The Wizard of Karres

Showmaster otherwise.

They were wrong. Absolutely and completely wrong. No argument, no persuasion, not all of the Sedmons' diplomatic experience served. Himbo Petey was not going to budge from this planet as long as there was money to be made there, and no matter what the Sedmons said to him, he was adamant on that score. It seemed—the Sedmons were quite astonished, actually—that the man took his ridiculous 'showboat principles' in deadly earnest. It was like dealing with a religious zealot!

The Sedmons were left with the depressing feeling that receipts were never going to drop off, that the Petey B would be here forever. They had to get out of here! Somewhere out there the Nanite plague had started, they were sure of it. Too many things were going wrong out there, and it chafed at the Sedmons that although the other four had the best information services in the galaxy at their disposal, there just was not enough information coming in. Why else would Karres have disappeared again? They had to leave, and yet, it seemed that Himbo Petey's people would never want to.

And, for a while, it looked as if their worst fears might be right. Miners continued to pack the stalls, the Big Top, and the theater, and accolades continued to come in. Hulik was the recipient of quite a few of those, especially when she played Juliet or Helene.

And that was another source of fretting, for the Daal. When that happened, when the gifts and inevitable marriage proposals appeared backstage . . . The emotions stirred up were something the Sedmons were ill equipped to handle.

But Hulik always sent the same answer to the proposals, a politely, even kindly worded refusal, and the Sedmons relaxed. There was time, apparently.

Time, yes—and now time spent in Hulik's company. The experience only confirmed what had sent them across the galaxy in the first place. It hadn't been the danger of the Nanite plague. Not really.

The Sedmons were in love. Hulik do Eldel was, impossibly enough, the most important person in the universe to them, as important as any one of their six selves.

Maybe more.

The only problem was, they hadn't the faintest idea what to do about it.

How could they propose any sort of alliance with a woman, any woman? What sort of woman would consider such a thing? What had always seemed to be their greatest strength, their very nature, now seemed to be the greatest of curses.

Nevertheless, they could not, would not leave. Aside from any other considerations, this mad longing for her kept them at her side.

Surely, with enough time, they would think of something.

Or Hulik would accept one of those proposals.

Or they would fall out of love. Such things could happen . . . however unlikely it seemed.

And it seemed more and more unlikely with every passing day. Before long, the Sedmons were in a perpetual agony of indecision. What to do? What to do?

* * *

After two weeks, however, audiences for the sideshow acts finally began to drop down to more normal levels, and some acts stopped getting any attention at all. The exotic dancers—in fact, any act featuring a pretty female—remained popular, but some of the rest began to cut back or close. It was obvious why it was happening, of course; you could only watch a comedic escapism act so many times before you got tired of it.

But the theater stayed packed, and Cravan made up for the drop-off in attendance at the sideshows by putting all four of the old plays back into production. Those who had closed their sideshow acts quickly found places to fill there. Even the Sedmons were recruited for nonspeaking roles.

Two weeks became four. The Sedmons still had not thought of a way to approach Hulik.

They began to think that they never would. And in all of their lives, they could not remember feeling such despair.

They actually indulged in daydreams, imagining scenarios in which they rescued Hulik and her companions from thugs of varying design. The costumes changed, though the scenes remained pretty much the same. They even dreamed such things at night, and in fact, almost came to long for such a thing to happen. At least it would give an opportunity to speak!

It became worse when new ships arrived, bearing new miners. Would one of them win Hulik's heart? Or had it already been given? Perhaps to one of the thespians?

That last thought was the worst of all.

* * *

Pausert went through his limbering exercises as he had done so many times, although by now he was no longer nervous about that part of his role as Mercutio. His body knew every choreographed movement so thoroughly that he could have done his fight scenes blindfolded or drunk. So all that mattered was his own preparation, warming up his muscles so that he wouldn't injure himself.

Himbo Petey had confided to the thespians that it was getting to be time to move along, he knew the signs, and Cravan agreed with him. The advertisements would go out tonight: Last four days onplanet! See your favorites again for the final time! There were several potential problems, not the least of which was the possibility of developing jealousy between those whose acts had lasted past the novelty stage, and those whose acts had not.

But even the thespians were beginning to see signs of the contempt bred by familiarity. Early in the run, the audiences had been forgiving. But now, if someone fumbled a line or a prop, there was a subtle grumbling; even, on occasion, outright raspberries.

So there it was. Time to go. The announcement of last days would bring a final influx of customers and cash, and then they would lift. And now they would be heading in the direction where they needed to go. Hubwards. Towards the Empress, to deliver their message. And what then? Pausert only wished he knew. He could not imagine how even the Empress could do anything about the Nanite plague, but who was he to assume he knew anything at all?

He heard the start of the music for Act Three, and swaggered onto the stage as the curtain rose.

Benvolio fanned himself with his hand, and spoke the first lines of Act 3. 'I pray thee, good Mercutio, let's retire: The day is hot, the Capulets abroad, and, if we meet, we shall not scape a brawl; for now, these hot days, is the mad blood stirring.'

Pausert made a face and waggled his finger in Benvolio's face. 'Thou art like one of those fellows that when he enters the confines of a tavern claps me his sword upon the table and says 'God send me no need of thee!' and by the operation of the second cup draws it on the drawer, when indeed there is no need.' He raised his eyes heavenward, as if asking for patience.

They traded jibes until Tybalt entered, Vonard Kleesp playing the role with his usual swaggering panache. Benvolio exclaimed: 'By my head, here come the Capulets!' He flung himself down on the steps of a prop-fountain, right in their way. 'By my heel, I care not.'

And that was when Pausert relled vatch.

Not that Silver-eyes hadn't been around, quite faithfully. It was just that the vatch hadn't made its presence known during one of the plays for quite some time. It had been quite scrupulous, in fact, about not making itself a nuisance.

Suddenly, from the aura the vatch was emitting, Pausert realized that Silver-eyes had not come here in play or jest.

Trouble! Trouble! Trouble! shrilled the vatch.

A sudden commotion erupted backstage.

Vonard Kleesp's eyes narrowed.

* * *

There is one sound that no fencer every forgets, if he's heard it once. It is the sudden snap of the protected tip of a fencing blade being broken off. It is the sound that says: someone has a deadly blade in his hands now, a length of steel that can kill you.

It was the sound that Pausert—and everyone else—heard at that moment.

'Move, and you die,' said Kleesp softly.

So, of course, Pausert moved.