And she did not do that as “Anna Vronsky,” either.
It was a very good thing to have servants that were not human—and were totally under her control. There was no curiosity to contend with when she sent out her maid to buy a second-hand men’s suit, nor when she assumed the face and figure of one of the poets she had consumed. Carrying a stack of empty boxes, as if she had just made a delivery, Nina left the hotel by the service entrance without anyone looking at her twice.
Then it was a simple matter to dispose of the boxes and make her way to the theater where her imposter was dancing. She bought a cheap balcony seat, and sat, un-smiling and unmoving, through the entire performance.
Grudgingly, she had to admit that the little trollop was good. Quite good. And it was clear that she was an audience favorite. Of course, the mobs of holiday goers in the theater were quite prepared to be pleased with just about anything they were given, provided it was novel and amusing enough. And it was quite clear just who and what the girl had purloined her dances from, even if most, if not all, of the audience had never seen Loie Fuller or Isadora Duncan. Nor had they even heard of the dancers except as the subject of articles in newspapers.
After the performance, Nina went back to the stage door, and loitered, listening to the gossip among the stagehands. Here her knowledge of the language was perfect; she fit right in. And her knowledge of backstage life allowed her, eventually, to slip around to the theater pub, pay for two bottles of cheap champagne, and get in backstage by pretending she was a delivery person. One bottle was destined to be delivered to a woman who sang popular songs, and the other to a comedian, both with notes of congratulation and an unreadable signature attached. But having them gave her all the excuse she needed to linger backstage—
She learned that the imposter was very popular with the backstage workers. That was awkward, because by her nature, she had a great many limitations as to what she could and could not do. She could easily influence someone whose mind was already tending in a direction she wanted it to go, but it was the next thing to impossible to influence them in the opposite direction. There were also disadvantages to being tied up in very mortal form; she could not manifest in the girl’s flat and simply absorb her. She would have to somehow get within embracing range of her, and remain private with her for as long as it took to absorb her. There would be no finding allies back here, and the girl was too well-guarded to think of a direct approach.
She also learned that the imposter had so thoroughly ingratiated herself with the theater management that an enormous production was being planned solely around
Nina would have to think of an entirely different plan of attack.
With that in mind, she left the bottles of champagne with their surprised and gratified recipients, and returned to her hotel. Once there, she got the boxes from where she had hidden them, then applied at the service entrance for admission to her own suite. The room was rung for permission, the maid gave it, and Nina took herself back up to her quarters and assumed her rightful form.
Once there, she paced like a caged lion, restlessly, trying to think of a way to undermine the girl. She could not do so on the basis of talent, that much was clear. The girl had made far too many friends in that theater to do so there, too. Why could she not have been a scheming, vituperative shrew? Why hadn’t she been arrogant, cold, heartless? Why had she spent time and money distributing little favors to the stagehands? Why hadn’t she had furious arguments with the orchestra?
Furthermore, there were not even rival lovers to set against each other, nor was there a hint of scandal to excite the interest of the press and outrage the public! Why hadn’t the girl had the decency to take up with a married man as his lover? That sort of thing was shrugged at on the Continent, even expected, but it could have brought her down completely in so-proper England!
Well there was no use in lamenting what had not happened. Nina needed to think of something that could.
Well . . . there was the possibility of creating a scandal out of nothing. She could find someone utterly unsuitable who
Well it would certainly do to at least start that project. She could begin by finding such a man. One of the imposter’s many admirers, who crowded her dressing room, no doubt, was of the proper stuff to turn into a man obsessed.
But in the meantime . . .
She shook her head. She was famished, and not for mortal food. She had not drained anyone since that street urchin, and he had been relatively unsatisfactory. There had not been a great deal of life in him; it had gotten beaten and starved out of him by the streets. There were two kinds of people that provided her with a satisfactory repast. First and foremost were those rich old men, who were fat with abundant living and experiences. All those memories, all the things they had accomplished—it was like a multi-course meal created by the finest of chefs.
And then there were the young men, full of passion, dreams, hopes, and desires. Everything about them was sharp, new, flavored with high emotion. She could not have said which were her favorites. . . .
But tonight, on such short notice, it would be much, much easier to find a young man.
She summoned her manservant. Tonight she would be taking another long walk.
11
THE show was coming together. In fact, it had progressed far enough that the entire score was complete, and Arthur was rehearsing the orchestra in their parts, Maestro Ciccolini and Ninette had finished their choreography and Ninette was rehearsing her numbers, as well as dancing in the evening. At first, Ninette had been worried that her act would get stale—music hall audiences were used to seeing a different bill every week, after all. But Nigel assured her that Blackpool, at least in holiday season, was very different. The audience changed every week, so to them, the revue was entirely new. And he was right.
Ninette’s admirers had gone from a handful to a young army. None of them were what she was looking for, but then, she was no longer looking very hard. It seemed that the more she danced, and the more audience acclaim she had, the more she craved the applause. It was no longer thinkable that if she ever
Not that any of the gentlemen who filled her dressing room with flowers were the sort to offer the kind of arrangement that suited her. Still, some pleasant things came from all these admirers. Not just flowers, which were delightful and kept her flat scented sweetly—there were some more permanent presents. Nothing spectacular, nothing so enormously expensive that accepting it would have implied certain expectations that would have to be fulfilled . . . no, these were pretty, but more modest tokens. A pair of garnet and tortoiseshell combs, a handsome set of enameled gold necklace, bracelet and earrings in the Egyptian style, any number of less remarkable pieces of jewelry, pairs of gloves, fans, lace handkerchiefs—all tokens of esteem, mute pleas for preference, but not demands for attention. The one time a rather remarkable sapphire bracelet had appeared on her dressing table, it had been very firmly given back to the one who had proffered it.
There were also many pleasant suppers, and a few parties—all of them in the company of other members of the company, of course. Usually Nigel came along, in fact. And if she was not the first to leave these affairs, she was certainly never the last.
Certain members of the circle of admirers remained, men who lived and worked in Blackpool. Others appeared, only to vanish: those who were not residents. The two sorts were easy to tell apart, and Ninette and Ailse had a little game between them, of how long it would take for these birds-of-passage to understand that money could not necessarily purchase everything their hearts desired. She wasn’t worried; the one and only time a “gentleman” had gotten a little too demanding, she’d broken his instep for him. Ballet dancers might look fragile, but dancing built muscles.
He had been the exception though, and she had felt so little threatened at the time that she did not even bother to tell Nigel and have him barred from the theater. In the first place, his broken foot was going to keep him safely confined to his hotel until it was time for him to depart back to whatever grim industrial town had spawned him. For another, he had learned his lesson rather sharply. No need to get Nigel involved.
But Thomas the cat was not happy. And neither was the magician, Jonathon Hightower, but Thomas was someone she could actually
