magic would not need to batter down the wolf’s defences; it would enter through a crack provided by the man who had given his life to bring the Fenris Wolf to earth.
The meditation was finishing when the witches felt a brief pause in the flow of things, like someone sleeping in a cart might suddenly become aware that it had stopped. Vali, in the mire, had stepped into the magic space of visions and prophecy where the witches lived, and it was as if they had heard his footfalls at its threshold.
The witch queen was aware of someone else too. She heard chanting and drums and saw the eyes of the sorcerer. Then she felt the delicious pull of cold waters, felt her throat constricting, the desperation for air, a thick despair in her head, and she fell into Vali’s mind.
She had known before that male magic was weak. The rituals that the wolf shaman Kveld Ulf practised, for instance, could influence the physical realm but were scarcely recognisable as magic at all to the sisters of the Troll Wall. They were performed without the aid or understanding of the runes and to the witch queen were as strong as a house built without foundations. The blue-eyed sorcerer’s presence was almost fragile to her.
She saw images pulsing from his drum, running wolves, reindeer, bears, all moving from the skin as little stick figures, dancing their way into the mire. What was he trying to do? She allowed herself to sink into the rhythm of the drum, turning it over in her head. After a time she understood it, owned it. The rhythm was hers to command now. The sorcerer was concentrating too much on the man in the mire and didn’t realise she was there, that the beat coming from his drum had been altered and was spilling his secrets into the web of the witch queen’s mind. His thoughts fell open to her. He had been seeking the twin who had become a prince, had insight into his importance but had no real idea how to proceed, she could tell.
The witch queen was pleased. She had her enemy at her mercy, distracted, not aware of her, his limited magic ensnared in an attempt to influence the young man in the mire. She felt the runes rising in her as a sharp thorn to prick him with, fire to burn him, ice to freeze him, water or earth to stop up his breath.
In the darkness of her cave she felt a hand take hers. She turned in the weak glow of a whale-fat candle to see a woman with a ruined face sitting beside her, smiling. Then a realisation came to the witch’s mind and she forgot her odd companion.
The witch knew that the sorcerer, no matter how weak he appeared, was the god Odin. Therefore any vulnerability he expressed was a strength in disguise. She might attack him but he would survive, and, in surviving, he might realise who he was, awake to his powers and crush her.
The candle guttered and the shadows seemed to stretch across her sight as she sensed her murder-minded ancestors looking at her from the rocks around her. In their sudden presence was a message, she knew.
Magical thinking can appear close to insanity but, like some forms of insanity, it has aspects of genius. The first witches had known Odin had taken up female magic. He alone among men was a master of the women’s art — Seid, as it was called. Loki had told Gullveig that the god was lore-jealous, that he was striking at her because she had become too wise in magic. So the god hated powerful sorcerers in the earthly realm and would come to kill them. Very good, she thought. Then, if the god himself came to the earthly realm and was made to recognise himself as the most powerful sorcerer, he would strike at himself. The god could be tricked into killing his own incarnation. Odin was known as the all-hater. Would he exempt himself from that hate? No.
She would help the sorcerer, strengthen him and weaken herself, and in so doing she would shrink from the notice of the dead god and make him focus his attention on his own earthly self. He had seen enough to embark on that path anyway, she could tell. His visions had shown him the wolf and the boys and now he was trying to summon the creature to be his protector. He was using the girl. The Wolfsangel showed the witch that the healer’s girl was bound to the brothers and to their eventual transformation. So Gullveig’s enemy had nearly everything in place to summon the wolf. And yet, without her help, he would never do it.
The death of the girls in the Witch Caves had not been an attack. It had been a sort of prophecy, guidance, even perhaps a manifestation of her own magic, telling her what to do. The keys to magic, the witches had always known, were pain and shock. Now she saw the key to survival was weakness. She would diminish the power of her sisterhood, bolster that of her enemy and help him perform the magic that would destroy him. She had thought that she would call the wolf to destroy the god. Now she knew better. The god could call the wolf himself.
The sorcerer had achieved a great deal without the runes. With them, she thought, he would rush to his fate. Gullveig decided, she would send her enemy a gift.
One of the older sisters, the one who held the rune that shone like a lamp in the dark and brought insight and clarity to the witches’ visions, was dying, lying in the upper caves. Her inheritor was at her feet, deep in the trance that would enable her to receive the rune. That, thought Gullveig, could not happen.
Disa had been right about magic. A spell is not a recipe as such, though many have their ingredients, their methods of mixing and baking in the dark oven of the mind. It is more like a puzzle, where constituent parts must first be identified and then assembled into a whole, or even like embroidery, but formed from pain and denial rather than needle and thread.
At its higher reaches magic is a matter of feel. The witch queen, who had trained her instincts in years in the dark, knew that cold thought yielded nothing in sorcery. The way to achieve what she wanted was simply to begin, to take those invisible threads in her hands — the one called agony, the one called despair — and weave them into something more than the sum of their parts.
As she allowed herself to fall into a trance, Gullveig thought of the dying witch and her breathing became shallow, her limbs feeling weak in sympathy. Rot was in the witch queen’s mind — disease, the burst corpses of fever victims, the stink on the breath of old women dying. The smell seemed to cling to the witch queen and she knew that the old witch’s was a rightful death, a fine and beautiful thing.
The witch queen walked with the woman through her deathbed memories. She saw how the old witch had been brought to the caves as a girl, felt her fear of the darkness, her anguish as she was trained and her elation as the rune finally lit up in her and bonded her fast to her sisters. She sensed the other witches too, spectral presences in the old woman’s mind, and she went to them, telling them it was time to leave and to bid their sister goodbye. The witches melted away and the queen felt the dying woman’s thoughts shrivelling in on themselves. When the sisters were gone, Gullveig sat with her in the dimness of her mind. Her rune was shining in the murk like a lantern.
Gullveig took it and the witch died. She saw the girl who was to receive it waiting in the dark. In her trance, the witch queen held up her hand and the girl fell dead. Then she returned to Vali in the mire and sent it spinning towards the sorcerer.
She heard a cry, heard the rhythm of the drums falter as the rune entered him. The witch smiled to herself. Now he would have insight and clarity like he had never had before. He would understand what to do when she sent him the next rune. She took out her small piece of leather, ran her thumb around the outline of the Wolfsangel rune. The sorcerer could sense her now, she could tell. She thought of the Wolfsangel and opened her consciousness like a deadly flower, exposing the dark nectar of the rune within. Something reached hungrily into her head, tearing and ripping. The witch fought to stop herself retaliating, to keep her defences down. Her eyes felt as though they would burst as the sorcerer’s drumbeat seemed to chisel the rune from inside her. She fell forward, bleeding at the nose and at the mouth, biting at her fingers to try to distract herself from the pain in her head. She felt her enemy’s exultation and agony as the rune wound its tendrils into his mind. The witch was satisfied. The god’s manifestation was on the way to where he needed to be to destroy himself. Now he really could call the wolf, which meant he would die. She withdrew from her trance and shivered.
The experience of having killed one of her own buzzed through her mind like an angry wasp through a summer’s day. She had stepped deeper into insanity but even that felt right. She got up to go to her dead sister. She would sit with her a while, she thought. It would be useful to confront what she had done, feel its impact, stroke the old witch’s hair, stay with her in the darkness while she rotted. Murder, regret and grief were tools she could work with to dig new tunnels through the labyrinth of her magical mind.
She stood, not noticing the hand that helped her to her feet.
23
