right leg. His hair was relatively short, no longer than the top of his shoulders, and so were his cheek-feathers, although she could have used his eyebrows for whisk brooms.

He dropped his eyes just as she took the last of this in, and she found herself staring right into them. For one frozen moment, she thought she saw a flash of recognition there.

But if she had, in the next instant it was gone again. He waved his hand slightly in acknowledgement of the fact that he knew they were both watching him and they were his employees, then went back to staring at the ceiling, ignoring them.

But now she was so keyed up, she even read that as evidence that he was going to try to interfere in her careful and cautious plans.

She finished her dinner quickly, thanked Derfan, and hurried up to the Oak Grove, certain that Tyladen was going to show up there and demand an explanation.

But as the evening wore on and nothing happened_other than Violetta showing up, as if Derfan's earlier mention of 'her' had conjured 'her'_she began to feel a bit annoyed. Granted, she really didn't want some Deliambren meddling in her affairs, but she wasn't sure she liked being ignored either!

When Tyladen finally did show up, it was during the busiest part of her evening and she was in the middle of a set. She didn't even realize he was there until she looked up in time to see him nod with satisfaction, turn, and walk out the door.

Just that. That was all there was to it.

Her shift came to an end without anything more happening, and none of her customers had any more information about either the Law of Degree or the mysterious bird-man at the High King's Court. Not even Violetta, who knew or at least pretended to know something about everything, had anything to say on either subject. On her way upstairs, she stopped at a little nook that sold prebaked goods and got a couple of meat rolls and an apple tart to take up to her room, half expecting to be intercepted between her room and the Oak Grove. No one materialized, though, and no one was waiting in her room.

She ate and cleaned up, and finally went to bed, feeling decidedly odd.

She was just as happy that she wasn't going to be interfered with, but after getting herself all upset about the prospect to find that she was being ignored was a bit_annoying!

But that's a Deliambren for you, she decided, as she drifted off to sleep. If they aren't annoying by doing something, they're bound to annoy you by not doing it'.

T'fyrr checked the tuning on his small flat-harp nervously for the fifth time. He had decided this morning what he was going to perform for this, his first private concert for the High King, and he was going to need more accompaniment than even his voice could produce. The flat-harp would be ideal, though, for the songs he had selected were all deceptively simple.

He had wanted to do something to remind the King of his duty; he had found, he thought, precisely the music that would. He had modified one of those songs about the King himself for his first piece_not changing any of the meaning, just perfecting the rhyme and rhythm, both of which were rather shaky. But from there, he would be singing about Duke Arden of Kingsford, a series of three songs written since the fire by a Free Bard called Raven. The first was the story of the fire itself, describing how the Duke had worked with his own bare hands in the streets, side by side with his people, to hold back the fire. While not the usual stuff of an epic, it was a story of epic proportions, and worthy of retelling.

Let him hear that, and perhaps it will remind him that a ruler's duty is to his people, and not the other way around.

If nothing else, it might remind the King of Duke Arden's straitened circumstances, better than a cold report would. That might pry the help out of him that the Duke had been pleading for.

That will make the Lord Seneschal happy, at any rate.

The second was a song about the first winter the city had endured, a saga as grueling, though not as dramatic, as the fire. It described the lengths to which Arden went to see that no one died of hunger or lack of shelter that season. The third and final song described not only Arden but his betrothed, the Lady Phenyx Asher, a love story wound in and around what the two of them were doing, with their own hands, to rebuild the city.

Actually, it is more about the lady than about the Duke; Raven truly admires her, and his words show it.

The next songs were all carefully chosen to do nothing more than entertain and show off T'fyrr's enormous range. A couple of them were not even from human composers at all.

Вы читаете The Eagle And The Nightingales
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