and the desk.
The Nun with No Name turned from the door and hurried back into the room, saying, “Here she comes,” as if she didn't want Regina to think she had been looking for her.
The sound came again. Then again. And again.
It was rhythmic and getting louder.
Lindsey's hand tightened on Hatch's.
Someone seemed to be keeping time to an unheard tune by rapping a lead pipe against the hardwood floor of the hallway beyond the door.
Puzzled, Hatch looked at Father Jiminez, who was staring at the floor, shaking his head, his state of mind not easy to read. As the sound grew louder and closer, Father Duran stared at the half-open hall door with astonishment, as did The Nun with No Name. Salvatore Gujilio rose from his chair, looking alarmed. Sister Immaculata's pleasantly ruddy cheeks were now as white as the linen band that framed her face.
Hatch became aware of a softer scraping between each of the hard sounds.
As the sounds grew nearer, their effect rapidly increased, until Hatch's mind was filled with images from a hundred old horror films: the-thing-from-out-of-the-lagoon hitching crablike toward its prey; the-thing-from-out-of- the-crypt shuffling along a graveyard path under a gibbous moon; the-thing-from-another-world propelling itself on God-knows-what sort of arachnoid-reptilian-horned feet.
The windows seemed to rattle.
Or was that his imagination?
A shiver went up his spine.
He looked around at the alarmed attorney, the head-shaking priest, the wide-eyed younger priest, the two pale nuns, then quickly back at the half-open door, wondering just exactly what sort of disability this child had been born with, half expecting a startlingly tall and twisted figure to appear with a surprising resemblance to Charles Laughton in
A shadow tilted across the threshold.
Hatch realized that Lindsey's grip on his hand had become downright painful. And his palm was damp with sweat.
The weird sounds stopped. A hush of expectation had fallen over the room.
Slowly the door to the hall was pushed all the way open.
Regina took a single step inside. She dragged her right leg as if it were a dead weight:
She stopped to look around at everyone. Challengingly.
Hatch found it difficult to believe that she had been the source of all that ominous noise. She was small for a ten-year-old girl, a bit shorter and more slender than the average kid her age. Her freckles, pert nose, and beautiful deep-auburn hair thoroughly disqualified her for the role of the-thing-from-the-lagoon or any other shudder-making creature, although there was something in her solemn gray eyes that Hatch did not expect to see in the eyes of a child. An adult awareness. A heightened perceptivity. But for those eyes and an aura of iron determination, the girl seemed fragile, almost frighteningly delicate and vulnerable.
Hatch was reminded of an exquisite 18th-century Mandarin-pattern Chinese-export porcelain bowl currently for sale in his Laguna Beach shop. It rang as sweetly as any bell when pinged with one finger, raising the expectation that it would shatter into thousands of pieces if struck hard or dropped. But when you studied the bowl as it stood on an acrylic display base, the hand-painted temple and garden scenes portrayed on its sides and the floral designs on its inner rim were of such high quality and possessed such power that you became acutely aware of the piece's age, the weight of the history behind it. And you were soon convinced, in spite of its appearance, that it would bounce when dropped, cracking whatever surface it struck but sustaining not even a small chip itself.
Aware that the moment was hers and hers alone, Regina hitched toward the sofa where Hatch and Lindsey waited, making less noise as she limped off the hardwood floor onto the antique Persian carpet. She was wearing a white blouse, a Kelly-green skirt that fell two inches above her knees, green kneesocks, black shoes — and on her right leg a metal brace that extended from the ankle to above the knee and looked like a medieval torture device. Her limp was so pronounced that she rocked from side to side at the hips with each step, as if in danger of toppling over.
Sister Immaculata rose from her armchair, scowling at Regina in disapproval. “Exactly what is the reason for these theatrics, young lady?”
Ignoring the true meaning of the nun's question, the girl said, “I'm sorry I'm so late, Sister. But some days it's harder for me than others.” Before the nun could respond, the girl turned to Hatch and Lindsey, who had stopped holding hands and had risen from the sofa. “Hi, I'm Regina. I'm a cripple.”
She reached out in greeting. Hatch reached out, too, before he realized that her right arm and hand were not well formed. The arm was almost normal, just a little thinner than her left, until it got to the wrist, where the bones took an odd twist. Instead of a full hand, she possessed just two fingers and the stub of a thumb that all seemed to have limited flexibility. Shaking hands with the girl felt strange — distinctly strange — but not unpleasant.
Her gray eyes were fixed intently on his eyes. Trying to read his reaction. He knew at once that it would be impossible ever to conceal true feelings from her, and he was relieved that he had not been in the least repelled by her deformity.
“I'm so happy to meet you, Regina,” he said. “I'm Hatch Harrison, and this is my wife, Lindsey.”
The girl turned to Lindsey and shook hands with her, as well, saying, “Well, I know I'm a disappointment. You child-starved women usually prefer babies young enough to cuddle—”
The Nun with No Name gasped in shock. “Regina, really!”
Sister Immaculata looked too apoplectic to speak, like a penguin that had frozen solid, mouth agape and eyes bulging in protest, hit by an arctic chill too cold even for Antarctic birds to survive.
Approaching from the windows, Father Jiminez said, “Mr. and Mrs. Harrison, I apologize for—”
“No need to apologize for anything,” Lindsey said quickly, evidently sensing, as Hatch did, that the girl was testing them and that to have any hope of passing the test, they must not let themselves be co-opted into an adults-against-the-kid division of sympathies.
Regina hopped-squirmed-wriggled into the second armchair, and Hatch was fairly certain she was making herself appear a lot more awkward than she really was.
The Nun with No Name gently touched Sister Immaculata on the shoulder, and the older nun eased back into her chair, still with the frozen-penguin look. The two priests brought the client chairs from in front of the attorney's desk, and the younger nun pulled up a side chair from a corner, so they could all join the group. Hatch realized he was the only one still standing. He sat on the sofa beside Lindsey again.
Now that everyone had arrived, Salvatore Gujilio insisted on serving refreshments — Pepsi, ginger ale, or Perrier — which he did without calling for the assistance of his secretary, fetching everything from a wet bar discreetly tucked into one mahogany-paneled corner of the genteel office. As the attorney bustled about, quiet and quick in spite of his immensity, never crashing into a piece of furniture or knocking over a vase, never coming even close to obliterating one of the two Tiffany lamps with hand-blown trumpet-flower shades, Hatch realized that the big man was no longer an overpowering figure, no longer the inevitable center of attention: he could not compete with the girl, who was probably less than one-fourth his size.
“Well,” Regina said to Hatch and Lindsey, as she accepted a glass of Pepsi from Gujilio, holding it in her left hand, the good one, “you came here to learn all about me, so I guess I should tell you about myself. First thing, of course, is that I'm a cripple.” She tilted her head and looked at them quizzically. “Did you know I was a
