swap. Wife c'n allus use pins.'

'Same here,' said the sausage-roll vendor. 'Fifteen pins fer a roll.'

Well, that would take care of her nuncheon with nothing out of her pocket, and she'd be saved the trouble of straightening the pins herself. And dealing with them; she hadn't a paper to stick them in, and she didn't relish the idea of lining them up in rows on her hat. She'd probably forget they were there and put her hand on them. 'Done, to both of you,' she replied, 'and grateful, too.'

'Good enough,' said the sausage vendor. And when a count proved her to have forty-three, offered her two rolls for what was left when she got her cider. She stowed the rest of her take in her pouch and pack, put away Lady Rose, drank her cider, and considered what to do with the rest of her day, devouring her rolls while she thought.

It really wasn't worth playing her fingers off for only three pennies, not when she needed to find a place to live, a teacher, and a second instrument, in that order. So, with a wave of farewell to the two vendors, she packed herself up, and took out her map.

After a few times of getting turned around, she learned the trick of following it. It was too bad that none of the places Mathe had marked were terribly nearby, but there were three that were kind of in a row, and she headed in their direction.

The first shop was in the middle of a neighborhood where her shabby clothing drew dubious looks; nearly everyone she saw on the street wore clothing like the wealthier farmers' sons and daughters wore to Church services back home. One look in the shop window convinced her that this was no place for her. The instruments hung on the wall were polished and ornamented with carving and inlay work; they might well be second-hand, but they were still beyond her reach, and so, likely, was the teaching to be had.

The second place was much like the first, and she caught sight of some of the students waiting their turns. They were very well dressed, hardly a patch or a darn or let-down hem to be seen, and most of them were much younger than she. From the bored expressions they wore, she had the notion that the only reason they were taking music lessons at all was because it was genteel to do so.

She left the brightly painted shops behind, passed through a street of nothing but wrought-iron gates set into brick walls a story tall, gates giving onto small, luxurious gardens. The gardens were beautiful, but she didn't linger to admire them. Some of those gates had men in livery behind them, and those men wore weapons, openly. No point in giving them a reason to think she was here by anything other than accident.

That street became a street of shops; food shops this time, Vegetables, fruit, wooden replicas of meat and fish and poultry, all displayed enticingly inside open windows, with the real meat and dairy products lying on counters inside, or hanging from the rafters and hooks on the walls. Here, the clothing of the folk in the street had a kind of uniform feel to it; all sober colors, with white aprons and caps or dark hats. Servants, she decided. Sent from those houses behind her to buy the goods for dinner. How strange to have a servant to send out-what a thought! To wait, doing whatever it was that rich folk did, until dinner appeared like magic, without ever having to raise a finger to make it all happen! And then to go up to a room, and find a bath hot and waiting, and a bed warmed and ready-a book, perhaps, beside it. And in the morning, to find clean clothing set out, breakfast prepared. . . .

She daydreamed about this as she wormed her way down street after street, each one getting progressively narrower, and gradually shabbier. Finally she found herself on a street much too narrow for a cart, unless it was one of the dog carts; a street that even a ridden horse would probably find uncomfortably confining.

There was only one shop in the street that had three instruments hanging in the window, although it had other things there as well; cheap copper jewelry, religious statues, cards of lace and tarnished trim that showed bits of thread on the edge where it had been picked off a garment, knives and a sword, a tarnished silver christening-goblet. . . .

A small sign in the window said 'We Buy and Sell' and 'Loans Made.' Another sign beneath it showed two pairs of hands; one offering a knife, the other a silver coin. A third, smaller sign said 'Music Lessons.'

She looked back up at the instruments, a lute, a harp, and a guitar; they were old, plain, but well-cared-for. There wasn't a speck of dust on them anywhere. The strings looked a little loose, which meant they weren't kept tuned-something that would warp an instrument's neck if it wasn't taken down and played often. Whoever had hung them there knew what he was doing.

The street itself was quiet; one of those 'residential' areas Mathe had spoken of. There was another food- shop on the corner, but otherwise, this seemed to be the only store in this block of buildings. The rest were all wooden, two-storied, with slate roofs; they had single doors and a window on either side of the door, with more windows in the overhanging second story. A rat might have been able to scurry in the spaces between them, but nothing larger.

The buildings themselves were old, in need of a new coat of paint, and leaned a little. They reminded Rune of a group of old granddams and grandsires, shabby, worn, but always thinking of the days when they had been young.

Instruments and lessons-and a place where she might find somewhere to live. This was the most promising area, at least insofar as her purse was concerned, that she had encountered yet. She opened the door and went inside.

The interior of the shop was darker than the public house had been, and smelled of mildew and dust. When she closed the door behind her, a bell jangled over it, and a voice from the back of the store said, 'Be patient a moment, please! I'm up on a ladder!' The voice matched the store; a little tired, old, but with a hint that it had been richer long ago.

Rune waited, letting her eyes adjust to the darkness of the shop. The place was crowded with all sorts of oddments, even more so than the tiny window. Behind and in front of her were floor-to-ceiling shelves; on them were books, stuffed animals, neatly folded clothing, statues of all sorts, not just religious, one or two of which made her avert her eyes in flushed embarrassment. There were dusty crystals, strange implements of glass and metal, lanterns, and cutlery. All of it was used, much of it was old, and some of it looked as if it had sat there for centuries. Every object had a little paper tag on it; she couldn't imagine why.

Suspended from the rafters were cloaks and coats, each with moth-bane festooning the hems. The shop itself was barely large enough for Rune, the shelves, and the tiny counter at the rear of the shop.

After a moment, an old man dressed in a dust-colored shirt and breeches pushed aside the curtain behind the counter and peered at her, then shook his gray, shaggy head.

'I'm sorry, lad,' he said regretfully. 'I'm not buying today-'

'And I'm not selling, sir,' she interrupted, approaching the counter so he could get a better look at her.

He blinked, looked again, and chuckled; a rich, humor-filled sound that made her want to like him. He reminded her of Raven, a little. And a little of that Guild Minstrel. 'And you're no lad, either. Forgive me, lass. What can I do for you?'

A little surprised, since no one else had seen her true sex through her purposefully sexless clothing, she took another step forward. 'My name is Rune. I'm a player, sir,' she said, hesitantly. 'I was told that I could find an instrument and lessons here.'

'That's true,' the old man said, his sharp black eyes watching her so closely she felt as if her skin were off. 'You can, as you know if you saw the signs in the windows. But there's more to it than that-the things that brought you to this shop in this city. Now, I like a good tale as well as any man, and it's late and near time to close up. If you'd care to share a cup of tea with me-and tell me your tale?'

Part of her said not to trust this man-here he was a stranger, and offering to share his hospitality with another stranger-

But the rest of her thought-what could he possibly do to her? He was old, he moved slowly; he couldn't possibly out-wrestle her in a bad situation. Where was the harm in indulging him?

And there was more of Raven's advice. If you find yourself with someone who cares for his instruments, no matter how old, or how plain-or even how cheap-you can trust him. He's a man who knows that all value isn't on the surface. And he may have some of that hidden value himself.

'I'd like that, sir,' she said, finally. But he had already raised his tiny counter on the hinges at one side, and was motioning her through as if he had never expected she would do anything other than accept. She pushed the curtains aside, hesitantly, and found herself in another narrow room, with a staircase at the farther end leading up to a loft. This room was just as crowded as the shop. There was a stove with a tiny fire in it, with a kettle atop; a broken-down bed that seemed to be in use as seating, since it was covered with worn-out cushions in a rainbow of

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