throats and onto their million wounds.
Eleanor already looks like a Chicken McNugget, so it’s hard to tell what’s going on with her, but the others are starting to sizzle and glow from the inside like they swallowed road flares on a bet and lost. That’s what happens to vampires dumb enough to drink angel blood.
It doesn’t take long for them to go catatonic, then flare fast and hot. Human flash paper. They sizzle for a few seconds and cook down to a fine gray ash. I growl the end of the hex and the air grows still. The vampires are all dead, except for Eleanor. She hunkered down and held on to me during the twister. My body blocked enough of the wind for her to survive, but just barely. She moves her cracked lips like she’s trying to talk. I lean my ear close to her.
“When you see Mutti, tell her I’m sorry. I only did what I did to scare her like she scares me and Daddy sometimes.”
When you’re hired to kill someone, the last thing you want is to have to give them absolution. You want them dead fast, not lying there asking you to be their therapist. Worse, you don’t want to hear anything that might make you feel sorry for them. I don’t want Eleanor’s mommy trauma in my head. She’s a monster just like me, but I want her to be a dead monster like her friends. She lets go of my leg and gives me a Say Good Night, Gracie sigh. A couple of minutes ago, I wanted to stick her on a spit and toast marsh-mallows on her while she burned. Now I cover her eyes with my hand and get out the black knife.
“Don’t move.”
I jam the blade between her ribs. One clean, surgical, pain-free thrust up into her heart. Eleanor stiffens, flares, and ashes out. The dead girl is finally dead.
I look around, making a quick mental map of the bodies and checking that we’re still alone. I can hear voices outside. Now that the wind has died down, some curious civilian is going to stick a nose in here soon. I have to work fast.
Eleanor’s clothes are pretty much gone, but I give her a quick pat-down. She’s wearing a gold locket that’s half-melted into her blackened chest. A couple of rhinestone rings have fallen off her fingers, so I grab those. No money in her pockets, but there’s a flat metal thing, about the size of a rodeo belt buckle. One side is blank. There’s a snarling demon encircled by a spooky monster alphabet on the other. Junk. Goth bling. That’s the other problem with baby Lugosis. Eleanor’s friends were brainless street kids and she wasn’t a vampire long enough for any educated bloodsuckers to clue her in to what she really was. Death in go-go boots. A V-8 devil doll who could explode like a cruise missile and bite like an armor-piercing shark. Silly, stupid kid. Maybe if she hadn’t pissed off whoever it was that got the Golden Vigil to call in the hit, she would have had enough time to figure that out.
Good night, Eleanor. I’m sure Mutti forgives you and maybe even misses you. As long as she never finds what you’ve been up to these last few weeks. She sure won’t find it out from me.
I give the ghoul belt buckle one more look. It’s heavy like metal, but the edges are chipped like an old china saucer. The dumbest fence in L.A. wouldn’t give me a dime for it. I toss it into the dark with the other trash and get to work on Eleanor’s friends, going through their pockets, bags, and backpacks. These aren’t Beverly Hills Lurkers, just a bunch of downtown scroungers, so I’m not exactly coming up with the crown jewels. Still, it’s tourist season, so there’s about three hundred in cash that didn’t burn up when they ashed out. Some joints, movie ticket stubs, car keys, condoms, and Eleanor’s play jewels. I toss everything but the jewelry and the cash. Looting the dead might seem harsh, but they don’t need the stuff anymore and the Vigil doesn’t pay overtime. Besides, killing monsters is my day job. The way I look at it, me stealing from the dead is like regular people pocketing Post-its on their way out of the office.
I go out into the sun and take a breath to clear the greasy flesh smoke and ashed bodies out of my lungs. I sit on my haunches, head down, my back against the broken theater door, just breathing. My face and chest are covered in darkening bruises and enough blood that it looks like I’ve been sumo wrestling in a barbwire kimono. My burned arm, the one Eleanor got back at the garage, is starting to flake black skin. When I look up, a dozen faces are locked on me, mostly old Mexican women holding T-shirts and pink-and-orange flip-flops.
I stand and the women take a step back like maybe they’re doing
She nods at me nervously, a big “please get the hell out of here before my brain explodes” smile plastered on her face. I take off my bloody shirt, drop it into the trash can by her register, and slip on the new shirt. I kill the water in three big gulps before walking back into the theater.
In the dark, Mason’s lighter sparks on the first try and I hear sirens just as the cigarette begins to glow.
The woman from behind the counter leans her head in the door.
“Hey, mister.”
She points out at the street.
“Thanks. I heard.”
She shoos me away with her hands.
“Just go. No trouble here.”
“Plenty of trouble here,” I tell her, pointing into the theater, where I left the bodies.
So, they knew about the pod. L.A. is a get-along kind of town. The ladies work the day shift and
The woman standing in the door turns to someone outside. I can hear them talking, but I don’t really listen. The cop’s voice is loud and clear and I know what he’s asking. I take my phone out of my pocket, go to Eleanor’s
