Dean R. Koontz
The Eyes of Darkness
Praise for Dean Koontz and his masterworks of suspense
“Koontz barely lets the reader come up for air between terrors.”
“Koontz’s skill at edge-of-the-seat writing has improved with each book. He can scare our socks off.”
“Koontz’s imagination is not only as big as the Ritz, it is also as wild as an unbroken stallion.”
“His prose mesmerizes… Koontz consistently hits the bull’s-eye.”
“First-class entertainment.”
“An exceptional novelist… top-notch.”
“Koontz is an expert at creating believable characters.”
“One of our finest and most versatile suspense writers.”
“Koontz does it so well!”
“Koontz’s prose is as smooth as a knife through butter and his storytelling ability never wavers.”
“Koontz’s gift is that he makes his monsters seem ‘realer,’ and he makes the characters who fight [them] as normal as anyone you’d meet on a street.”
Dedication
This better version is for Gerda, with love.
After five years of work, now that I’m nearly finished improving these early novels first published under pen names, I intend to start improving myself.
Considering all that needs to be done, this new project will henceforth be known as the hundred-year plan.
TUESDAY DECEMBER 30
Chapter One
At six minutes past midnight, Tuesday morning, on the way home from a late rehearsal of her new stage show, Tina Evans saw her son, Danny, in a stranger’s car. But Danny had been dead more than a year.
Two blocks from her house, intending to buy a quart of milk and a loaf of whole-wheat bread, Tina stopped at a twenty-four-hour market and parked in the dry yellow drizzle of a sodium-vapor light, beside a gleaming, cream-colored Chevrolet station wagon. The boy was in the front passenger seat of the wagon, waiting for someone in the store. Tina could see only the side of his face, but she gasped in painful recognition.
The boy was about twelve, Danny’s age. He had thick dark hair like Danny’s, a nose that resembled Danny’s, and a rather delicate jawline like Danny’s too.
She whispered her son’s name, as if she would frighten off this beloved apparition if she spoke any louder.
Unaware that she was staring at him, the boy put one hand to his mouth and bit gently on his bent thumb knuckle, which Danny had begun to do a year or so before he died. Without success, Tina had tried to break him of that bad habit.
Now, as she watched this boy, his resemblance to Danny seemed to be more than mere coincidence. Suddenly Tina’s mouth went dry and sour, and her heart thudded. She still had not adjusted to the loss of her only child, because she’d never wanted — or tried — to adjust to it. Seizing on this boy’s resemblance to her Danny, she was too easily able to fantasize that there had been no loss in the first place.
Maybe… maybe this boy actually
The boy became conscious of her gaze and turned toward her. She held her breath as his face came slowly around. As they stared at each other through two windows and through the strange sulphurous light, she had the feeling that they were making contact across an immense gulf of space and time and destiny. But then, inevitably, her fantasy burst, for he wasn’t Danny.
Pulling her gaze away from his, she studied her hands, which were gripping the steering wheel so fiercely that they ached.
“Damn.”
She was angry with herself. She thought of herself as a tough, competent, levelheaded woman who was able to deal with anything life threw at her, and she was disturbed by her continuing inability to accept Danny’s death.