She grabbed the Uzi and made a circuit of the upstairs, checking all the windows, looking in on Chris, making sure everything was as it should be. Then she hurried downstairs to inspect those rooms.
As she stepped into the kitchen, something thumped against the back door. With a gasp of surprise and fear, she whirled in that direction, swung the Uzi around, and nearly opened fire.
But it was not the determined sound of someone breaking in. It was an unthreatening thump, barely louder than a knock, repeated twice. She thought she heard a voice, too, weakly calling her name.
Silence.
She edged to the door and listened for perhaps half a minute.
Nothing.
The door was a high-security model with a steel core sandwiched between two inch-thick slabs of oak, so she was not worried about being shot by a gunman on the other side. Yet she hesitated to move directly to it and peer through the fisheye lens because she feared seeing an eye pressed to the other side, trying to peer in at
Trap, she thought. Trap, trick.
She switched on the outdoor spotlights and crept to the Levelor-covered window above the built-in writing desk. Cautiously she lifted one of the slats. The man on the concrete patio was her guardian. His shoes and trousers were caked with snow. He wore what appeared to be a white lab coat, the front darkly stained with blood.
As far as she could see, no one was crouched on the patio or on the lawn beyond, but she had to consider the possibility that someone had dumped his body there as a lure to bring her out of the house. Opening the door at night, under these circumstances, was foolhardy.
Nevertheless she could not leave him out there. Not her guardian. Not if he was hurt and dying.
She pressed the alarm bypass button next to the door, disengaged the dead-bolt locks, and reluctantly stepped into the wintry night with the Uzi at the ready. No one shot at her. On the dimly snow-illumined lawn, all the way back to the forest, nothing moved.
She went to her guardian, knelt at his side, and felt for his pulse. He was alive. She peeled back one of his eyelids. He was unconscious. The wound high in the left side of his chest looked bad, though it did not appear to be bleeding at the moment.
Her training with Henry Takahami and her regular exercise program had dramatically increased her strength, but she was not strong enough to lift the wounded man with one arm. She propped the Uzi by the back door and found she could not lift him even with both arms. It seemed dangerous to move a man who was so badly hurt, but more dangerous to leave him in the frigid night, especially when someone was apparently in pursuit of him. She managed to half lift and half drag him into the kitchen, where she stretched him out on the floor. With relief she retrieved the Uzi, relocked the door, and engaged the alarm again.
He was frighteningly pale and cold to the touch, so the immediate necessity was to strip off his shoes and socks, which were crusted with snow. By the time she dealt with his left foot and was unlacing his right shoe, he was mumbling in a strange language, the words too slurred for her to identify the tongue, and in English he muttered about explosives and gates and 'phantoms in the trees.'
Though she knew that he was delirious and very likely could not understand her any more than she could understand him, she spoke to him reassuringly: 'Easy now, just relax, you'll be all right; as soon as I get your foot out of this block of ice, I'll call a doctor.'
The mention of a doctor brought him briefly out of his confusion. He gripped her arm weakly, fixed her with an intense, fearful gaze. 'No doctor. Get out… got to get out…'
'You're in no condition to go anywhere,' she told him. 'Except by ambulance to a hospital.'
'Got to get out. Quick. They'll be coming… soon coming…'
She glanced at the Uzi. 'Who will be coming?'
'Assassins,' he said urgently. 'Kill me for revenge. Kill you, kill Chris. Coming. Now.'
At that moment there was no delirium in his eyes or voice. His pale, sweat-slick face was no longer slack but taut with terror.
All her training with guns and in the martial arts no longer seemed like hysterical precautions. 'Okay,' she said, 'we'll get out as soon as I've had a look at that wound, see if it needs to be dressed.'
'No! Now. Out now.'
'But—'
'Now,' he insisted. In his eyes was such a haunted look, she could almost believe that the assassins of whom he spoke were not ordinary men but creatures of some supernatural origin, demons with the ruthlessness and relentlessness of the soulless.
'Okay,' she said. 'We'll get out now.'
His hand fell away from her arm. His eyes shifted out of focus, and he began to mumble thickly, senselessly.
As she hurried across the kitchen, intending to go upstairs and wake Chris, she heard her guardian speak dreamily yet anxiously of a 'great, black, rolling machine of death,' which meant nothing to her but frightened her nonetheless.
PART II
Pursuit
The long habit of living indisposeth us for dying.
Five
AN ARMY OF SHADOWS
1
Laura switched on a lamp and shook Chris awake. 'Get dressed, honey. Quickly.'
'What's happening?' he asked sleepily, rubbing his eyes with his small fists.
'Some bad men are coming, and we've got to get out of here before they arrive. Now hurry.'
Chris had spent a year not only mourning his father but preparing for the moment when the deceptively placid events of daily life would be disrupted by another unexpected explosion of the chaos that lay at the heart of human existence, the chaos that from time to time erupted like an active volcano, as it had done the night his father had been murdered. Chris had watched his mother become a first-rate shot with a handgun, had seen her