who he is and why he is here. A man in his element.
Unsure of the tune, when the chorus starts up again, I mouth the words. Around me, people are exchanging delighted, almost conspiratorial glances, as though they are all in on the same big secret. And perhaps they are. I think:
‘Those supermarket loyalty cards. Hands up who doesn’t have one?’ A ripple of laughter. ‘Well, I don’t know about you but most of the time I don’t give mine a second thought, except when it’s time to claim the discounts. But last time when the cashier was swiping my card through the machine I started to wonder about the word loyalty, and about the real transaction that’s going on here. As in, who’s being loyal to who — and why?’ He pauses, and as the nods kick in, he moves on to ‘the wider meaning of loyalty in our globalised society’. What kind of loyalty is important: loyalty to a retail provider, or a football team, or to our tribe (he indicates quotation marks), or to all of God’s children, whether or not they speak our language and even share our creed? Is it loyalty to a set of Christian principles? He thinks it is. You can see Bethany in him, in the upper part of the face, in the spacing of the eyes. There’s a potency. You could find him attractive. ‘War, famine, disease, catastrophes. The spread of atheism, climate change, the violence in Jerusalem and Iran. You watch. The political world is going to be shaken and shaken.
The woman next to me agrees emphatically, joining the chorus of murmurs and Amens. ‘There’s no doubt in my mind that evil forces are at work on Planet Earth. That the Devil is gearing up for something. Well, here’s God’s message: the followers of Christ are gearing up for something too!’ He stabs the air with his finger, prompting more murmurs and staccato claps of approval from the audience. ‘We’re gearing up for the Rapture!’ Cheers break out, and he’s pacing the hall like a panther, making flashes of eye contact. ‘There are signs. I see signs and I feel signs. Signs the Bible has spoken of. What did we all feel when we saw Christ come tumbling down the mountainside? Have you really chosen this hour, Lord, at the beginning of the twenty-first century, to rapture us and visit this planet with Ezekiel’s War?’ Not waiting for an answer, he thumps the air. ‘It is written, people! It is written!
Amen, comes the fervent murmur.
The home life of the Krall family. I want to ask questions. Did Bethany and her parents sit on a leather sofa together and watch inspirational DVDs? Did Karen Krall ensure her daughter consumed five portions of fruit and vegetables a day, as recommended by the Department of Health? Did Bethany come regularly to this church, and listen to Leonard’s gospel? What role does forgiveness play when your daughter leaves a screwdriver sticking out of your wife’s eye?
‘When Istanbul was razed to the ground,’ Krall is saying, ‘it confirmed a deep knowledge — a knowledge borne on the Faith Wave that we are part of — that the End Times are approaching. People, we have nothing to fear. Fear is the Devil’s weapon against us and we shall not allow him to prevail. We know we are safe and that the Lord will protect us. But what of our loved ones, and all those who are not saved, who have not found God’s love?’
There’s a murmur of assent in the audience. I learned at school, among the nuns, never to underestimate
