crushed her into the sand. This time she was at the surf line, her face in the water.
Alternately keening, panting like dogs, hissing and snarling, her attackers loosed frantic bursts of words as they grabbed at her:
They were pulling at her sweat pants, trying to strip her, but she wasn't sure if they wanted to rape or devour her; perhaps neither; what they wanted was, in fact, beyond her comprehension. She just knew they were overcome by some tremendously powerful urge, for the chilly air was as thick with their
One of them pushed her face deeper into the wet sand, and the water was all around her now, only inches deep but enough to drown her, and they wouldn't let her breathe. She knew she was going to die, she was pinned now and helpless, going to die, and all because she liked to run at night.
2
On Monday, October 13, twenty-two days after the death of Janice Capshaw, Sam Booker drove his rental car from the San Francisco International Airport to Moonlight Cove. During the trip, he played a grim yet darkly amusing game with himself, making a mental list of reasons to go on living. Although he was on the road for more than an hour and a half, he could think of only four things Guinness Stout, really good Mexican food, Goldie Hawn, and fear of death.
That thick, dark, Irish brew never failed to please him and to provide a brief surcease from the sorrows of the world. Restaurants consistently serving first-rate Mexican food were more difficult to locate than Guinness; its solace was therefore more elusive. Sam had long been in love with Goldie Hawn — or the screen image she projected — because she was beautiful and cute, earthy and intelligent, and seemed to find life so much damn fun. His chances of meeting Goldie Hawn were about a million times worse than finding a great Mexican restaurant in a northern California coastal town like Moonlight Cove, so he was glad that she was not the only reason he had for living.
As he drew near his destination, tall pines and cypresses crowded Highway 1, forming a gray-green tunnel, casting long shadows in the late-afternoon light. The day was cloudless yet strangely forbidding; the sky was pale blue, bleak in spite of its crystalline clarity, unlike the tropical blue to which he was accustomed in Los Angeles. Though the temperature was in the fifties, hard sunshine, like glare bouncing off a field of ice, seemed to freeze the colors of the landscape and dull them with a haze of imitation frost.
Fear of death. That was the best reason on his list. Though he was just forty-two years old — five feet eleven, a hundred and seventy pounds, and currently healthy — Sam Booker had skated along the edge of death six times, had peered into the waters below, and had not found the plunge inviting.
A road sign appeared on the right side of the highway: OCEAN AVENUE, MOONLIGHT COVE, 2 MILES.
Sam was not afraid of the pain of dying, for that would pass in a flicker. Neither was he afraid of leaving his life unfinished; for several years he had harbored no goals or hopes or dreams, so there was nothing to finish, no purpose or meaning. But he
Five years ago, more dead than alive on an operating-room table, he had undergone a near-death experience. While surgeons worked frantically to save him, he had risen out of his body and, from the ceiling, looked down on his carcass and the medical team surrounding it. Then suddenly he'd found himself rushing through a tunnel, toward dazzling light, toward the Other Side the entire near-death cliche that was a staple of sensationalistic supermarket tabloids. At the penultimate moment, the skillful physicians had pulled him back into the land of the living, but not before he had been afforded a glimpse of what lay beyond the mouth of that tunnel. What he'd seen had scared the crap out of him. Life, though often cruel, was preferable to confronting what he now suspected lay beyond it.
He reached the Ocean Avenue exit. At the bottom of the ramp, as Ocean Avenue turned west, under Pacific Coast Highway, another sign read MOONLIGHT COVE 1/2 MILE.
A few houses were tucked in the purple gloom among the trees on both sides of the two-lane blacktop; their windows glowed with soft yellow light even an hour before nightfall. Some were of that half-timbered, deep-eaved, Bavarian architecture that a few builders, in the 1940s and '50s, had mistakenly believed was in harmony with the northern California coast. Others were Monterey-style bungalows with white clapboard or shingle-covered walls, cedar-shingled roofs, and rich — if fairy-tale rococo — architectural details. Since Moonlight Cove had enjoyed much of its growth in the past ten years, a large number of houses were sleek, modern, many-windowed structures that looked like ships tossed up on some unimaginably high tide, stranded now on these hillsides above the sea.
When Sam followed Ocean Avenue into the six-block-long commercial district, a peculiar sense of
He could not identify the reasons for his instant negative reaction to the place, though perhaps it was related to the somber interplay of light and shadow. At this dying end of the autumn day, in the cheerless sunlight, the gray stone Catholic church looked like an alien edifice of steel, erected for no human purpose. A white stucco liquor store gleamed as if built from time-bleached bones. Many shop windows were cataracted with ice-white reflections of the sun as it sought the horizon, as if painted to conceal the activities of those who worked beyond them. The shadows cast by the buildings, by the pines and cypress, were stark, spiky, razor-edged.
Sam braked at a stoplight at the third intersection, halfway through the commercial district. With no traffic behind him, he paused to study the people on the sidewalks. Not many were in sight, eight or ten, and they also struck him as wrong, though his reasons for thinking ill of them were less definable than those that fanned his impression of the town itself. They walked briskly, purposefully, heads up, with a peculiar air of urgency that seemed unsuited to a lazy, seaside community of only three thousand souls.
He sighed and continued down Ocean Avenue, telling himself that his imagination was running wild. Moonlight Cove and the people in it probably would not have seemed the least unusual if he had just been passing by on a long trip and turned off the coast highway only to have dinner at a local restaurant. Instead, he had arrived with the knowledge that something was rotten there, so of course he saw ominous signs in a perfectly innocent scene.
At least that was what he told himself. But he knew better.
He had come to Moonlight Cove because people had died there, because the official explanations for their deaths were suspicious, and he had a hunch that the truth, once uncovered, would be unusually disturbing. Over the years he had learned to trust his hunches; that trust had kept him alive.
He parked the rented Ford in front of a gift shop.
To the west, at the far end of a slate-gray sea, the anemic sun sank through a sky that was slowly turning muddy red. Serpentine tendrils of fog began to rise off the choppy water.
3
In the pantry off the kitchen, sitting on the floor with her back against a shelf of canned goods, Chrissie Foster looked at her watch. In the harsh light of the single bare bulb in the ceiling socket, she saw that she had been locked in that small, windowless chamber for nearly nine hours. She had received the wristwatch on her eleventh birthday, more than four months ago, and she had been thrilled by it because it was not a kid's watch with cartoon characters on the face; it was delicate, ladylike, goldplated, with roman numerals instead of digits, a real Timex like her mother wore. Studying it, Chrissie was overcome by sadness. The watch represented a time of happiness and family togetherness that was lost forever.
