He gazes down at Philip’s grizzled face, now as pale as alabaster, stippled with blood.
A flicker of life still glints in Philip’s eyes, as the two brothers meet each other’s gaze. For a brief instant, Brian flinches at the glacier of sorrow cutting through him, the connection between the two siblings as thick as blood, as deep as the earth, now fracturing Brian’s soul with the power of shifting tectonic plates. The weight of their common history—the endless tedium of grammar school, the blessed summer vacations, the passing of late- night whispers from one bunk bed to the other, their first beers on that ill-fated Appalachian camping trip, their secrets, their fights, their small-town dreams foiled by life’s cruel equations—all of it slices through his soul.
Brian weeps.
His cries—as shrill and keen as that of an animal in a trap—rise up into the darkening sky, blending with the distant whining of race cars. He sobs so hard he doesn’t even notice Philip’s passing.
When Brian looks back down at his brother, Philip’s face has hardened into a marble-white sculpture.
The foliage trembles twenty feet away. At least a dozen Biters of all shapes and sizes are forcing their way through the thicket.
The first one, an adult male in tattered work clothes, pops through the branches with arms reaching at the nothingness, shoe-button eyes scanning the clearing. The thing fixes its gaze on the closest meal: Philip’s cooling corpse.
Brian Blake rises to his feet and turns away. He can’t watch. He knows this is the best option. The
He shoves the .38 back behind his belt and heads for the construction site.
Brian finds a perch on top of a truck cab to wait out the feeding frenzy.
His brain is a television tuned to many stations all at once. He draws his pistol and clutches it like a security blanket.
The cacophony of voices, the fragments of half-formed images, all crackle and flicker inside Brian’s skull. The twilight has passed into full-bore darkness, the closest vapor light hundreds of yards off. But Brian sees the world around him in photo-negative brilliance now, his fear as keen as a knife edge. He is alone now … as alone as he has ever been … and it eats at him deeper than any zombie.
The wet, gurgling, sucking noises coming from the clearing are barely audible above the constant buzzing of dirt track racers. Somewhere in the back of Brian’s hectic thoughts, he knows that the din of the racetrack is drowning the commotion in the clearing—probably part of Philip’s plan, his abduction of the girl going unheard, unseen.
Through the lacing of brambles and foliage, Brian can see the silhouettes of monsters tearing into the human remains left in the clearing. Clusters of zombies hunch over their quarry, apelike, gorging on hunks of flesh, detached bones dripping with gore, flaps of skin, torn scalps, unidentified appendages, and sopping organs still warm and steaming in the chill air. More of them crowd in, clumsily shoving each other aside, grunting for a morsel.
Brian closes his eyes.
For a moment, he wonders if he should pray. He wonders if he should offer a silent eulogy for his brother, for Nick and the woman, for Penny, for Bobby Marsh, for David Chalmers, for the dead, for the living, and for this whole fucked-up, broken, godforsaken world. But he doesn’t. He simply sits there as the zombies feed.
Some time later—God only knows when—the Biters drift away from the flensed, excoriated remains now lying strewn across the clearing.
Brian slips off the roof of the truck cab and makes his way back through the darkness to the apartment.
That night, Brian sits in the empty apartment, in the living room, in front of the empty, scummy fish tank. It’s the end of the programming day in Brian’s brain. The national anthem has been sung, the broadcast has signed off, and now only a blizzard of white noise blankets his thoughts.
Still clad in his filthy jacket, he sits staring through the fish tank’s rectangular glass side—which is filmed in green mold, and mottled with specks of chum—as though watching some monotonous still life being broadcast from hell. He sits this way, staring trancelike into the vacuous heart of that fish tank, for endless minutes. The minutes turn into hours. His mind-screen is a blank cathode-ray tube boiling with electronic snow. The coming of daylight barely registers. He doesn’t hear the commotion outside the apartment, the troubled voices, the sounds of vehicles.
The day drags on—time now meaningless—until the next evening draws its curtain of darkness down over the apartment. Brian sits in the dark, oblivious to the passage of time, continuing to stare with catatonic interest at the invisible broadcast originating from the empty shell of the fish tank. The next morning comes and goes.
At some point that next day, Brian blinks. The flicker of a message sparks and sputters across the blank screen of his mind. At first, it’s faint and garbled, like a poorly transmitted signal, but with each passing second, it grows stronger, clearer, louder: GOOD-BYE.
Like a depth charge in the center of his soul, the word implodes in a convulsion of white-hot energy, jerking him forward in the shopworn armchair, sitting him bolt upright, forcing open his eyes.
—
He’s dehydrated and stiff, his stomach empty, his pants soaked through with his own urine. For nearly thirty- six hours, he sat in that chair, comatose, as still as a divining rod, and moving isn’t easy at first, but he feels cleansed, scourged, as clearheaded as he’s ever been. He limps into the kitchen and finds little in the cupboard other than a couple of cans of peaches. He tears one open and wolfs the whole thing down, the juice running across his chin. Peaches have never tasted so good. In fact, it occurs to him that perhaps he has never tasted peaches before. He goes into the bedroom and changes out of his disgusting clothes … puts on his only other pair of jeans and his only other shirt (an AC/DC silk-screened tee). He finds his spare Dr. Martens boots and slips them on.
Mounted on the back of the door is a cracked, floor-length mirror.
A wiry, disheveled, compact ferret of a man stares back at him. The crack in the looking glass bisects his narrow visage and his thatch of long, unruly black hair. His face is fringed with straggly whiskers, his eyes sunken and rimmed in dark circles. He hardly recognizes himself.
“Whatever,” he says to the mirror, and walks out of the room.
He finds his .38 in the living room, along with one last speed-loader—the last six rounds in his possession— and he shoves the gun down the back of his belt, the speed-loader into his pocket.
Then he visits Penny.
“Hey there, kiddo,” he says with great tenderness as he enters the laundry room. The narrow chamber of linoleum reeks of the dead. Brian barely notices the smell. He goes over to the little creature, who growls and sputters at his presence, straining against her chains. She’s the color of cement, her eyes like smooth stones.
Brian crouches down in front of her, looks in her bucket. It’s empty.
He looks up at her. “You know I love you, right?”
The Penny-thing snarls.
Brian strokes the side of her delicate little ankle. “I’m going to go get some supplies, sweetheart. I’ll be back before you know it, don’t worry.”
The little dead thing cocks its head and lets out a groan that sounds like air running through rusty pipes. Brian pats her on the leg—out of the range of her rotting incisors—and then rises to his feet.
“See ya soon, sweetie.”
The moment that Brian slips unnoticed from the side door of the apartment, and starts north, striding through the raw winds of the afternoon, his head down, his hands in the pockets of his jacket, he can tell something is going on. The racetrack is silent. A couple of townspeople run past him, their eyes aglow with alarm. The air reeks of the dead. Off to the left, behind the barricade of buses and semis, scores of walking corpses wander along the barrier, sniffing for a way in. Up ahead, black smoke pours out of the clinic’s incinerator. Brian quickens his pace.
As he closes in on the town square, he can see, way in the distance, at the north end of the safe zone, where the fence is under construction, men standing on wooden parapets with rifles and binoculars. They don’t look happy. Brian hurries along. All his pain—the stiffness in his joints, the throb in his ribs, all of it—vanishes amid the high-
