Death Toll

‘“Local fare for local people,”’ said Shaw, standing. ‘What do you think? Definitely the cans?’

‘My prime suspect,’ said Poole, smiling, turning the can, reading the small print. ‘Certainly sufficient grounds to shut them down while we do the tests. It’s a stroke of luck, having the unopened can. Manager says they ordered just enough — people were asked to indicate what they wanted when they bought their tickets — but on the day a few changed their minds and asked for melon, so they had this one spare. We can look at the empties, of course — but this way there’s no argument: if there’s something nasty in the can, there’s no wriggle room.

‘And seafood’s always tricky — packed with dodgy critters — oysters, prawns, scallops, you name it. Then there’s the can. We’ll get this one back to the lab for a once over. You do get the odd dodgy batch; maybe the seal’s rusted, maybe the vacuum’s failed.’

Poole stood, bracing himself for the press call.

‘Good luck with the reptiles,’ said Shaw.

All the windows were open now and they could hear the electronic whirr of cameras. The gloomy fogbound light filtering through the stained-glass windows was boosted by a TV arc lamp.

Poole walked to the door, can of soup under his arm, whistling.

Shaw and Valentine faced each other across the round table, listening to his footsteps fade on the grand staircase. The table had been cleared of cutlery, glasses and crackers but a reservation sign remained on a metal spike: THE FLASK.

Shaw covered his eyes with his hands and tried to refocus. He seemed to spend his life refocusing, and for the first time he thought how tiring that was.

‘OK. So Jean’s changed the game a bit,’ he said. ‘We’ve got suspects. They’re not new — but the picture’s getting clearer, sharper,’ said Shaw, his voice echoing under the hammer-beam roof. ‘Maybe,’ he added, still worried by all the details that didn’t quite fit.

‘Fletcher,’ said Valentine, helping himself to a glass of white wine from a bottle that had been left on a side table, running a paper napkin round the rim. ‘On the night of the wake he’s going around asking people where Pat Garrison lives. Maybe nobody knows, or they won’t tell him. So he waits, sees the kid leave early, decides to follow him home. Maybe that’s all he wanted to do — get the address that way, then plan a little surprise. Something nasty through the letterbox.

‘But once he’s out in the night anything could happen — the kid sees him, confronts him in the cemetery. Fletcher’s beered up — perhaps he’s not alone. There was a table full of skinheads in that room, although most were still there for the choir’s second session. They give him a kicking, cosh him with the hook, then chuck him in the grave.’

‘And where’d the billhook come from?’ asked Shaw. ‘It’s not as though it’s a Swiss Army knife that you can slip in your back pocket.’ He leant forward and, overcome by a sudden weariness, surprised himself by pouring a glass of wine for himself. They seemed to be circling this case without being able to reach its heart.

‘You’re right,’ said Valentine, refilling his own glass. ‘I can’t see him doing it on his own. People like that, I’ve seen ’em on the street: BNP, National Front, British Party — never one-on-one, always in a crowd. That’s the way they work. No way he’d have gone after Pat without back-up.’

Shaw told his DS everything his sister had remembered about the night of Nora’s wake, and about Freddie Fletcher and Sam Venn. Valentine looked up at the intricate oak roof. ‘Venn, then — it’s a motive. They’re cousins, first cousins, Pat and Lizzie. It’s not …’ Valentine paused, assembling the right words. ‘It’s not some biblical debate for him, is it? It’s his life — it’s what he’s like, because of what it did to him.’ He took a third refill from the bottle. ‘What he thought it had done to him. I’m not saying he’d kill for that, but if his mate Fletcher was on a mission, perhaps he joined in. Cowards killed that kid — we know there’s more than one of them. Venn and Fletcher fit the bill — nothing on their own, but together they’re dangerous. That’s where my money is.’

‘Don’t forget John Joe Murray,’ said Shaw. ‘He says he didn’t know about Pat and Lizzie, but we’ve seen the film, and I think we can say that’s a lie. Why lie? Well, it’s a sensible thing to do if you want to avoid being a suspect in a murder inquiry. He doesn’t know we’ve got the film. Perhaps he saw them at the bar that night talking? A bit too close, a bit too knowing. Had he really given up on Lizzie? He admits he thought Lizzie was pregnant, so perhaps he was on the lookout for the father. Perhaps he wanted to scare Pat off, make it crystal clear he wasn’t going to get his feet under the table at the Flask. Murray says he stayed until midnight — so get Twine to check that out with our witnesses.’

Shaw stood. ‘That’s the problem with this crime, George. It’s all motive — you can’t move for motives. What we haven’t got enough of is evidence. Even if we could put all of them in the cemetery that night, at the right time, could we prove which of them struck the fatal blow? I doubt it. Unless one of them breaks down and gives us a nice neat confession I can’t see any way forward. One fact hasn’t changed right from the start — this is a twenty-eight- year-old crime. Not many of those get solved.’

Valentine rubbed his stomach under his raincoat. ‘’Cept we know someone was out there trying to dig up the grave this year. Six months ago. That’s not a cold case.’

Shaw took a menu off the neighbouring table, turned it over and began to make a list.

‘OK — let’s concentrate on that. What do we know? Either someone dug the hole and found what they were looking for, or they dug the hole and didn’t find what they were looking for. The second scenario seems marginally more likely as we know they were probably spotted and that the police turned up — and went on turning up on a nightly basis, so they couldn’t go back. So that implies that what they were looking for was still in the grave when we opened it up.’

Shaw completed the note, aware that outside they could still hear the electronic crackle from the mobile TV unit. He turned the napkin round for Valentine to check. On it was a list with three headings:

‘Have I missed anything?’ asked Shaw.

The DS studied the list for a full minute, then shook his head.

‘One of these items means more than we realize,’ said Shaw. ‘It means a lot to someone — someone close, someone we know.’

‘The glasses?’

‘We checked that out. The pub was presented with a set of a dozen etched glasses by the brewery before the war. There’s just three left behind the bar — Lizzie uses them. So — they came from the pub, that’s all we know.’

Valentine leant back in his chair, his neck bones clicking together like billiard balls.

Shaw thought about the model boat, the tiny shrouded bundle of Mary Tilden. ‘Alby Tilden — the father, what’s the latest?’ asked Shaw, clutching at the one piece of the jigsaw that was still missing from the family picture.

‘He’s been out for eleven years. Had some psychiatric problems, apparently — agoraphobia. Fear of the outside. They had to drag him out. In 2003 he was on some out-reach network run from Lincoln. Living on benefits. After that he slips off the radar. We know Lizzie Murray writes regularly, and was getting replies until a year ago; her letters to Alby go via Bea Garrison to an address in Retford. That’s been checked out, by the way — dead-end. The flat number we’ve got matches one that’s empty. Has been for a year. Tenant died. He was an old lag from Lincoln. And Twine’s having a real job getting the pension details as well. Latest promise is sometime today — but who knows?’

Shaw stood, the chair scraping horribly. He was struggling to think straight, haunted by the dead face of Charlie Clarke, who’d survived a world war only to be struck down by a can of rancid soup.

‘So that would explain why Alby hasn’t written for a year — Lizzie’s letters weren’t being passed on,’ said Shaw.

Valentine continued to stare at his notepad. ‘Well, you’d think so, but there’s an odd detail,’ he said. ‘When the Nottingham boys checked out the address in Retford they found that a neighbour’s been keeping the post. Twine asked them to check through, and there was nothing there from Lynn.’ He straightened his arm so that he could see his counterfeit Rolex. ‘I’ll get back to Bea Garrison — see what should be there.’

Shaw picked up the list of forensic exhibits from the opened grave.

‘Bea. The victim’s mother. Perhaps the only person in the world who really knew him. Lizzie had known him for, what, five months? Bea’d seen it all — twenty years of growing up. Get over to the Ark, George; sign out the forensics that were on Pat — the knife, the billhook, the sketch, the lot. Tom’s got copies of the sketches. Let’s see