The water not only tasted good - it felt good. Andros became very much aware of how dusty and sweaty the trip had made him, and Toril allowed that she wouldn't object to a bath, either. By the time the two of them were dry, it was late afternoon, and Andros figured the old man would be ready to continue his journey.
When he returned to the grove, the old man was gone.
The gittern was there, though, and the mare - so Andros just sighed, and assumed he'd gone off for a walk. He began a search for the Bard, growing more and more frantic when not even a footprint turned up -
Toril imposed herself in front of him, waiting for him to mount. He blinked at her, wondering what on earth he was doing, wandering around in the woods like this.
He caught a twinkle in her eye, but she replied demurely enough,
“Oh, horseturds,” Andros groaned aloud. “You don't expect me to ride all night, do you?”
“Why is there a saddle on this mare?” he asked, frowning, as he approached the palfrey. “And why isn't she fastened to your saddle already?”
“You're right,” Andros said, rubbing his head, then mounting. “I'd better talk to them. Well, let's get going.”
They rode off, leaving a gittern behind them, propped up against a tree. When they were quite out of sight- and hearing-distance-the strings quivered for a moment.
A knowledgeable listener might have recognized a ballad popular sixty or seventy years earlier - a love-song called “My Lady's Eyes.”
And a very keen-eared listener might have heard laughter among the trees; young male laughter, tenor and baritone, making a joyful music of their own.
To this day, that gittern is grown into the tree it leaned against then, the goldenoak's roots entwined around its strings in a gentle embrace, and there are bright days, when the winds whispers through the trees, that the Forest of Sorrows seems the most inappropriate name possible.
APPENDIX
Songs of Vanyel's Time
NIGHTBLADES