the blade across its soft, furry throat. He held the corpse upside down over the bowl and watched the blood at first pour, and then slow down to a drip, as it filled the receptacle. It took a long time, because the heart wasn’t pumping.
When he had enough blood he carried the bowl over to the coffee table.
“How the fuck do I do this?”
He took the bowl back to the sheet and then returned to the cat box. Gritting his teeth, he picked up Monty Bright and carried him over to the bowl. His skin was thick, like rubber, yet it was also strangely smooth. It felt like a diving suit.
“
“Don’t worry. It’s coming.” He cradled Monty like a baby and managed to manoeuvre him so that his face was near the blood in the bowl. He kept a tight grip on the squirming little body and pushed the face down towards the thick red fluid.
Monty lapped at the blood, his thick tongue making a wet sound as it flicked in and out of the liquid.
“That’s good… that’s better.”
Then Monty began to struggle. He was lifting his head away from the blood and making an odd wailing sound, exactly like a testy baby refusing its food.
“What the fuck’s wrong? It’s blood…”
“
Erik set down Monty on the plastic sheet. His chin was thick with cat blood, and he was spitting out whatever meagre amount he’d managed to take into his mouth.
Erik realised his mistake instantly. “It’s the wrong kind of blood, isn’t it?”
Without giving too much thought to what he was doing, Erik reached for the knife, wiped it on the plastic sheet, rested the blade against the palm of his left hand, and slashed lightly. He stared at the cut, wondering how it had got there. He’d felt nothing. He was empty, nothing but a puppet, a plaything for monsters.
Monty stopped struggling. His intelligent eyes widened.
Erik pressed the wound to Monty’s mouth and let him drink.
He realised then that he would be required to kill a third human being. The act itself held no terror for him, but the motivation behind the deed was horrific. He watched as Monty lapped at his hand, and when he pulled away the meal, Monty tried to lift his head towards the dripping blood. His mouth opened and closed like that of a baby bird. He had no teeth. The gums were purple and swollen. The suckered limbs along his sides writhed, a sordid octopus-like motion.
Erik got up and grabbed a tea towel from the kitchen, which he wrapped around his hand to staunch the blood flow. The cut wasn’t deep; it would heal quickly.
When he returned to the lounge, Monty was face down on the plastic sheet. His arms and legs, the tentacles and other appendages, were flailing, making rustling sounds against the sheet. He was licking up the spilled drops of blood and laughing, gurgling, expressing undiluted pleasure.
Erik knelt down and turned Monty over onto his back. The mouths on his chest were open and stained red. He stared at Monty’s face. It looked fuller, the cheeks fatter than before. The skin looked less pale, as if his natural colour was returning. He was smiling.
“Okay,” said Erik. “I get it now.”
His head felt as if it were filled with foam; something was burrowing inside.
Monty cocked his head to one side. “Erik?” The voice sounded stronger, less childlike, and more recognisable as that of the real Monty Bright. Awareness dawned in his eyes.
“Yes, Monty, it’s Erik.”
“I need more.” His eyes flickered shut. He was exhausted. The act of feeding had worn him out.
Erik closed his eyes for a second, and then picked up Monty and returned him to the cat box. “I know you do,” he said, as he closed the lid. “And I know exactly where to get it.”
He went upstairs to his office and sat at his desk. He stared at the screen saver on his computer — a black and white photo of Nigel Benn and Chris Eubank squaring up in the ring. He’d sparred with Benn before the man was famous. Erik had once knocked him flat out in the first round. It was a good memory, one that helped get him through some tough times when he began to doubt his own strength. Times like now, like this.
He picked up the phone and dialled a number, waited for the call to be answered. It didn’t take long. Whatever he’d felt inside his head was fainter now, but it was still there, waiting.
“Erik.”
“I need to see you, Hacky.” He stared at the picture of the two proud fighters in the ring, doing exactly what was required to get the job done. No messing around. “Come out to the old country house tonight, at eight o’clock. You know the place. Don’t tell any fucker where you’re going or who you’re seeing. If you do, and I find out, you won’t get paid. You will get hurt, though.”
“Paid?”
“Yeah. I have an important job for you. We’re talking big money, son. More than you’ve ever seen before.” He raised his eyes to the wall, examined the framed painting of a young Cassius Clay. “Consider this a test. If you do well, I’ll push you up the ranks, and give you a proper role in my organisation.”
“You can trust me, Erik. Always.”
“I know I can, marra. That’s why I called you, and not one of the others.” He knew from experience that Hacky would keep his mouth shut. The kid was too afraid to disobey a direct order, and he liked money too much to even risk the chance of losing out. These scumbag estate kids were all the same: they’d do anything for cash, sell their own mother to climb up the criminal ladder and catch a glimpse of the big bucks.
“Meet me at the Barn. I’ll be waiting inside for you.”
“Is it… is it about the monster? That thing we found?”
“Sort of, marra. I’ll tell you what you need to know tonight. Until then, lay low and don’t speak to anyone. Make excuses; tell your mates you’re ill and won’t be seeing them for a few days. Give your girlfriend the elbow. Whatever. Just make yourself available to me, and only me. We have a job to do.”
“Okay. That’s easy. Am I going away, then?”
“In a manner of speaking, yes you are. Just for a little while. I’ll see you at eight, marra.” An idea occurred to him. “Bring a bag packed for a few nights. You won’t need much where you’re going; just the basic essentials.” It wasn’t a great plan, but it might fool people into thinking Hacky had gone on a journey.
He hung up the phone, feeling nothing. Nothing at all.
Back downstairs. Monty was sleeping inside the cat box. His eyes were closed, his chest rose and fell, rose and fell. Erik felt the same stirring inside his skull. Monty was doing something to him — or rather, the proximity to Monty was making something happen. It was like being in the presence of an electrical current. His skin tingled. His mind flexed, like a muscle that hadn’t been used for a long time.
Calmly, he sat down on the floor, cross-legged, and watched Monty sleep.
CHAPTER FIFTEEN
WHEN VINCE ROSE unlocked and then opened the old, unpainted door to the first attic room, Marc expected to hear at least the whine of a rusty hinge, or the sound of boards shifting underfoot. But there was nothing; the door opened smoothly and without a sound.
“So you’ve never been up here before, I take it?” Rose spoke without turning around. He reached out and flicked a light switch. The room brightened. Marc wouldn’t call it light, not exactly: that would be too kind a description for the weak, watery illumination. The room beyond the threshold simply became less dark.
“No,” he said, following the old man inside. “To be honest, I didn’t even know these rooms existed.”
“Behold,” said Rose. “My brother’s library…”
The room was small but it seemed much more spacious because there was little furniture inside. Just a small tub chair pushed up against a bookcase. The walls were lined with books. Marc could not see an inch of wallpaper because there were so many ceiling-high bookshelves fitted along the walls, and volumes of differing sizes took up every inch of them. There were also books and dusty old box files lined up on the floor, along the
