Shadowfires

“I mean she's alert now, and we can question her, and you can get out and leave us to it. Clear?”

Dr. Werfell insisted he should stay with his patient in case she had a delayed reaction to the injection. Sharp became more adamant, invoking his federal authority. Werfell relented but moved toward the window to open the drapes first. Sharp told him to leave them closed, and Werfell went to the light switch for the overhead fluorescents, but Sharp told him to leave them off. “The bright light will hurt the poor girl's eyes,” Sharp said, though his sudden concern for Sarah was transparently insincere.

Peake had the uncomfortable feeling that Sharp intended to be hard on the girl, frighten her half to death, whether or not that approach was necessary. Even if she told them everything they wanted to know, the deputy director was going to terrorize her for the sheer fun of it. He probably viewed mental and emotional abuse as being at least partially satisfying and socially acceptable alternatives to the things he really wanted to do: beat her and fuck her. The bastard wanted to keep the room as dark as possible because shadows would contribute to the mood of menace that he intended to create.

When Werfell left the room, Sharp went to the girl's bed. He put down the railing on one side and sat on the edge of the mattress. He took her uninjured left hand, held it in both his hands, gave it a reassuring squeeze, smiled down at her, and as he spoke he began to slide one of his huge hands up and down her slender arm, even all the way up under the short sleeve of her hospital gown, slowly up and down, which was not at all reassuring but provocative.

Peake stepped back into a corner of the room, where shadows sheltered him, partly because he knew he would not be expected to ask questions of the girl, but also because he did not want Sharp to see his face. Although he had achieved the first startling insight of his life and was gripped by the heady feeling that he was not going to be the same man in a year that he was now, he had not yet changed so much that he could control his expressions or conceal his disgust.

“I can't talk about it,” Sarah Kiel told Sharp, watching him warily and shrinking back from him as far as she could. “Mrs. Leben told me not to tell anyone anything.”

Still holding her good hand in his left, he raised his right hand, with which he had been stroking her arm, and he gently rubbed his thick knuckles over her smooth, unblemished left cheek. It almost seemed like a gesture of sympathy or affection, but it was not.

He said, “Mrs. Leben is a wanted criminal, Sarah. There's a warrant for her arrest. I had it issued myself. She's wanted for serious violations of the Defense Security Act. She may have stolen defense secrets, may even intend to pass them to the Soviets. Surely you've no desire to protect someone like that. Hmmmmm?”

“She was nice to me,” Sarah said shakily.

Peake saw that the girl was trying to ease away from the hand that stroked her face but was plainly afraid of giving offense to Sharp. Evidently she was not yet certain that he was threatening her. She'd get the idea soon.

She continued: “Mrs. Leben's paying my hospital bills, gave me some money, called my folks. She… she was s-so nice, and she told me not to talk about this, so I won't break my promise to her.”

“How interesting,” Sharp said, putting his hand under her chin and lifting her head to make her look at him with her one good eye. “Interesting that even a little whore like you has some principles.”

Shocked, she said, “I'm no whore. I never—”

“Oh, yes,” Sharp said, gripping her chin now and preventing her from turning her head away. “Maybe you're too thickheaded to see the truth about yourself, or too drugged up, but that's what you are, a little whore, a slut in training, a piglet who's going to grow up to be a fine sweet pig.”

“You can't talk to me like this.”

“Honey, I talk to whores any way I want.”

“You're a cop, some kind of cop, you're a public servant,” she said, “you can't treat me—”

“Shut up, honey,” Sharp said. The light from the only lamp fell across his face at an angle, weirdly exaggerating some features while leaving others entirely in shadow, giving his face a deformed look, a demonic aspect. He grinned, and the effect was even more unnerving. “You shut your dirty little mouth and open it only when you're ready to tell me what I want to know.”

The girl gave out a thin, pathetic cry of pain, and tears burst from her eyes. Peake saw that Sharp was squeezing her left hand very hard and grinding the fingers together in his big mitt.

For a while, the girl talked to avoid the torture. She told them about Leben's visit last night, about the way his head was staved in, about how gray and cool his skin had felt.

But when Sharp wanted to know if she had any idea where Eric Leben had gone after leaving the house, she clammed up again, and he said, “Ah, you do have an idea,” and he began to grind her hand again.

Peake felt sick, and he wanted to do something to help the girl, but there was nothing he could do.

Sharp eased up on her hand, and she said, “Please, that was the thing… the thing Mrs. Leben most wanted me not to tell anyone.”

“Now, honey,” Sharp said, “it's stupid for a little whore like you to pretend to have scruples. I don't believe you have any, and you know you don't have any, so cut the act. Save us some time and save yourself a lot of trouble.” He started to grind her hand again, and his other hand slipped down to her throat and then to her breasts, which he touched through the thin material of her hospital gown.

In the shadowed corner, Peake was almost too shocked to breathe, and he wanted to be out of there. He certainly did not want to watch Sarah Kiel be abused and humiliated; however, he could not look away or close his eyes, because Sharp's unexpected behavior was the most morbidly, horrifyingly fascinating thing Peake had ever seen.

He was nowhere near coming to terms with his previous shattering insight, and already he was experiencing yet another major revelation. He'd always thought of policemen — which included DSA agents — as Good Guys with capital Gs, White Hats, Men on White Horses, valiant Knights of the Law, but that image of purity was suddenly unsustainable if a man like Sharp could be a highly regarded member in good standing of that noble fraternity. Oh, sure, Peake knew there were some bad cops, bad agents, but somehow he had always thought the bad ones were caught early in their careers and that they never had a chance of advancing to high positions, that they self- destructed, that slime like that got what was coming to them and got it pretty quickly, too. He believed only virtue was rewarded. Besides, he had always thought he'd be able to smell corruption in another cop, that it would be evident from the moment he laid eyes on the guy. And he had never imagined that a flat-out pervert could hide his sickness and have a successful career in law enforcement. Maybe most men were disabused of such naive ideas long before they were twenty-seven, but it was only now, watching the deputy director behave like a thug, like a regular damn barbarian, that Jerry Peake began to see that the world was painted more in shades of gray than in black and white, and this revelation was so powerful that he could no more have averted his eyes from Sharp's sick performance than he could have looked away from Jesus returning on a chariot of fire through an angel-bedecked sky.

Sharp continued to grind the girl's hand in his, which made her cry harder, and he had a hand on her breasts and was pushing her back hard against the bed, telling her to quiet down, so she was trying to please him now, choking back her tears, but still Sharp squeezed her hand, and Peake was on the verge of making a move, to hell with his career, to hell with his future in the DSA, he couldn't just stand by and watch this brutality, he even took a step toward the bed—

And that was when the door opened wide and The Stone entered the room as if borne on the shaft of light that speared in from the hospital corridor behind him. That was how Jerry Peake thought of the man from the moment he saw him: The Stone.

“What's goin' on here?” The Stone asked in a voice that was quiet, gentle, deep but not real deep, yet commanding.

The guy was not quite six feet tall, maybe five eleven, even five ten, which left him several inches shorter than Anson Sharp, and he was about a hundred and seventy pounds, a good fifty pounds lighter than Sharp. Yet when he stepped through the door, he seemed like the biggest man in the room, and he still seemed like the biggest even when Sharp let go of the girl and stood up from the edge of the bed and said, “Who the hell are you?”

The Stone switched on the overhead fluorescents and stepped farther into the room, letting the door swing shut behind him. Peake pegged the guy as about forty, though his face looked older because it was full of wisdom.