The Governor presses in closer. “I’m not getting a consensus here. I’ll ask you again, Lilly. You understand the agreement?”
Lilly refuses to speak.
The Governor draws his pearl-handled .45 army Colt, snaps back the slide, and presses the muzzle to her head. But before he can say another word, or send a bullet into her brain, Lilly looks up at him.
“I understand.”
* * *
Some of the drunker patrons are throwing trash and empty bottles into the arena, tormenting the captive biters, who flail impotently on their chains, their rotting lips dripping with black drool. The two dead combatants lie in heaps just out of reach of the zombies, as the crowd jeers and catcalls. This has been going on for almost an hour.
The amplified voice crackles:
This news gets their attention, and the cacophony of yelps and whoops and whistles dies down. The forty or so spectators awkwardly return to their front-row seats, some of them tripping on drunken feet. Within minutes the entire crowd has coalesced down front, behind the cyclone-fence barricade that once protected race fans from spinouts and flaming tires flying off the track.
From the middle gangway, like a ghost, the long-coated figure emerges from the shadows into the cold vapor of calcium lights, blood stippled and muddy, his coattails flagging in the wind, a Trojan commander returning from the siege of Troy. Striding out to the center of the infield, standing amid the expired guardsmen, he whips the mike cord behind him, raises the mike, and booms into it:
The crowd, most of them drunk, lets out an intoxicated cheer.
The drunken voices fade. The faces behind the chain link go slack. He’s got their attention now. The wind in the high gantries punctuates the silence.
Now the silence grips the arena like a pall. The spectators do not expect this, their heads cocked as though hanging on every word.
One older gentleman a few rows above the others stands on wobbly knees, his Salvation Army topcoat buffeting in the wind, and he begins to clap, nodding his head, his grizzled jaw jutting proudly.
Now more and more of the onlookers stand and begin to applaud, some of them spontaneously sobering up, finding their voices, cheering as though in a church service responding to a hallelujah.
The Governor’s sermon strikes a climactic chord:
By this point, nearly every spectator has risen to their feet, and the roar of their voices—a sound not unlike an old-fashioned tent revival meeting—reverberates up into the upper tiers and echoes across the night sky. People are clapping, hollering their approval, and exchanging glances of relief and pleasant surprise … and perhaps even hope.
The fact is, from this distance, behind the cyclone fence, most of them glassy-eyed from drinking all night, the spectators do not notice the bloodthirsty glint behind the dark eyes of their benevolent leader.
* * *
The next morning, the slender young woman in the ponytail finds herself down in the fetid, reeking atmosphere of the abattoir under the stadium.
Clad in her bulky Georgia Tech sweatshirt, antique jewelry, and ripped jeans, Lilly does not shake, does not feel compelled to chew her fingernails, does not in fact feel
She in fact feels nothing but a low simmering rage as she crouches in the dim light of the subterranean chamber, wielding the eighteen-inch Teflon-coated axe.
She brings the axe down hard and true, chopping the gristle of the Swede’s severed leg, which is stretched across the floor drain. Making a wet popping noise like a pressurized lid opening, the blade slices through the knee joint as a chef’s knife might notch a raw drumstick from a chicken thigh. The backsplash of blood spits up at Lilly, stippling her collar and chin. She barely notices it as she tosses the two sections of human limb into the plastic garbage bin next to her.
The bin contains parts of the Swede, Broyles, Manning, and Zorn—a caldron of single-serving-sized entrails, organs, hairy scalps, slimy white ball joints, and severed limbs—collected and stored on ice to keep the games running, keep the arena zombies complacent.
Lilly wears rubber garden gloves—which have turned a dark shade of purple over the course of the last hour —and she has allowed her anger to fuel her axe blows. She has dismantled three bodies with the greatest of ease, barely noticing the other two men—Martinez and Stevens—laboring in opposite corners of the filthy, windowless, gore-stained cinder-block chamber.
No words are exchanged among the shunned, and the work goes on unabated for another half an hour when, sometime around noon, the sound of muffled steps coming from out in the corridor on the other side of the door registers in Lilly’s deafened ears. The lock clicks, and the door opens.
“Just wanted to check on your progress,” the Governor announces, coming into the room in a smart leather vest, a pistol holstered on his thigh, and his hair pulled back and away from his chiseled features. “Very impressive work,” he says, coming over to Lilly’s bin and glancing down at the gelatinous contents. “Might need to procure a few morsels later for feeding purposes.”
Lilly doesn’t look up. She keeps chopping, tossing, and wiping the edge of her blade on her jeans. At last she pulls an entire upper body cavity, which still has the cadaver’s head attached, across her chopping area.
“Carry on, troops,” the Governor says with an approving nod, before turning and heading for the door. As he slips out of the room, Lilly murmurs something under her breath that no else can hear.
The voice in her head—firing across the synapses in her brain—reaches her lips on barely a whisper, directed at the Governor.
“Soon … when you’re not needed … this will be
She brings the axe down again and again.
Also by Robert Kirkman and Jay Bonansinga