She turned and bolted away from them.
They shrieked with what might have been anger or glee or both — or neither. A cold, alien cry.
Without looking back, she knew they were coming after her.
She ran along the sidewalk, the cathedral at her right side, heading toward the corner, as if she intended to flee to the next block, but that was only a ruse. After she'd gone ten yards, she made a sharp right turn, toward the cathedral, and mounted the steps in a snowkicking frenzy.
The goblins squealed.
She was halfway up the steps when the lizard-thing snared her left leg and sank claws through her jeans, into her right calf. The pain was excruciating.
She screamed, stumbled, fell on the steps. But she continued upward, crawling on her belly, with the lizard hanging on her leg.
The cat-thing leaped onto her back. Clawed at her heavy coat. Moved quickly to her neck. Tried to nip her throat. It soothly a mouthful of coat collar and knitted scarf.
She was at the top of the steps.
Whimpering, she grabbed the cat-thing and tore it loose.
It bit her hand.
She pitched it away.
The lizard was still on her leg. It bit her thigh a couple of inches above her knee.
She reached down, clutched it, was bitten on the other hand. But she ripped the lizard loose and pitched it down the steps.
Eyes shining silver-white, the cat-form goblin was already coming back at her, squalling, a windmill of teeth and claws.
Energized by desperation, Rebecca gripped the brass handrail and lurched to her feet in time to kick out at the cat. Fortunately, the kick connected solidly, and the goblin tumbled end over end through the snow.
The lizard rushed toward her again.
There was no end to it. She couldn't possibly keep both of them at bay. She was tired, weak, dizzy, and wracked with pain from her wounds.
She turned and, trying hard to ignore the pain that flashed like an electric current through her leg, she flung herself toward the door through which Penny and Davey had entered the cathedral.
The lizard-thing caught the bottom of her coat, climbed up, around her side, onto the front of the coat, clearly intending to go for her face this time.
The catlike goblin was back, too, grabbing at her foot, squirming up her leg.
She reached the door, put her back to it.
She was at the end of her resources, heaving each breath in and out as if it were an iron ingot.
This close to the cathedral, right up against the wall of it, the goblins became sluggish, as she had hoped they would, just as they had done when pursuing Penny and Davey. The-lizard, its claws hooked in the front of her coat, let go with one deformed hand and swiped at her face. But the creature was no longer too fast for her.
She jerked her head back in time and felt the claws trace only light scratches on the underside of her chin. She was able to pull the lizard off without being bitten; she threw it as hard as she could, out toward the street. She pried the cat-thing off her leg, too, and pitched it away from her.
Turning quickly, she yanked open the door, slipped inside St. Patrick's Cathedral, and pushed the door shut after her.
The goblins thumped against the other side of it, once, and then were silent.
She was safe. Amazingly, thankfully safe.
She limped away from the door, out of the dimly lighted vestibule in which she found herself, past the marble holy water fonts, into the vast, vaulted, massively-columned nave with its rows and rows of polished pews. The towering stained-glass windows were dark and somber with only night beyond them, except in a few places where an errant beam from a streetlamp outside managed to find and pierce a cobalt blue or brilliant red piece of glass. Everything here was big and solid-looking — the huge pipe organ with its thousands of brass pipes soaring up like the spires of a smaller cathedral, the great choir loft above the front portals, the stone steps leading up to the high pulpit and the brass canopy above it — and that massiveness contributed to the feeling of safety and peace that settled over Rebecca.
Penny and Davey were in the nave, a third of the way down the center aisle, talking excitedly to a young and baffled priest. Penny saw Rebecca first, shouted, and ran toward her. Davey followed, crying with relief and happiness at the sight of her, and the cassocked priest came, too.
They were the only four in the immense chamber, but that was all right. They didn't need an army. The cathedral was an inviolable fortress. Nothing could harm them there. Nothing. The cathedral was safe. It had to be safe, for it was their last refuge.
III
In the car in front of Carver Hampton's shop, Jack pumped the accelerator and raced the engine, warming it.
He looked sideways at Hampton and said, “You sure you really want to come along?”
“It's the last thing I want to do,” the big man said. “I don't share your immunity to Lavelle's powers. I'd much rather stay up there in the apartment, with all the lights on and the candles burning.”
“Then stay. I don't believe you're hiding anything from me. I really believe you've done everything you can. You don't owe me anything more.”
“I owe
“All right then.” Jack put the car in gear but kept his foot on the brake pedal. “I'm still not sure I understand how I'm going to find Lavelle.”
“You'll simply
“Sounds better than a Three-A map, I guess. Only… I sure don't feel anything guiding me.”
“You will, Lieutenant. But first, we've got to stop at a Catholic church and fill these jars'-he held up two small, empty jars that would hold about eight ounces each—“with holy water. There's a church straight ahead, about five blocks from here.”
“Fine,” Jack said. “But one thing.”
“What's that?”
“Will you drop the formality, stop calling me Lieutenant? My name's Jack.”
“You can call me Carver, if you like.”
“I'd like.”
They smiled at each other, and Jack took his foot off the brake, switched on the windshield wipers, and pulled out into the street.
They entered the church together.
The vestibule was dark. In the deserted nave there were a few dim lights burning, plus three or four votive candles flickering in a wrought iron rack that stood on this side of the communion railing and to the left of the chancel. The place smelled of incense and furniture polish that had evidently been used recently on the well-worn pews. Above the altar, a large crucifix rose high into the shadows.
Carver genuflected and crossed himself. Although Jack wasn't a practicing Catholic, he felt a sudden strong compulsion to follow the black man's example, arid he realized that, as a representative of the
The marble font, just this side of the narthex, contained only a small puddle of holy water, insufficient for