'But you-when I dreamed of you, I didn't dream of the-of the-other.'
He fell silent, and after an awkward pause she asked, 'How did you know of me?'
'You traveled through Riverend?'
'My mother used to tell me song was my Gift.'
'What is?'
His mane flew as he shook his head.
Only when she was safe upon the height of his back did he continue.
* * *
On the fourth day, she woke from dreaming with Darius' muzzle in the side of her neck.
She was sweating, although it was cold, and he caught the edge of her rough woolen blankets in his perfect teeth and pulled them more tightly around her.
His eyes were dark, his gaze somber.
'Darius,' she whispered, when she could speak past the rawness in the throat, 'I heard bells.'
He was silent.
'Not bells like yours, not bells like the ones you're decorated. with. But . . . bells. Loud and low.'
'There are no bells here, are there?'
'What are they?'
And she did, although she did not know how. Death bells. 'Tell me?'
He shook his head.
As he spoke, the hairs on the back of her neck rose. She thought of Riverend. Of Tessa and Evan, of Mitchell, of the Widow Davis. For no reason at all, she wanted to weep.
* * *
The first large town that Kayla entered seemed so vast she assumed it was the capital.
Darius laughed, but his laughter was gentle enough that it reminded her of her father's amusement at her younglings antics a lifetime ago.
'But it's so-so-big!'
She could not even shake her head. Her mouth, when it opened, was too dry to form words.
* * *
She was on her feet. Not his back, not his feet. She could not remember sliding from the complicated bits and pieces of baubles that announced his presence and his station so eloquently.
The cobbled streets passed beneath her; she noticed them only because they felt so strange to her feet, so unnatural beneath open sky. The screaming was so loud she could hear no other words, although she thought she could glimpse, from the corners of her eyes, the opened mouths and shocked faces of the strangers she hurtled past, pushed through.
She was through the doors and into the light before she realized that she had entered the cathedral; that she stood in the slanting rays of colors such as she had never seen captured in glass. A man, ghostly and regal, illuminated her and the ground upon which she stood.
She stopped only a moment because given a choice between beauty and terror, beauty could not hold her. She knew what she heard. She knew it.
The cathedral was an open, empty place of light and space, with benches and an altar at the end of the apse. She ran down it, boots pounding the ground, footsteps echoing in heights she would never have dreamed possible in Riverend. And she forgot to feel small, to feel humble; she knew she had to read the person whose screams were so terrible, and soon, or it would be too late.
And she never once stopped to wonder what too late meant.
She found him.
It wasn't easy; there were doors secreted in the vast stone walls, beautifully oiled and tended, that nonetheless seemed like prison doors, they opened into a room so small.
Curled against wall and floor, huddling in the corner, was a man. A stranger.
In Riverend, strangers were always eyed with suspicion, greeted with hearty hospitality and an implacable distance. She had shed both of those the moment she had heard his terrible cry.
And she heard it still, although she could see-with wide eyes-that his lips were still. But his eyes were wider than eyes should be, and they stared ahead, to her, sightless, as if he had gone blind.
Darius' voice.
She realized then what was so wrong, so cutting, about this man's cry of terror: it reached her the same way that Darius' words did, in a silence that spoke of knowledge and intimacy. Without thought, she bent to the man huddled against the floor, and without thought, she tried to lift him.
Realized that lifting him would strain the muscles she had built in the hold, lifting even the largest of the children; he was not a small man.
And she was a small woman. But determination had always counted for something.
Always.