nihilism. Soon he grew interested in heavy-metal again, but the second time around he focused on black metal, those bands espousing — or using dramatic trappings of — satanism; he became increasingly self-involved, antisocial, and somber. On more than one occasion, Sam had considered confiscating the kid's record collection, smashing it to bits, and disposing of it, but that seemed an absurd overreaction. After all, Sam himself had been sixteen when the Beatles and Rolling Stones were coming on the scene, and his parents had railed against that music and predicted it would lead Sam and his entire generation into perdition. He'd turned out all right in spite of John, Paul, George, Ringo, and the Stones. He was the product of an unparalleled age of tolerance, and he did not want his mind to close up as tight as his parents' minds had been.

'Well, I guess I better go,' Sam said.

The boy was silent.

'If any unexpected problems come up, you call your Aunt Edna.'

'There's nothing she could do for me that I couldn't do myself.'

'She loves you, Scott.'

'Yeah, sure.'

'She's your mother's sister; she'd like to love you as if you were her own. All you have to do is give her the chance.' After more silence, Sam took a deep breath and said, 'I love you, too, Scott'

'Yeah? What's that supposed to do — turn me all gooey inside?'

'No.'

''Cause it doesn't.'

'I was just stating a fact.'

Apparently quoting from one of his favorite songs, the boy said:

'Nothing lasts forever; even love's a lie, a tool for manipulation; there's no God beyond the sky.'

Click.

Sam stood for a moment, listening to the the dial tone. 'Perfect.' He returned the receiver to its cradle.

His frustration was exceeded only by his fury. He wanted to kick the shit out of something, anything, and pretend that he was savaging whoever or whatever had stolen his son from him.

He also had an empty, achy feeling in the pit of his stomach, because he did love Scott. The boy's alienation was devastating.

He knew he could not go back to the motel yet. He was not ready to sleep, and the prospect of spending a couple of hours in front of the idiot box, watching mindless sitcoms and dramas, was intolerable.

When he opened the phone-booth door, tendrils of fog slipped inside and seemed to pull him out into the night. For an hour he walked the streets of Moonlight Cove, deep into the residential neighborhoods, where there were no streetlamps and where trees and houses seemed to float within the mist, as if they were not rooted to the earth but tenuously tethered and in danger of breaking loose.

Four blocks north of Ocean Avenue, on Iceberry Way, as Sam walked briskly, letting the exertion and the chilly night air leech the anger from him, he heard hurried footsteps. Someone running. Three people, maybe four. It was an unmistakable sound, though curiously stealthy, not the straightforward slap-slap-slap of joggers' approach.

He turned and looked back along the gloom-enfolded street.

The footsteps ceased.

Because the partial moon had been engulfed by clouds, the scene was brightened mostly by light fanning from the windows of Bavarian-, Monterey-, English-, and Spanish-style houses nestled among pines and junipers on both sides of the street. The neighborhood was long-established, with great character, but the lack of big-windowed modern homes contributed to the murkiness. Two properties in that block had hooded, downcast Malibu landscape lighting, and a few had carriage lamps at the ends of front walks, but the fog damped those pockets of illumination. As far as Sam could see, he was alone on Iceberry Way.

He began to walk again but went less than half a block before he heard the hurried footfalls. He swung around, but as before saw no one. This time the sound faded, as though the runners had moved off a paved surface onto soft earth, then between two of the houses.

Perhaps they were on another street. Cold air and fog could play tricks with sound.

He was cautious and intrigued, however, and he quietly stepped off the cracked and root-canted sidewalk, onto someone's front lawn, into the smooth blackness beneath an immense cypress. He studied the neighborhood, and within half a minute he saw furtive movement on the west side of the street. Four shadowy figures appeared at the corner of a house, running low, in a crouch. When they crossed a lawn that was patchily illuminated by a pair of hurricane lamps on iron poles, their freakishly distorted shadows leaped wildly over the front of a white stucco house. They went to ground again in dense shrubbery before he could ascertain their size or anything else about them.

Kids, Sam thought, and they're up to no good.

He didn't know why he was so sure they were kids, perhaps because neither their quickness nor behavior was that of adults. They were either engaged on some prank against a disliked neighbor — or they were after Sam. Instinct told him that he was being stalked.

Were juvenile delinquents a problem in a community as small and closely knit as Moonlight Cove?

Every town had a few bad kids. But in the semirural atmosphere of a place like this, juvenile crime rarely included gang activities like assault and battery, armed robbery, mugging, or thrill killing.

In the country, kids got into trouble with fast cars, booze, girls, and a little unsophisticated theft, but they did not prowl the streets in packs the way their counterparts did in the inner cities.

Nevertheless, Sam was suspicious of the quartet that crouched, invisible, among shadow-draped ferns and azaleas, across the street and three houses west of him. After all, something was wrong in Moonlight Cove, and conceivably the trouble was related to juvenile delinquents. The police were concealing the truth about several deaths in the past couple of months, and perhaps they were protecting someone; as unlikely as it seemed, maybe they were covering for a few kids from prominent families, kids who had taken the privileges of class too far and had gone beyond permissible, civilized behavior.

Sam was not afraid of them. He knew how to handle himself, and he was carrying a.38. Actually he would have enjoyed teaching the brats a lesson. But a confrontation with a group of teenage hoods would mean a subsequent scene with the local police, and he preferred not to bring himself to the attention of the authorities, for fear of jeopardizing his investigation.

He thought it peculiar that they would consider assaulting him in a residential neighborhood like this. One shout of alarm from him would bring people to their front porches to see what was happening. Of course, because he wanted to avoid calling even that much notice to himself, he would not cry out.

The old adage about discretion being the better part of valor was in no circumstance more applicable than in his. He moved back from the cypress under which he had taken shelter, away from the street and toward the lightless house behind him. Confident that those kids were not sure where he had gone, he planned to slip out of the neighborhood and lose them altogether.

He reached the house, hurried alongside it, and entered a rear yard, where a looming swing set was so distorted by shadows and mist that it looked like a giant spider stilting toward him through the gloom. At the end of the yard he vaulted a rail fence, beyond which was a narrow alley that serviced the block's detached garages. He intended to go south, back toward Ocean Avenue and the heart of town, but a shiver of prescience shook him toward another route. Stepping straight across the narrow back street, past a row of metal garbage cans, he vaulted another low fence, landing on the back lawn of another house that faced out on the street parallel to Iceberry Way.

No sooner had he left the alley than he heard soft, running footsteps on that hard surface. The juvies — if that's what they were sounded as swift but not quite as stealthy as they had been.

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