when she hit the pavement, but she was dying. She'd made a single abortive attempt to rise, one hand clutching the wound in her stomach, before she fell back again, and died in a gush of blood.

The man had ignored her, just as if he didn't realize he had just murdered someone. He had looked around, his face frozen in what the witness said was 'a horrible look.' Tal wished he knew just what that 'horrible look' was; the expression might have given him more clues.

Then the man had dropped the knife casually beside the body, walked straight to the edge of the dock, and kept going, falling right into the Kanar River. The current was powerful here and the water cold and deep. Not even a strong swimmer would survive long, and Tal expected to hear that they'd pulled the murderer's body out of the shallows by morning.

That was the point at which the boy had run for his mother, who had sent the tavern's peace-keeper for the constables rather than going out and investigating herself. You didn't live long in the wharf-district by throwing yourself into the darkness after a murderer. She and her son had stayed safely in the tavern until the constables arrived.

The witness had been very clear on one thing that had Tal very puzzled: the murderer had dropped the knife beside the body. Between his cursory examination and the witness's description, Tal judged that it was a very unusual knife, three-sided, like an ice-pick or a stiletto, with a prominent hilt. And here was the last of the pieces that did not fit, for the knife was gone. If someone had rifled the body in the time it had taken the boy to run to his mother, and his mother to get the constables, then why was the clothing completely undisturbed and why was the girl's meager pouch of coins still on her belt? Why steal a knife, especially one that had been used in a murder?

That was the real question; for most people, even the most hardened dock-rat, the idea of merely touching such a weapon would be terrifying. There was a superstition about such knives; that a blade that had once tasted a life would hunger for more, driving the unfortunate owner to more murders or to suicide.

All of these things were small, but they added up to a disruption of the pattern that should have been there, familiar and inescapable. But there was a pattern this casedid fit: a series of four similarly horrific murders that had taken place over the past six months. All of the victims were women, all were poor, all were street-entertainers, and all were murdered between midnight and dawn.

All had been killed with a similar, triangular-bladed knife, and presumably all had been murdered for some reason other than money. He could not be sure of that last, because this was the first such murder to have a witness.

Three of the cases had been marked as solved. Two of the murderers had committed suicide on the spot, even before their victims were actually dead, and one murder was attributed to a man who'd been picked up the next day, raving and covered with blood, and quite mad. All of the women had lived alone, without lovers, husbands or children, in small coffin-like basement or attic rooms in tenement houses, rooms too small for a normal-sized man to lie down in. They owned little more than the clothing they stood up in, a rude pallet to sleep on, and their instruments. They eked out a precarious existence, balancing rent against food in a desperate juggling act played out day after day without respite.

They were like hundreds, thousands of others in the city, yet in this they were different. They had not died of cold, disease, or starvation; someone had murdered them, and Tal was convinced that there was more to these murders than simple random violence. There was suspicion of sorcery and enchantment being involved—there always was such talk around murders, more from superstition than actual suspicion. While he had seen the evidence of magic often enough, from the legerdemain of street tricksters to the awe-inspiring, palpable auras of 'high magic,' he preferred to look for more conventional explanations than the supernatural. Tal believed that it was wisest to look for the answers that came from what normal people could devise, afford, and enact, and kept his deductive powers 'clean' since it was all too convenient to chalk up uncomfortable mysteries to dark forces.

'Tal, it's time to go.' The words, uttered, he now realized, for the third time, finally penetrated his consciousness. He looked up, to gaze into the weary and cynical eyes of Jeris Vane, the constable who shared night-duty in this district with him.

'You aren't going to learn anything we don't already know,' Jeris said, as if explaining something to a brain- damaged child, 'We have a murderer, and he's already taken his punishment into his own hands. The case is closed. Let's go back to the station, fill out our reports, and make it official.'

Tal shook his head stubbornly, holding up his lantern to illuminate Jeris's face. 'There's something about this that's just not right,' he replied, and saw Jeris's mouth tighten into a thin, hard line. 'I know itlooks cut and dried—'

'That's because it is,' Jeris snapped, water dripping off his hat brim as he spoke. 'There's no reason to pursue this any further. We have what we need—one victim, one criminal, one witness, one suicide, end of question.'

'But why would—'

Jeris interrupted him again.'Why is not your job, or mine, or any other constable's.What and who,maybe, but not why.We don't worry about the reasons people do things. We catch them, and after we do, we hand them over to the Justiciars, the gaolers, and the executioners. Worrying about things that are not part of your job will only bring you trouble. I'll be at the station when you decide to straggle in from meddling in things that aren't your business.'

With that, the unpleasant man turned, and splashed up the rain-slick cobbles towards the district station, leaving the scavengers to do their work. For a moment more, Tal hesitated, hoping he could glean just that tiny bit more information from the scene.

Вы читаете Four and Twenty Blackbirds
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