hole, bathed in the unearthly orange glow that shone up from the mysterious, shifting bottom of it.
Soon, he would have to kill the children. He was giving lack Dawson a few hours yet, one last opportunity to back down, but he was fairly sure that Dawson would not relent.
He didn't mind killing children. He looked forward to it. There was a special exhilaration in the murder of the very young.
He licked his lips.
The sound issuing from the pit — the distant susurration that seemed to be composed of tens of thousands of hissing, whispering voices — grew slightly louder when the photographs were suspended where Lavelle wanted them. And there was a new, disquieting tone to the whispers, as well: not merely anger; not just a note of menace; it was an elusive quality that, somehow, spoke of monstrous needs, of a hideous voracity, of blood and perversion, the sound of a dark and insatiable
Lavelle stripped out of his clothes.
Fondling his genitals, he recited a short prayer.
He was ready to begin.
To the left of the shed door stood five large copper bowls. Each contained a different substance: white flour, corn meal, red brick powder, powdered charcoal, and powdered tennis root. Scooping up a handful of the red brick powder, allowing it to dribble in a measured flow from one end of his cupped hand, Lavelle began to draw an intricate design on the floor along the northern flank of the pit.
This design was called a veve, and it represented the figure and power of an astral force. There were hundreds of veves that a
Lavelle scooped up a second handful of red brick powder and continued his work. In a few minutes he had drawn the veve that represented Simbi Y-An-Kitha, one of the dark gods of Petro:
He scrubbed his hand on a clean dry towel, ridding himself of most of the brick dust. He scooped up a handful of flour and began to draw another veve along the southern flank of the pit. This pattern was much different from the first.
In all, he drew four intricate designs, one on each side of the pit. The third was rendered in charcoal powder. The fourth was done with powdered tennis root.
Then, careful not to disturb the veves, he crouched, naked, at the edge of the pit.
He stared down.
Down…
The floor of the pit shifted, boiled, changed, swirled, oozed, drew close, pulsed, receded. Lavelle had placed no fire or light of any kind inside the hole, yet it glowed and flickered. At first the floor of the pit was only three feet away, just as he had made it. But the longer he stared, the deeper it seemed to become. Now thirty feet instead of three. Now three hundred. Now three miles deep. Now as deep as the center of the earth itself. And deeper, still deeper, deeper than the distance to the moon, the stars, deeper than the distance to the edge of the universe.
When the bottom of the pit had receded to infinity, Lavelle stood up. He broke into a five-note song, a repetitive chant of destruction and death, and he began the ritual by urinating on the photographs that he had strung on the cord.
VII
In the squad car.
The hiss and crackle of the police-band radio.
Headed downtown. Toward the office.
Chain-rigged tires singing on the pavement.
Snowflakes colliding soundlessly with the windshield. The wipers thumping with metronomic monotony.
Nick Iervolino, the uniformed officer behind the wheel, startled Jack out of a near-trance: “You don't have to worry about my driving, Lieutenant.”
“I'm sure I don't,” Jack said.
“Been driving a patrol car for twelve years and never had an accident.”
“Is that right?”
“Never even put a scratch on one of my cars.”
“Congratulations.”
“Snow, rain, sleet — nothing bothers me. Never have the least little trouble handling a car. It's a sort of talent. Don't know where I get it from. My mother doesn't drive. My old man does, but he's one of the worst you've ever seen. Scares hell out of me to ride with him. But me — I have a knack for handling a car. So don't worry.”
“I'm not worried,” Jack assured him.
“You sure
“How's that?”
“You were grinding the hell out of your teeth.”
“Was I?”
“I expected to hear your molars start cracking apart any second.
“I wasn't aware of it. But believe me, I'm not worried about your driving.”
They were approaching an intersection where half a dozen cars were angled everywhichway, spinning their tires in the snow, trying to get reoriented or at least out of the way. Nick lervolino braked slowly, cautiously, until they were traveling at a crawl, then found a snaky route through the stranded cars.
On the other side of the intersection, he said, “So if you aren't worried about my driving, what is eating at you?”
Jack hesitated, then told him about the call from Lavelle.
Nick listened, but without diverting his attention from the treacherous streets. When Jack finished, Nick said, “Jesus Christ Almighty!”
“My sentiments exactly,” Jack said.
“You think he can do it? Put a curse on your kids? One that'll actually work?”
Jack turned the question back on him. “What do you think?”
Nick pondered for a moment. Then: “I don't know. It's a strange world we live in, you know. Flying saucers, Big Foot, the Bermuda Triangle, the Abominable Snowman, all sorts of weird things out there. I like to read about stuff like that. Fascinates me. There're millions of people out there who claim to've seen a lot of truly strange things. Not all of it can be bunk — can it? Maybe some of it. Maybe most of it. But not all of it. Right?”
“Probably not all of it,” Jack agreed.
“So maybe voodoo works.”
Jack nodded.
“Of course, for your sake, and for the kids, I hope to God it doesn't work,” Nick said.
They traveled half a block in silence.
Then Nick said, “One thing bothers me about this Lavelle, about what he told you.”
“What's that?”
“Well, let's just say voodoo
“Okay.”
“I mean, let's just pretend.”
“I understand.”
“Well, if voodoo works, and if he wants you off the case, why would he use this magic power of his to kill your kids? Why wouldn't he just use it to kill you? That'd be a lot more direct.”