The Walking Dead: The Road to Woodbury

unidentified cartons of merchandise. The single customer present—an older woman bundled in down and scarves— sees Josh and brushes past him, hurrying out the door, averting her eyes. The cool air vibrates with the artificial warmth of space heaters and the crackle of human tension.

In the rear corner of the store, among sacks of seed stacked to the rafters, sits a makeshift counter. A man in a wheelchair is positioned behind the counter, flanked by two armed guards.

Josh walks up to the counter. “How y’all doin’ this morning?”

The man in the wheelchair looks up through lidded eyes. “Holy shit, you’re a big one,” he comments, his long, straggly beard twitching. He wears faded army dungarees, and a headband cinches his greasy, iron-gray ponytail. His face is a map of degradation, from his rheumy red-rimmed eyes to his ulcerated beak of a nose.

Josh ignores the comment. “Just wondering if y’all have any fresh produce? Or maybe some eggs we might take off your hands in trade?”

The man in the wheelchair stares. Josh can feel the suspicious gazes of the armed guards. The gunmen are both young, black, dressed in quasi-gang colors. “Whaddaya have in mind?”

“The thing is, we just brought in a whole slew of items from Walmart with Martinez … so I’m wondering if we can work something out.”

“That’s between you and Martinez. What else you got for me?”

Josh starts to answer when he notices all three men are staring at Lilly, and the way they’re staring at her puts Josh’s hackles up.

“What’ll this buy me?” Josh says finally, shooting his cuff, fiddling with the buckle of his watchband. He snaps it off and lays the sports watch on the counter. It’s not a Rolex but it’s no Timex, either. The chronograph set him back three hundred bucks ten years ago when his catering job was bringing in decent money.

Wheelchair Man looks down his blemished nose at the shiny thing on the counter. “’The tarnation is that?”

“It’s a Movado, worth five hundred easy.”

“Not around here it ain’t.”

“Give us a break, will ya? Been eating outta cans for weeks.”

The man picks up the watch and inspects it with a sour expression as though it’s covered in feces. “I’ll give ya fifty dollars’ worth of rice and beans, slab bacon, and them Egg Beaters.”

“C’mon, man. Fifty dollars?”

“Got some white peaches in back, too, just came in from the road, I’ll throw those in. That’s all I can do.”

“I don’t know.” Josh looks at Lilly, who stares back at him with a shrug. Josh looks at Wheelchair Man. “I don’t know, man.”

“That’ll keep the two of you going for a week.”

Josh sighs. “That’s a Movado, man. That’s a fine piece of craftsmanship.”

“Lookit, I ain’t gonna argue with—”

A baritone voice from behind the guards rings out, interrupting the man in the wheelchair. “What the fuck’s the problem?”

All heads turn toward a figure coming around the corner of the stockroom, wiping his bloody hands in a towel. The tall, gaunt, weathered man wears a horribly stained butcher’s apron, the fabric mottled with blood and marrow. His chiseled, sunburned face, set off by ice-chip blue eyes, glowers at Josh. “There a problem here, Davy?”

“Everything’s hunky-dory, Sam,” the man in the wheelchair says, not taking his eyes off Lilly. “These folks were somewhat dissatisfied with my offer, and they were just leaving.”

“Hold on a second.” Josh raises his hands in a contrite gesture. “I’m sorry if I offended you but I didn’t say I was—”

“All offers are final,” Sam the Butcher announces, throwing his grisly-looking towel on the counter and glaring at Josh. “Unless…” He seems to change his mind. “Forget it, never mind.”

Josh looks at the man. “Unless what?”

The man in the apron looks at the others, then purses his lips thoughtfully. “See … what most folks do around here is work off their debts, pitching in on the wall, patching fences, stacking sandbags and such. You’ll definitely get more bang for your buck offering up them big muscles of yours in trade.” He gives Lilly a look. “’Course there’s all kinds of services a person could provide, all kinds of ways to get more bang.” He grins. “Especially a person of the female persuasion.”

Lilly realizes the men behind the counter are all looking at her now, each of them grinning lasciviously. At first she’s taken by surprise, and she just stands there blinking. Then she feels all the blood rushing out of her face. She gets dizzy. She wants to kick over the table, or storm out of that musty-smelling chamber, knocking over the shelves and suggesting that they all fuck themselves. But the fear, the throat-closing fear—her old nemesis—holds her paralyzed, her feet nailed to the floor. She wonders what the hell is wrong with her. How did she survive this long without getting devoured? All she’s been through and she can’t even deal with a few sexist pigs?

Josh speaks up. “Okay, you know what … this is not necessary.”

Lilly looks at the big black man and sees his huge, square jaw tensing. She wonders whether Josh is talking about the concept of Lilly trading sexual services not being necessary or these thugs making crude, chauvinist comments not being necessary. The store gets very quiet. Sam the Butcher levels his gaze at Josh.

“Don’t be so quick to judge, Big Hoss.” An ember of contempt smolders in the butcher’s humorless blue eyes. He wipes his slimy hands on the apron. “Little lady with a body like that on her, you could be swimming in steak and eggs for a month.”

The smirks on the other men turn to laughter. But the butcher barely smiles. His impassive stare seems to be locked on to Josh with the intensity of an arc welder. Lilly feels her heart racing.

She puts a hand on Josh’s arm, which is pulsing under his lumberjack coat, tendons as coiled as telephone cable. “C’mon, Josh,” she says, almost under her breath. “It’s okay. Get your watch and let’s go.”

Josh smiles respectfully at the laughing men. “Steak and eggs. That’s a good one. Listen. Keep the watch. We’ll take you up on them beans and Egg Beaters and the rest.”

“Go get ’em their food,” the butcher says, still with those pale blue eyes fixed on Josh.

The two guards disappear in the back for a moment, gathering up the items. They return with a crate filled with oil-spotted brown paper sacks. “Appreciate it,” Josh says softly, taking the food. “We’ll let you fellas get back to your business. Have a good day.”

Josh ushers Lilly toward the door, Lilly hyperaware now of the gazes of the men on her backside the whole way out.

*   *   *

That afternoon, a commotion in one of the vacant lots on the northern edge of the village draws the attention of the townspeople.

Outside one of the cyclone fences, behind a wooded grove, a series of nauseating shrieks echoes on the wind. Josh and Lilly hear the screaming, and they race along the edge of the construction zone to see what’s going on.

By the time they reach a high mound of gravel and climb to the top to see into the distance, three gunshots have rung out over the treetops a hundred and fifty yards away.

Josh and Lilly crouch down in the dying sun, the wind in their faces, as they peer around a pile of debris and notice five men in the distance, near a hole in the fence. One of the men—Blake, the self-proclaimed Governor— wears a long coat and holds what appears to be an automatic pistol in his hand. The scene crackles with tension.

On the ground in front of Blake, tangled in the jagged, torn chain-link fence, a teenage boy, bleeding from bite wounds, claws at the dirt, trying frantically to extricate himself from the fence and return home.

In the shadows of the forest, directly behind the boy, three dead walkers lie in heaps, their skulls breached by gunfire, and the narrative of what has just happened coalesces in Lilly’s mind.

The boy apparently lit out by himself to explore the woods, and he was attacked. Now, badly wounded and infected, the boy, trying to return to safety, writhes in pain and terror on the ground, as Blake stands emotionlessly over him, gazing down with the impassive stare of an undertaker.