imagination, less than the faith, to envision an even more dazzling world beyond, and therefore even if we believe, we cling tenaciously to this existence, to sweet familiarity, fearful that all conceivable paradises will prove wanting by comparison.
Locked. The back door of the crossroads store is locked.
Then it isn’t.
Beyond lies a small storeroom, revealed not by the single bare bulb dangling on a cord at ceiling center, but only by the light that sifts in from another room, around an inner door standing ajar, and dusts this chamber as if with a fine-ground fluorescent powder.
Curtis steps inside. He quietly closes the outer door behind him to prevent the breeze from shutting it with a bang.
Some silences soothe, but this one unnerves. This is the cold steel silence of the guillotine blade poised at the top of its track, with the target neck already inserted through the lunette below, the harvesting basket waiting for the head.
Ever hopeful even in his fear, Curtis eases toward the door that stands two inches ajar.
In the bedroom of the motor home, Polly grabbed the pump-action, pistol-grip, 12 — gauge shotgun from the mounting brackets at the back of the closet, where it was stored behind the hanging clothes.
The dog watched.
Polly yanked open a dresser drawer and seized a box of shells. She inserted one in the breech, three more in the tube-type magazine.
The dog lost interest in weaponry and began to sniff curiously at the shoes on the closet floor.
In the interest of a snug fit that was flattering to the figure, her white toreador pants had no pockets. Polly tucked three spare shells into her halter top, between her breasts, grateful that nature had given her sufficient cleavage to serve as an ammunition depot.
The dog followed from the bedroom, through the bath, into the kitchen, but then was distracted by a whiff of some tasty treat in the food cupboard.
As old Yeller sniffed inquisitively at the narrow gap between the cabinet doors, Polly stepped into the lounge and stared down at the laptop computer on the floor. On her return from the bedroom, she’d been half convinced that she’d imagined the business with the dog and the computer; but the proof remained before her, glowing on the screen.
The laptop had been stored on a shelf in the entertainment center, under the TV. After the trick with the cards, the dog had stood on her hind feet, pawing at the shelf, until Polly moved the laptop to the floor, opened it, and switched it on.
Bewildered but game, her sense of wonder surprisingly intact after three years in the wonder-crushing upper echelons of the film industry, Polly had quickly set up the computer, while the dog had raced into the bathroom. Following a clatter, the pooch had returned with Cass’s toothbrush. Using the brush as a stylus, Old Yeller then tapped out a message on the keyboard.
RUM, the dog had typed, whereupon Polly had decided that any dog able to differentiate one playing card from another and possessed of advanced numerical skills ought to be allowed to indulge in an adult beverage if it wanted one, assuming that it could hold its booze and exhibited no tendency to alcoholism. Polly would have prepared Old Yeller a pina colada right then, or a mai tai, thought she suspected that she had lost her mind and that paramedics with psychiatric training, medevacked her to the prairie from the nearest metropolitan center, were even now approaching the Fleetwood with a straitjacket and a drawn dose of Thorazine in a syringe of a size usually employed to treat horses. Unfortunately, she had no rum, only beer and a small collection of fine wines, a fact that she conveyed to the dog along with an apology for being an inadequate hostess.
RUM had proved to be not the wanted word, but an error resulting from the understandable clumsiness of a dog gripping a toothbrush in its mouth as a stylus with which to type on a keyboard. With a whine of frustration but with admirable determination, Old Yeller had tried again: RUN!
So here and now, but a minute after the dog had finished typing, Polly stood staring down at the laptop, on which continued to burn the entire six-line message that had motivated her to race to the bedroom and load the shotguns.
RUM
RUN!
MAN EVIL
ALIEN
EVIL ALIEN
RUM!
On the face of it, the message was absurd, one level of order above meaningless gibberish, and if it had shown up on the screen as if resolving out of the ether or even if it had been typed by a preliterate child, Polly wouldn’t have acted upon it so quickly and might not have gone directly to the shotgun, but she felt justified in taking immediate and drastic action because the message had been typed by a dog with a toothbrush in its mouth! She’d never gone to college, and no doubt she’d lost a fearsome number of brain cells during the three years she spent in Hollywood, and she had no difficulty acknowledging that she was woefully ignorant about a long list of subjects, but she knew a miracle when she saw one, and if a dog typing messages with a toothbrush wasn’t a miracle, then neither was Moses parting the Red Sea nor Lazarus rising from the dead.
Besides, considering his peculiarities, Earl Bockman made more sense as an evil alien than as the bumpkin proprietor of a crossroads store and service station in the great Nevada lonesome. This was one of those seemingly impossible things that you intuitively knew were true the moment that you heard them: such as the recent report that none of the members of the hit rap-music group calling itself Sho Cop Ho Busters could read a musical note of music.
She wasn’t going to rush outside and blow Earl’s head off, if only because even in her fear and excitement, she could appreciate the difficulty of explaining this action in a court of law. She did not, in fact, know quite what she was going to do now that she had the shotgun, but she felt better with the weapon in hand.
A crackling noise caused her to spin around and bring up the 12-gauge, but Old Yeller was the source of the sound. The dog had gotten her head stuck in the empty cheese-popcorn bag that Curtis had left on the floor by the co-pilot’s chair.
Polly plucked the cellophane trap off the dog’s head, revealing a foolish grin, a wildly active tongue, and a popcorn-speckled face that she couldn’t easily relate to the determined messenger of alien doom that had labored so ingeniously over the keyboard. She turned to the computer once more, expecting the screen to be blank, but the exhortation to RUM! still burned in white letters on a blue field with five other lines of urgently conveyed information.
Old Yeller swabbed her snout with a propeller-action tongue that cleaned nose to chin to nose again, and Polly decided not to question miracles, not to dismiss the message because of the unlikely nature of the messenger, but to act, God help her, as the situation appeared to require.
And suddenly she realized: “Where’s Curtis?”
The dog pricked her ears and whined.
Carrying the shotgun, Polly went to the door, took a deep breath, as she’d always taken just before she had disembarked, nude, from the flying saucer and had descended the neon stairs in that Las Vegas extravaganza, and she stepped into a prairie night turned as strange as any land reached by rabbit hole.
Curtis Hammond in commando mode, as acutely aware as ever that he’s more poet than warrior, concentrates on silence as he silently eases open the storeroom door, concentrates on stealth as stealthily he enters the store itself, concentrates on not screaming and running in terror as, not screaming and running in terror, he proceeds in a crouch along the first aisle, seeking the false mom of mom-and-pop.
The shelves of merchandise follow the rectangular shape of the store; therefore, the aisles are long, and the displays prevent him from seeing the front windows.
Apparently, prairie folk have little concern for a balanced diet, because no fresh fruits or vegetables seem to be sold here, only a variety of packaged goods. Along the back wall stand glass-door coolers stocked with beer, soft drinks, milk, and fruit juice.
