Midnight

dressed in leather and chains, displaying satanic symbols on their foreheads and in the palms of their hands. The light was flickering and strange. In a dark corner Sam saw something lurking, a creature of which Scott was aware, something the boy did not fear but which scared the hell out of Sam.

But that nightmare did not wake him, either.

In other chambers of that surreal hotel, he found dying men, the same ones every time — Arnie Taft and Carl Sorbino they were two agents with whom he had worked and whom he had seen gunned down.

The entrance to one room was a car door — the gleaming door of a blue '54 Buick, to be exact. Inside he found an enormous, gray-walled chamber in which was the front seat, dashboard, and steering wheel, nothing else of the car, like parts of a prehistoric skeleton lying on a vast expanse of barren sand. A woman in a green dress sat behind the wheel, her head turned away from him. Of course, he knew who she was, and he wanted to leave the room at once, but he could not. In fact he was drawn to her. He sat beside her, and suddenly he was seven years old, as he had been on the day of the accident, though he spoke with his grown-up voice 'Hello, Mom.' She turned to him, revealing that the right side of her face was caved in, the eye gone from the socket, bone punching through torn flesh. Broken teeth were exposed in her cheek, so she favored him with half of a hideous grin.

Abruptly they were in the real car, cast back in time. Ahead of them on the highway, coming toward them, was the drunk in the white pickup truck, weaving across the double yellow line, bearing down on them at high speed. Sam cried out—'Mom!' — but she couldn't evade the pickup this time any more than she had been able to avoid it thirty-five years ago. It came at them as if they were a magnet and slammed into them head-on. He thought it must be like that at the center of a bomb blast a great roar pierced by the shriek of shredding metal. Everything went black. Then, when he swam up from that gloom, he found himself pinned in the wreckage. He was face to face with his dead mother, peering into her empty eye socket. He began to scream.

That nightmare also failed to wake him.

Now he was in a hospital, as he'd been after the accident, for that had been the first of the six times he'd nearly died. He was no longer a boy, however, but a grown man, and he was on the operating table, undergoing emergency surgery because he had been shot in the chest during the same gun battle in which Carl Sorbino had died. As the surgical team labored over him, he rose out of his body and watched them at work on his carcass. He was amazed but not afraid, which was just how he had felt when it had not been a dream.

Next he was in a tunnel, rushing toward dazzling light, toward the Other Side. This time he knew what he would find at the other end because he had been there before, in real life instead of in a dream. He was terrified of it, didn't want to face it again, didn't want to look Beyond. But he moved faster, faster, faster through the tunnel, bulleted through it, his terror escalating with his speed. Having to look again at what lay on the Other Side was worse than his dream confrontations with Scott, worse than the battered and one-eyed face of his mother, infinitely worse (faster, faster), intolerable, so he began to scream (faster) and scream (faster) and scream—

That one woke him.

He sat straight up on the sofa and pinched off the cry before it left his throat, An instant later he became aware that he was not alone in the unlighted living room. He heard something move in front of him, and he moved simultaneously, snatching his.38 revolver from the holster, which he had taken off and laid beside the sofa.

It was Moose.

'Hey, boy.'

The dog chuffed softly.

Sam reached out to pat the dark head, but already the Labrador was moving away. Because the night outside was marginally less black than the interior of the house, the windows were visible as fuzzy-gray rectangles. Moose went to one at the side of the house, putting his paws on the sill and his nose to the glass.

'Need to go out?' Sam asked, though they had let him out for ten minutes just before they'd gone to bed.

The dog made no response but stood at the window with a peculiar rigidity.

'Something out there?' Sam wondered, and even as he asked the question, he knew the answer.

Quickly and gingerly he crossed the dark room. He bumped into furniture but didn't knock anything down, and joined the dog at the window.

The rain-battered night seemed at its blackest in this last hour before dawn, but Sam's eyes were adjusted to darkness. He could see the side of the neighboring house, just thirty feet away. The steeply sloping property between the two structures was not planted with grass but with a variety of shrubs and several starburst pines, all of which swayed and shuddered in the gusty wind.

He quickly spotted the two Boogeymen because their movement was in opposition to the direction of the wind and therefore in sharp contrast to the storm dance of the vegetation. They were about fifteen feet from the window, heading downslope toward Conquistador. Though Sam could discern no details of them, he could see by their hunchbacked movement and shambling yet queerly graceful gait that they were not ordinary men.

As they paused beside one of the larger pines, one of them looked toward the Talbot house, and Sam saw its softly radiant, utterly alien amber eyes. For a moment he was transfixed, frozen not by fear so much as by amazement. Then he realized that the creature seemed to be staring straight at the window, as if it could see him, and suddenly it loped straight toward him.

Sam dropped below the sill, pressing against the wall under the window, and pulled Moose down with him. The dog must have had some sense of the danger, for he didn't bark or whine or resist in any way, but lay with his belly to the floor and allowed himself to be held there, still and silent.

A fraction of a second later, over the sounds of wind and rain, Sam heard furtive movement on the other side of the wall against which he crouched. A soft scuttling sound. Scratching.

He held his.38 in his right hand, ready in case the thing was bold enough to smash through the window.

A few seconds passed in silence. A few more.

Sam kept his left hand on Moose's back. He could feel the dog shivering.

Tick-tick-tick.

After long seconds of silence, the sudden ticking startled Sam, for he had just about decided that the creature had gone away.

Tick-tick-tick-tick.

It was tapping the glass, as if testing the solidity of the pane or calling to the man it had seen standing there.

Tick-tick. Pause. Tick-tick-tick.

5

Tucker led his pack out of the mud and rain, onto the sagging porch of the decrepit house. The boards creaked under their weight. One loose shutter was banging in the wind; all the others had rotted and torn off long ago.

He struggled to speak of his intentions, but he found it very difficult to remember or produce the necessary words. Midst snarls and growls and low brute mutterings, he only managed to say, '… here … hide … here … safe …'

The other male seemed to have lost his speech entirely, for he could produce no words at all.

With considerable difficulty, the female said, 'safe … here … home….'

Tucker studied his two companions for a moment and realized they had changed during their night adventures. Earlier, the female had possessed a feline quality-sleek, sinuous, with cat ears and sharply pointed teeth that she revealed when she hissed either in fear, anger, or sexual desire. Though something of the cat was still in her, she had become more like Tucker, wolfish, with a large head drawn forward into a muzzle more canine than feline. She had lupine haunches, as well, and feet that appeared to have resulted from the crossbreeding of man and wolf, not paws but not hands either, tipped with claws longer and more murderous than those of a real wolf. The other male, once unique in appearance, combining a few insectile features with the general form of a