Bard carefully
He felt her looking out of his eyes, and felt her approval before she voiced it.
For the first time that day, Vanyel allowed his hope to rise a little.
Van blinked.
Medren opened the door to their room and waved Stefen inside. He looked back over his shoulder at Van, who just nodded at him. The boy was doing just fine; so long as Stefen got to the Throne Room in time for the audiences, Vanyel didn't see any reason to interfere in the way things were going. He turned and headed back down the hallway to the stairs.
If she'd been human, she'd have spluttered.
Vanyel chuckled, and pushed open the door to the outside with one hand.
He hadn't known Yfandes knew that particular curse. He wondered if she'd learned it from Breda.
Stefen sagged bonelessly into the room's single comfortable chair, and stared at a discolored spot on the plastered wall.
He couldn't stand sitting there idle; he reached automatically for the gittern he kept, strung and tuned, beside the chair. It was one of his first student instruments - worn and shabby, a comforting old friend. He ran his fingers over the strings, in the finger exercises every Bard practiced every day of his life, rain or shine, well or ill.
He'd known about this trick of his, this knack of “singing pain away” for a long time - he'd had it forced on him, for all practical purposes, by the old woman who had cared for him for as long as he could remember. It was either sing her pain away, or put up with her uncertain temper and trust he could get out of her reach when she was suffering a “morning after.”
Old Berte wasn't his mother - but he couldn't remember anyone who might have been his mother. There had only been Berte. Those memories were vivid, and edged with a constant hunger that was physical and emotional. Berte teaching him to beg before he could even walk. Berte making false sores of flour-paste and cow's blood, so that he looked ill. Berte binding up one of his legs so that he had to hobble with the help of a crutch.
The hours of sitting beside her on a street corner, learning to cry on cue.
Then the day when one of the other beggars brought out a tin whistle, and Stef had begun to sing along, in a thin, clear soprano - and when he'd finished, there was a crowd about the three of them, a crowd that tossed more coppers into Berte's cracked wooden bowl than he'd ever seen in his short life.
He closed his eyes, and let his fingers walk into the next set of exercises.
It remained the best day of his life for a long while, for once she had a steady source of income, Berte returned to the pleasures that had made her a beggar in the first place. Liquor, and the drug called