“We'd been informed earlier today that the Attison Brothers' firm was handling funeral arrangements, so of course we called them when we couldn't find the body. We suspected they'd come for Dr. Leben and that a day employee of the morgue had mistakenly released the cadaver without authorization, prior to autopsy. But they tell us they never came to collect, were in fact waiting for a call from us, and don't have the deceased.”
“What I meant,” Benny said, “was that perhaps Dr. Leben's body was released in error to another mortician who had come to collect someone else.”
“That, of course, was another possibility that we explored with, I assure you, considerable urgency. Subsequent to the arrival of Dr. Leben's body at 12:14 this afternoon, four other bodies were released to private mortuaries. We sent employees to all of those funeral homes to confirm the identity of the cadavers and to make sure none of them was Dr. Leben. None of them was.”
“Then what do you suppose has happened to him?” Benny asked.
Eyes closed, Rachael listened to their macabre conversation in darkness, and gradually it began to seem as if she were asleep and as if their voices were the echoey phantom voices of characters in a nightmare.
Kordell said, “Insane as it seems, we were forced to conclude the body's been stolen.”
In her self-imposed blackness, Rachael tried unsuccessfully to block out the gruesome images that her imagination began to supply.
“You've contacted the police?” Benny asked the medical examiner.
“Yes, we brought them into it as soon as we realized theft was the only remaining explanation. They're downstairs right now, in the morgue, and of course they want to speak with you, Mrs. Leben.”
A soft rhythmic rasping noise was coming from Everett Kordell’s direction. Rachael opened her eyes. The medical examiner was nervously sliding his letter opener in and out of its protective sheath. Rachael closed her eyes again.
Benny said, “But are your security measures so inadequate that someone could waltz right in off the street and steal a corpse?”
“Certainly not,” Kordell said. “Nothing like this has happened before. I tell you, it's inexplicable. Oh, yes, a determined person might be clever enough to find a way through our security, but it wouldn't be an easy job. Not easy at all.”
“But not impossible,” Benny said.
The rasping noise stopped. From the new sounds that followed, Rachael figured that the medical examiner must be compulsively rearranging the silver-framed photographs on his desk.
She concentrated on that image to counteract the mad scenes that her darkly cunning imagination had conjured up for her horrified consideration.
Everett Kordell said, “I'd like to suggest that both of you accompany me to the morgue downstairs, so you can see firsthand exactly how tight our security is and how very difficult it would be to breach it. Mrs. Leben? Do you feel strong enough to take a tour of the facility?”
Rachael opened her eyes. Both Benny and Kordell were watching her with concern. She nodded.
“Are you sure?” Kordell asked, rising and coming out from behind his desk. “Please understand that I'm not insisting on it. But it would make me feel ever so much better if you would let me show you how careful we are, how responsibly we fulfill our duties here.”
“I'm okay,” she said.
Picking at a tiny piece of dark lint that he had just spotted on his sleeve, the medical examiner headed toward the door.
As Rachael got up from her chair and turned to follow Kordell, she was swept by a wave of dizziness. She swayed.
Benny took her arm, steadied her. “This tour isn't necessary.”
“Yes,” she said grimly. “Yes, it is. I've got to see. I've got to know.”
Benny looked at her strangely, and she couldn't meet his eyes. He knew something was wrong, something more than Eric's death and disappearance, but he didn't know what. He was unabashedly curious.
Rachael had intended to conceal her anxiety and keep him out of this hideous affair. But deceit was not one of her talents, and she knew he had been aware of her fear from the moment he'd stepped into her house. The dear man was both intrigued and concerned, staunchly determined to stay by her side, which was exactly what she didn't want, but she couldn't help that now. Later, she would have to find a way to get rid of Benny because, much as she needed him, it was not fair to drag him into this mess, not fair to put his life in jeopardy the way hers was.
Right now, however, she had to see where Eric's battered corpse had lain, for she hoped a better understanding of the circumstances surrounding the body's disappearance would allay her worst fears. She needed all her strength for the tour of the morgue.
They left the office and went down where the dead waited.
The broad, tile-floored, pale gray corridor ended at a heavy metal door. A white-uniformed attendant sat at a desk in an alcove to the right, this side of the door. When he saw Kordell approaching with Rachael and Benny, he got up and fished a set of bright jangling keys from the pocket of his uniform jacket.
“This is the only interior entrance to the morgue,” Kordell said. “The door is always locked. Isn't that right, Walt?”
“Absolutely,” the attendant said. “You did want to go in, Dr. Kordell?”
“Yes.”
When Walt slid the key into the lock, Rachael saw a tiny spark of static electricity.
Kordell said, “There's an attendant — Walt or someone else — on duty at this desk twenty-four hours a day, seven days a week. No one can get in without his assistance. And he keeps a registry of all visitors.”
The wide door was unlocked, and Walt was holding it open for them. They went inside, where the cool air smelled of antiseptics and of something unidentifiable that was less pungent and less clean. The door closed behind them with a faint creak of hinges that seemed to echo through Rachael's bones. The lock engaged automatically with a hollow thunk.
Two sets of double doors, both open, led to big rooms on both sides of the morgue corridor. A fourth windowless metal portal, like that through which they had just entered, lay at the far end of the chilly hallway.
“Now please let me show you the only exterior entrance, where the morgue wagons and the morticians' vehicles pull up,” Kordell said, leading the way toward the distant barrier.
Rachael followed him, though just being in this repository of the dead, where Eric had so recently lain, made her knees weak and broke her out in a sweat along the back of her neck and all over her scalp.
“Wait a second,” Benny said. He turned to the door through which they had come, pushed down on the bar handle, and opened it, startling Walt, who was just returning to his desk on the other side. Letting the heavy door fall shut again, Benny looked at Kordell and said, “Although it's always locked from the outside, it's always open from the inside?”
“That's right, of course,” Kordell said. “It'd be too much trouble to have to summon the attendant to be let out as well as in. Besides, we can't risk having someone accidentally locked in here during an emergency. Fire or earthquake, for example.”
Their footsteps echoed eerily off the highly polished tile floor as they continued along the corridor toward the exterior service door at the far end. When they passed the two large rooms, Rachael saw several people in the chamber on the left, standing and moving and talking softly in a glare of crisp, cold fluorescent light. Morgue workers wearing hospital whites. A fat man in beige slacks and a beige-yellow-red-green madras sports jacket. Two men in dark suits looked up as Rachael walked by.
She also saw three dead bodies: still, shrouded shapes lying on stainless-steel gurneys.
At the end of the hall, Everett Kordell pushed open the wide metal door. He stepped outside and beckoned them.
Rachael and Benny followed. She expected to find an alleyway beyond, but though they had left the building, they were not actually outside. The exterior morgue door opened onto one of the underground levels of an adjacent multistory parking garage. It was the same garage in which she'd parked her 560 SL just a short while ago, though she'd left it a few levels above this one.
The gray concrete floor, the blank walls, and the thick pillars holding up the gray concrete ceiling made the
