that, though I could not find any other motivations that made as much sense.
She had turned away from the window, and she looked at me curiously. I suppose I looked like a caged animal, prowling that room, sniffing the brilliant canvases for solace and finding no solace.
I turned and looked at her. But when I tried to speak, there was nothing to say. I thought, perhaps, in some way I could never understand, she realized the nature of my problem more completely than I did.
She crossed the room, her body doing wonderful things to the clinging black fabric of her dress, and placed a soft hand upon my lips. 'It's getting late,' she said.
She took her hand away.
'When do we start?' I asked.
'Tomorrow. And we tape all the interviews.'
'Tomorrow, then,' I said.
'Tomorrow, then.'
And she was gone in a whirlwind of efficiency that left me standing with my drink in my hand and my 'goodbye' in my mouth like a lump of used lard.
I went to bed to dream? ? and I woke up needing comfort, a strange comfort that I could find but one place:
IT IS FOUR O'CLOCK IN THE MORNING, the metal headshrinker said as it swallowed me and thrust its ethereal fingers into the pudding of my brain.
I know.
RELAX AND TALK.
What should I say? Tell me what it is that I could-that I should say to you.
START WITH A DREAM IF YOU'VE HAD ONE.
I always have one.
THEN START.
There are storm clouds in the sky: dark, thick, mysterious. There is no place where the sun shows. Below all this piling grayness, beneath the scudding harbingers of rain, there is a hill, a large and rounded hill formed by Nature into a grotesque, gnarled lump, a blemish upon the face of the earth. There are people? people…
GO ON. The same old urging-go on, go on, go on
There are people? and there is a cross? a wooden cross
FOCUS ON THE CROSS. WHAT DO YOU SEE THERE?
Me.
YES?
Nailed. Blood. Much blood. White, festered wounds dribbling rusty blood around the edges of little holes, neat little holes like the cavities left when you rip the buttons from the faces of rag dolls? Rusty blood there
WHO IS IN THE CROWD?
Harry. I see Harry there. He's weeping.
WHY IS HE WEEPING?
For me.
WHO ELSE?
I'm thirsty.
WHO ELSE?
I'm thirsty. Very thirsty.
THEY WILL GIVE YOU WATER SOON. THEY
WILL SLAKE YOUR THIRST. NOW WHO ELSE IS
IN THE CROWD?
Morsfagen is casting dice for my cloak. And over there, beyond him, is a pregnant woman who is
GO ON, PLEASE
.
Please this time?
GO ON.
I look at her belly? and? there? is Child. He is weeping too. But he is not weeping for the same reason that Harry is. He isn't weeping for me. It's because he wants up there where I am. He wants out of that woman's womb and up on the cross, nailed and bleeding and thirsty and dying. He wants it so bad that he writhes inside her in fury, wanting out
DO YOU KNOW WHY HE WANTS OUT?
For the same reason I am happy to be there.
YOU ENJOY BEING ON THE CROSS?
Yes.
WHY?
WHY?
I don't know.
DO YOU SEE ANYONE ELSE IN THE CROWD?
No! Oh, no! Oh, my God, my God, my God!
WHAT IS IT? WHAT IS THE MATTER?
