Owlsight

she shared with Shandi. After all, it had been ages since the incident when she dyed her hands with red ocher, and how was she supposed to know the stuff had to wear off? It had been her first experiment with dye for Shandi!

Shandi was so neat that it didn’t take long to make her things up into a few tightly packed packages. Keisha left her a generous supply of embroidery threads for her own use but kept out the rest to use to bargain with the trader. Shandi’s friends would just have to find another source for their threads from now on - Or they can spin their own and pay me to dye them.

She also kept all of the undyed spun thread; not only was she going to dye as much of it scarlet as she could tonight, but she intended to make that experiment with overdying in indigo and see if that didn’t make a purple.

I’ll have to dry it in the workshop, though - and without afire. In fact, I’d better dye it before dark so I don’t have to use a candle. The fumes could be dangerous.

She was just as glad that she was the one doing this batch of dye and not Shandi. She wasn’t certain she could have impressed on Shandi just how dangerous those fumes could be in close quarters. None of the dyes Shandi had used until now needed anything but water and a solvent followed by a fixative, and none was poisonous unless you were stupid enough to drink it.

But my medicines can be very poisonous. The bruise potion, for instance, or the joint-ache rub; they could both kill you if you weren‘t careful.

She paused for a moment to admire Shandi’s undyed threads, the wool, the linen, and the special baby chirra-wool that she got from the Fellowship. No one in the village could spin a tighter, smoother thread than Shandi, and no one made thread better suited to embroidery. Shandi’s threads were not inclined to knot, break, or catch; that was why everyone liked them.

But Audi is almost as good - and this will just give her incentive to do better.

When Keisha had finished, there was just enough daylight left to do the dyeing that she’d decided on. She took the hanks of undyed thread, left the packages on Shandi’s bed, and headed out the door at a fast walk before Sidonie could recruit her to help with dinner. “I’ve got something I have to do, Mum!” she called as she went out the door. “I’ll be back for dinner!”

She got herself out of shouting distance by breaking into a run as soon as she let the door slam behind her - thus making it possible to claim that she hadn’t heard Sidonie, if a reproach was to come over dinner.

She closed the door of her workshop behind her and leaned against it for a moment, conscious of a profound feeling that she had reached a sanctuary, and guilty for having that feeling.

Then she dismissed both emotions, caught up in the excitement of having something new to experiment with. The pouch with the dye in it waited in a patch of sunlight on the workbench, and she had the rest of the afternoon before her.

She quit only when it was getting darkish and the fumes from the dyeing thread made her feel as if she’d drunk three glasses of wine and then hit herself in the head with the bottle. By then, the last couple of hanks came out noticeably lighter than the others, which meant that the dye was losing strength.

That’s all right, she thought as she hung them to dry with the rest, along the line where she usually hung bunches of herbs to dry. They‘ll either be a nice rose-pink, or I can use them for that overdying experiment. She had more than enough thread to make the trader willing to seal the bargain, and she’d used up three-quarters of the dye to do it. If Shandi’s friends complained, she had enough dye left to dye their spinning, which wasn’t good enough to tempt a trader. Thar’s a reasonable compromise, I think.

She’d been careful to dye equal amounts of all three kinds of thread, too - linen for embroidering on light fabrics, sheep’s wool for tapestry work on canvas, such as highborn ladies indulged in, or for embroidering woolen clothing and leather, and chirra-wool for work on heavier fabrics than linen.

She made sure all the windows of the workshop were open before she left; by morning the fumes should be gone and the threads dry. Her work was probably not quite as perfect as Shandi’s - for her sister would make certain that every skein in a dye lot matched, and discard the dying solution as soon as the color showed any sign of weakening - but as rare as a good scarlet was, she doubted that would matter. As she left the workshop, she was gratified to see that she had managed not to get any of that scarlet dye on herself.

She’d thought about discarding the dregs, then thought better of it, sealing the bowl with another placed upside-down atop it. If those last skeins came out pink, it might be worth the trouble to keep dying, letting the color grow fainter and fainter, as long as it stayed colorfast. Shandi did that with indigo, and the girls loved being able to do subtle shadings with the results, producing flowers that looked real enough to pick.

Dinner was already on the table when Keisha arrived, and there were no reproaches for her from Sidonie when she pulled up her stool and helped herself to bread and soup.

Her father picked up what was obviously a conversation in progress before she arrived. “Na, then,” he said, looking pointedly at Tell, the middlemost of the five boys. “It’s about time you started helping out your Mum, like. You’re of an age, and you think she’s been put in the world to be your servant? Not likely, then.”