managed to cling to reality as we know it.

Malin can hear all his voices roaring. Out of the wardrobe, into the room, and on, into herself. A chill passes through her, a chill far worse than anything below zero outside the window.

Fault-lines.

Within and without.

The fantasy world.

The real world.

They meet. And right up to the end his consciousness knows what is required. Plays the game. I’ll escape: the last remnant for his mind to cling to before awareness and instinct become one.

Another map.

Another tree.

That’s where Rebecka was going to be hanged, isn’t it?

Don’t lose heart, Malin. It isn’t over yet.

I see Rebecka in her bed. She’s sleeping. The operation to transplant skin to her cheeks and stomach went well; maybe she won’t be as beautiful as she was before, but she’s long since abandoned vanity anyway. She isn’t in pain. Her son is sleeping on a bunk beside her bed, and new blood is pumping through her veins.

Karl isn’t doing so well.

I know. I ought to be angry with him, because of what he did to me. But he’s lying there in his cold earthen cellar, wrapped in blankets in front of a stove where the fire is fading and I can’t see anything but that he is the loneliest person on the planet. He doesn’t even have himself, and I always had that, even when I was at my most despairing and cut off Dad’s ear.

So I can’t be angry with such loneliness, because that would mean being angry with humanity, and that, if it isn’t impossible, is no consolation whatever. Fundamentally, we’re all basically good, we mean well, don’t we?

The wind is getting cold again.

Malin.

You have to go on.

I won’t get any peace until that wind has dropped.

Malin puts the book back.

She curses herself for leaving her fingerprints on it, but it doesn’t really matter now.

Who shall I call?

Zeke?

Sven Sjoman?

Malin pulls out her mobile, calls a number. It takes four rings before anyone answers.

Karin Johannison’s voice, full of sleep.

‘Yes, this is Karin.’

‘Malin here. Sorry to disturb you.’

‘No problem, Malin. I’m a light sleeper anyway.’

‘Can you come out to a flat at 34 Tanneforsvagen? Top floor.’

‘Now?’

‘Yes.’

‘I’ll be there in fifteen minutes.’

Malin examines Karl Murvall’s clothes.

Finds several strands of hair.

She puts them in a freezer-bag she finds in the kitchen.

She hears another car pull up in front of the building. A door closing.

She whispers down into the stairwell, ‘Karin, up here.’

‘I’m coming.’

Malin shows Karin round the flat.

Back in the hall Karin says, ‘We’ll have to examine the wardrobe, then the rest of the flat.’

‘That’s not why I wanted to get you here first. It’s because of these. I want DNA tests on them.’

Malin holds up the bag containing the strands of hair.

‘Right away. And compare the results with the profile of Maria Murvall’s attacker.’

‘Are they Karl Murvall’s?’

‘Yes.’

‘If I head off to the lab now, the results will be ready first thing tomorrow.’

‘Thanks, Karin. As quick as that?’

‘It’s easy with perfect samples like this. We’re not completely useless, you know. Why is it so important?’

‘I don’t know, Karin. But somehow it’s definitely important.’

‘What about all this?’ Karin gestures at the rest of the flat.

‘You’ve got colleagues, haven’t you?’ Malin says. ‘Even if they’re not as sharp as you?’

As Karin pulls away from the pavement Malin calls Sven Sjoman. Passes it on. Sets in motion things that need to be set in motion.

75

The bedroom of the flat is lit up by the arc lights brought in by the forensics team.

Sven Sjoman and Zeke look tired as they search the wardrobe. Earlier, over the phone, Sjoman had asked her why she had gone to the flat and how she had got in. ‘Just a feeling. And the door was open,’ she had said, and Sven had left it at that.

Zeke pulls on a pair of plastic gloves and reaches for the notebook again, leafs through it, reads, then puts it down once more.

Malin showed Sven and Zeke the book with its writing and maps as soon as they arrived, explained and drew connections, told them what she’d done, that Karin had already been there, gave them an outline of what must have happened, of the events leading up to this point. She noticed them getting even more tired from what she told them, that the fact that they had only just woken up was getting in the way of her words, and that they weren’t really absorbing what she was saying, even if Sven was nodding as if to agree that this must be the truth.

‘Bloody hell,’ Zeke says, turning to Malin. She’s sitting on the chair by the desk, longing for a cup of coffee.

‘Where do you think he is now?’

‘I think he’s in the forest. Somewhere out near the hunting cabin.’

‘We didn’t find him.’

‘He could be anywhere.’

‘He’s wounded. We know that. Rebecka Stenlundh said she hit him.’

A wounded animal.

‘We’ve put out a national alert,’ Sven says. ‘There’s also the possibility that he’s killed himself.’

‘Are we going to send dog-teams into the forest?’ Malin asks.

‘We’ll hold off until first thing in the morning. It’s too dark now. But the dogs can’t pick up scent in this cold, so maybe it isn’t such a great idea. The dog-handlers will know,’ Sven says. ‘We’ve got all our cars looking for him. And the only thing that suggests he’s in the forest are the marks on the maps in that notebook.’

‘That’s quite a lot,’ Malin says.

‘He wasn’t in the cabin late yesterday afternoon. If he’s injured he would have found his way somewhere at once where he can lie low. Which means that it’s highly unlikely that he’s in the cabin now.’

‘But he could be nearby.’

‘It will have to wait, Fors.’

‘Malin,’ Zeke says, ‘I agree with Sven. It’s five in the morning, and he wasn’t in the cottage as recently as early yesterday evening.’

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