That got them muttering. Perhaps one or two of them had gone into the British Museum out of curiosity. The rest would have heard the stories from returning soldiers or even seen a moving picture.
Almsley went on persuasively. 'Even if there's no gold and gems, there'll be silks and statues and lots of things you can sell, and not to some pawnbrokers either!
'Done!' said the leader, holding out his hand to Almsley, who shook it with the full solemnity the pact deserved. 'Let's get 'em!'
Maya woke.
Between the time that she fell into blackness and the time that she woke, her mind had not been idle. There were conclusions ready for her the moment that she was conscious—that the old apple seller
Shivani was wrong. She woke angry, and prepared to fight.
So when she found herself floating—in midair—unable to move or make a sound, it was the 'floating' part that momentarily confused her, and not her surroundings.
If she couldn't move or speak, she could still see and hear, and what she observed did not bode well for her.
She hovered, as it were, just above something that could only be an altar. Behind her was a many-armed, brightly painted statue of a woman bedecked in necklaces of flowers and skulls. Each hand held a different weapon, or a severed head. She had no difficulty in recognizing Kali Durga, and that was no great surprise—though it was odd that the statue's eyes were closed.
She was immediately distracted by the sight of her aunt, however, who now bore no resemblance to the old apple woman at all. Shivani, the Priestess of Kali Durga, was, in fact, remarkably young-looking; except for a very few fine lines at the corners of her eyes and mouth, she looked just as young as Maya. Her hair was black and glossy, plaited into a thick braid along with thin gold chains. She might have been considered a handsome woman except for those lines, which gave a cast of cruelty to her features, and except for her eyes, which were hard and cold. Anyone seeing her would have known at once that she and Surya had been sisters—and would have known at once that they were nothing at all alike.
The woman knelt at a brazier just in front of the altar, casting bits of this and that into it so that smoke rose in thin curls from the charcoal. Beside the brazier was a tube of red—Maya's own blood, still in the syringe. Involuntarily, Maya strained toward it.
'You are awake,' the woman said, in a calm, and silky voice. 'Do not trouble to speak; you cannot.'
Startled, the woman looked up from her task in spite of herself. Their 'eyes' met, and Maya strove to put nothing in her own gaze but defiance as she held her thoughts behind a tightly woven shield.
'I
It was tainted, stinking with blood; she drove down further, sensing that behind her Shivani had leaped to her feet and was belatedly trying to prevent her from going in this unanticipated direction. She felt her progress slowing, as Shivani 'pulled' against her flight, using whatever hold she'd put on Maya's spirit to drag her back.
She strained against the pull, striving to inch herself clear of the polluted soil, trying to get even a fraction of her 'self' into a place where she, and not Shivani, had the advantage. It was like trying to swim to the bank of a stagnant cesspool with a rope around her waist and someone pulling her deeper into the pool with it.