Midnight

Hugging herself, she realized how cold it was. In jeans and a blue-plaid flannel shirt, she was adequately dressed for a crisp October day, but not for the cold, damp air of an autumn night.

She was chilled, breathless, scared, and unsure of what her next move ought to be, but most of all she was angry with herself for those weaknesses of mind and body. Ms. Andre Norton's wonderful adventure stories were filled with dauntless young heroines who could endure far longer chases — and far greater cold and other hardships — than this, and always with wits intact, able to make quick decisions and, usually, right ones.

Spurred by comparing herself to a Norton girl, Chrissie stepped off the bank of the stream. She crossed ten feet of loamy soil eroded from the hills by last season's heavy rains and tried to jump across the shallow, purling band of water. She splashed down a few inches short of the other side, soaking her tennis shoes. Nevertheless she went on through more loam, which clumped to her wet shoes, ascended the far bank, and headed neither east nor west but south, up the other canyon wall toward the next arm of the forest.

Though she was entering new territory now, at the extremity of the section of the woods that had been her playground for years, she was not afraid of getting lost. She could tell east from west by the movement of the thin, incoming fog and by the position of the moon, and from those signs she could stay on a reliably southward course. She believed that within a mile she would come to a score of houses and to the sprawling grounds of New Wave Microtechnology, which lay between Foster Stables and the town of Moonlight Cove. There she would be able to find help.

Then, of course, her real problems would begin. She would have to convince someone that her parents were no longer her parents, that they had changed or been possessed or been somehow taken over by some spirit or … force. And that they wanted to turn her into one of them.

Yeah, she thought, good luck.

She was bright, articulate, responsible, but she was also just an eleven-year-old kid. She would have a hard time making anyone believe her. She had no illusions about that. They would I listen and nod their heads and smile, and then they would call her parents, and her parents would sound more plausible than she did….

But I've got to try, she told herself, as she began to ascend the sloped southern wall of the canyon. If I don't try to convince someone, what else can I do? Just surrender? No chance.

Behind her, a couple of hundred yards away, from high on the far canyon wall down which she had recently descended, something shrieked. It was not an entirely human cry — not that of any animal, either. The first shrill call was answered by a second a third, and each shriek was clearly that of a different creature, for each was in a noticeably variant voice.

Chrissie halted on the steep trail, one hand against the deeply fissured bark of a pine, under a canopy of sweet-scented boughs. She looked back and listened as her pursuers simultaneously began to wail, an ululant cry reminiscent of the baying of a pack of coyotes … but stranger, more frightening. The sound was so cold, it penetrated her flesh and pierced like a needle to her marrow.

Their baying was probably a sign of their confidence They were certain they would catch her, so they no longer needed to be quiet.

'What are you?' she whispered.

She suspected they could see as well as cats in the dark.

Could they smell her, as if they were dogs?

Her heart began to slam almost painfully within her breast.

Feeling vulnerable and alone, she turned from the pulling hunters and scrambled up the trail toward the southern rim of the canyon.

9

At the foot of Ocean Avenue, Tessa Lockland walked through the empty parking lot and onto the public beach. The night breeze off the Pacific was just cranking up, faint but chilly enough that she was glad to be wearing slacks, a wool sweater, and her leather jacket.

She crossed the soft sand, toward the seaside shadows that lay beyond the radius of the glow from the last streetlamp, past a tall cypress growing on the beach and so radically shaped by ocean winds that it reminded her of an erte sculpture, all curved lines and molten form. On the damp sand at the surf's edge, with the tide lapping at the strand inches from her shoes, Tessa stared westward. The partial moon was insufficient to light the vast, rolling main; all she could see were the nearest three lines of low, foam-crested breakers surging toward her from out of the foam. She tried to picture her sister standing on this deserted beach, washing down thirty or forty Valium capsules with a Diet Coke, then stripping naked and plunging into the cold sea. No. Not Janice.

With growing conviction that the authorities in Moonlight Cove were incompetent fools or liars, Tessa walked slowly south along the curving shoreline. In the pearly luminescence of the immature moon, she studied the sand, the widely separated cypresses farther back on the beach, and the time-worn formations of rock. She was not looking for physical clues that might tell her what had happened to Janice; those had been erased by wind and tide during the past three weeks. instead, she was hoping that the very landscape itself and the elements of night- darkness, cool wind, and arabesques of pale but slowly thickening fog — would inspire her to develop a theory about what had really happened to Janice and an approach she might use to prove that theory.

She was a filmmaker specializing in industrials and documentaries of various kinds. When in doubt about the meaning and purpose of a project, she often found that immersion in a particular geographical locale could inspire narrative and thematic approaches to making a film about it. In the developmental stages of a new travel film, for instance, she often spent a couple of days casually strolling around a city like Singapore or Hong Kong or Rio, just absorbing details, which was more productive than thousands of hours of background reading and brainstorming, though of course the reading and brainstorming had to be a part of it too.

She had walked less than two hundred feet south along the beach, when she heard a shrill, haunting cry that halted her. The sound was distant, rising and falling, rising and falling, then fading.

Chilled more by that strange call than by the brisk October air, she wondered what she had heard. Although it had been partly a canine howl, she was certain it was not the voice of a dog. Though it was also marked by a feline whine and wail, she was equally certain it had not issued from a cat; no domestic cat could produce such volume, and to the best of her knowledge, no cougars roamed the coastal hills, certainly not in or near a town the size of Moonlight Cove.

Just as she was about to move on, the same uncanny cry cut the night again, and she was fairly sure it was coming from atop the bluff that overlooked the beach, farther south, where the lights of sea-facing houses were fewer than along the middle of the cove. This time the howl ended on a protracted and more guttural note, which might have been produced by a large dog, though she still felt it had to have come from some other creature. Someone living along the bluff must be keeping an exotic pet in a cage a wolf, perhaps, or some big mountain cat not indigenous to the northern coast.

That explanation did not satisfy her, either, for there was some peculiarly familiar quality to the cry that she could not place, a quality not related to a wolf or mountain cat. She waited for another shriek, but it did not come.

Around her the darkness had deepened. The fog was clotting, and a lumpish cloud slid across half of the two-pointed moon.

She decided she could better absorb the details of the scene in the morning, and she turned back toward the mist-shrouded streetlamps at the bottom of Ocean Avenue. She didn't realize she was walking so fast — almost running — until she had left the shore, crossed the beach parking lot, and climbed half the first steep block of Ocean Avenue, at which point she became aware of her pace only because she suddenly heard her own labored breathing.

10