heroic paintings of stiff-faced humans engaged in conflicts, or stiff-faced humans posing in front of bizarre landscapes. There was a single bench behind the desk, where many young humans in similar livery sat quietly.
Now he waited for Harperus to declare himself, which Harperus was not at all loathe to do. The Deliambren adored being able to make speeches.
'I am Harperus, the Deliambren Ambassador-at-large,' he announced airily to the functionary. He went on at length, detailing the importance of his position, the number of dignitaries he had presented his credentials to and the exalted status of the Deliambren Parliament. Finally, he came to the point.
'I have a presentation to make to Theovere,' he concluded.
The title Harperus claimed was not precisely a fiction, although very little of what the Deliambren actually did on his extensive trips ever had anything to do with conventional diplomacy. And it was entirely possible he had presented his credentials to every one of the dignitaries he named_they were all wealthy enough to afford Deliambren goods, and Harperus often acted as a courier for such things. The official favored Harperus with a long moment of silence, during which the 'Laurel Herald' scrutinized the Deliambren as carefully as an oldster examining her daughter-in-laws aerie for dirt in the corners, unpolished furniture, or a fraction less
Harperus simply stood there, radiating a cool aplomb. T'fyrr was grateful that no human here could possibly have enough experience with Haspur to read their expressions and body language, or he would have given it all away with his rigid nervousness. He stood as straight and as stiffly as a perching-pole, his wings clamped against his back. Probably the official didn't notice, or if he did, thought it was stiff formality and not nerves.
He didn't seem to notice the Haspur at all; in the simple silk body-wrap, T'fyrr probably looked like a slave.
Finally the 'Laurel Herald' elected to take them at face value; he signaled to a boy he referred to as 'Page,' one of the dozen waiting quietly on the bench behind his desk, and gave them over into the boy's keeping.
'Take them to the Afternoon Court,' the Herald said, shortly, and turned his attention to other business on his empty desk.
After an interminable walk down glass-walled corridors that passed through the middle of mathematically precise gardens, the boy led them toward_a structure. If the scale of the Palace had been anything T'fyrr considered normal, it would have been another wing of a central building. But since everything was on such a massive scale, this 'wing' was the size of entire Palaces. It was certainly the size of the huge Cathedral in Gradford, which was one of the largest human buildings T'fyrr had ever seen.
'That's Court, my lords,' the boy explained, enunciating carefully. 'That's all that goes on in that Palace building, just Court. Morning and Afternoon Court, informal Court, formal Court, Judiciary, Allocation, City_'
The boy rattled on until T'fyrr shook his head in disbelief. How many ways could one entitle the simple function of hearing problems and meeting people? Evidently quite a few....
The doors at the end of the corridor swung open without a hand to open them as they approached; T'fyrr glanced sideways at Harperus, who smirked in smug recognition.
The doors closed behind them, silently, and the Haspur noted larger versions of the Deliambren lighting that Harperus employed in his coach hanging from the ceiling, encased in ornate structures of glass and gold. There were probably hundreds more examples of Deliambren wonders here, but none of them would be of the type that could be taken apart without destroying them.
The High King would be able to
They followed down a hallway paved in polished marble with matching marble paneling. Graceful designs had been incised into the marble of the walls and gold wire inlaid in the grooves. At intervals, along the wall and beneath the lighting, where they were displayed at their best advantage, were graceful sculptures of humans and animals, also of marble with details of gold inlay. Between the sculptures stood small marble tables, topped with vases made of semiprecious jade, malachite and carnelian. The vases were filled with bouquets, not of fresh flowers, but of flowers made of precious stones and gold and silver wire.