Exile's Valor

Exile’s Valor

Mercedes Lackey

Copyright © 2003 by Mercedes R. Lackey.

1

Muted light, richly colored, poured gold and sapphire into the sparsely-furnished sitting room in Herald Alberich’s private quarters behind the training salle.

Now that the colored window was installed, and the protective blanket taken off, it made that little room look entirely different. Alberich hardly recognized it.

The four Journeymen glass workers who had helped their Master install the piece were gone now, leaving Alberich alone with the artist himself.

Both of them gazed on the finished product in silence, while behind them a warm fire crackled on the hearth. It was a staggeringly beautiful piece of stained-glass work; in fact, Alberich thought, it would not be exaggerating to say it was a masterpiece. Not that he had expected less than a fine piece from the Master of the Glassworkers Guild, but this was over and above those expectations.

The artisan responsible for its creation stepped forward and gave the top right-hand corner a final polish with a soft cloth, removing some smudge not visible to ordinary eyes. He flicked off an equally invisible dust mote as well, and stepped back to view the expanse of blues and golds with a critical eye. A man gone gray in his profession, he was tall, but not powerful, with wiry, knotty muscles rather than bulging ones. His expression was unreadable, a square-jawed, hook-nosed fellow whose face might have been stone rather than flesh.

“It’ll do,” he grunted finally, his long face betraying nothing but a flicker of content.

“A work of power and beauty, it is,” Alberich replied, unusual warmth of feeling in his voice. “It is exceeding my expectations, which were high already. Your skill is formidable, Master Cuelin.”

“It’ll do,” the artisan repeated, but with just a touch more satisfaction in his own voice. “I’ll not praise myself, but it’ll do.”

This was such understatement that Alberich shook his head. In so many ways, this was a piece of artwork that went far, far beyond even the monumental works that only the great and wealthy could afford, be they individuals or organizations. It was the care to every detail, as much as the design, that showed that expertise. For instance, to protect the fragile leaded glass, made up of pieces no larger than a coin, the panel had been installed against the existing window. Now, the bars holding those old panes in place could have cast distracting lines across the new pattern—except that Master Cuelin had taken that into account in his design, and the shadows had been integrated in such a way that unless you looked for them, you did not notice them.

Yet Master Cuelin seemed no more than mildly pleased that everything had worked out as he had planned. Alberich knew that tone; not only from working with Master Cuelin on this window, but from working with others who shared the same obsessive drive to excellence that marked the man’s work. No point in heaping him with effusive praise, for it would only make him uncomfortable, and he would begin to point out “flaws” in the work not visible to anyone but him.

“Very happy, you have made me,” he said instead. “Never shall I weary of this piece.” And although he had paid Master Cuelin already, when he shook the man’s hands in thanks, a heavy little purse that had been in his hand slipped quietly into the Master’s. That was the way of doing business, in Karse, when one was pleased with special work. Some things, Alberich felt, were probably universal—an extra “consideration” for work that exceeded expectation being one of them.

Evidently the custom held true in Valdemar, because Master Cuelin did not seem in the least surprised; he said nothing, only pocketed the purse with a nod of thanks. He dusted off his hands on the side of his brown leather tunic—all of his clothing, tunic, breeches, even his shirt, was leather, because leather wasn’t likely to catch fire.

“Well, if you’re that satisfied, Herald Alberich, I’ll be off,” the Glassmaster said. “I’ve that lazy lot of ’prentices to beat back at my studio, for no doubt they’ll have ruined the cobalt plate I laid out for them to cut for the new ’Pothecary Guild window, aye, and muddled the designs I set them to copy, and complain I’ve assigned them too much work.”

Alberich shook his head, in mock sadness. “It is ever so,” he agreed, and sighed. “The younger generation —”

“We were never like that, eh?” Master Cuelin barked a laugh and slapped Alberich’s back. The Weaponsmaster allowed a hint of a smile to show, and the Glassmaster winked. “Well, ’tis heavy work we have before us—you know what the old saw is, ’A boy’s ears are on his backside, he heeds better when he’s beaten!’”

Since there was nearly the identical saying in Karse, Alberich nodded, and with another exchange of pleasantries, he escorted the Glassmaster out. Indeed, some things were universal.