ever have believed them, either.

Except that . . . one night they came true.

She'd been tied up for the night under a bridge to get out of the rain, when she heard the sounds that no Venetian--boater, canalside dweller, or high-and-mighty--ever wanted to hear. A scuffle. The sounds of a blow. Then the sound of two men carrying something heavy up to the top of the bridge.

It was a dark night on top of the miserable rain, what with the moon hidden by the clouds, but she knew she didn't dare move or make a sound. She huddled under the roof of what she grandly called the 'cabin' of her little boat, and hoped that the men up there wouldn't notice that she was tied up in the shadows underneath. She might be able to fight off one or even two, but from the sounds there had been more than that.

A grunt, and a heave, and something dark and heavy drooped over the edge of the bridge. It hung up on the railing for a moment, and before it dropped, there were footsteps running away. Then, as she strained her eyes against the dark and the rain in horrified fascination, the thing tore loose from the coping and tumbled down.

Into her boat.

It had been a fairly low bridge; getting hung up had slowed the object's fall. Otherwise it probably would have overset the boat, or even driven a hole right through it. When it--the body, for that was clear what it was--had landed, it had done so on its feet, crumpling, or else it would have bashed in its skull (if it wasn't already bashed) or broken its neck (if it wasn't already broken). Probably the stone tied to its ankles had helped out there.

And all she could think of was--get it off my boat!

She'd scrambled out of the cabin, and Fate or God or something had undone all of her good sense and intentions.

For just as she reached the body, it gave out a groan and turned face-up. And just as it did so, the clouds parted for a moment, and a ray of moonlight shone down on what must have been the most beautiful man she had ever seen apart from Father Raphael, who was in any case a full priest and out of the running so far as romance went.

And that was how Caesare-the-handsome, Caesare-the-dangerous, Caesare-the-all-too-persuasive-damn-him ended up in her shack, in her blankets, and in her care.

And it was just like one of her daydreams, from start to finish. She moved Caesare into her little shack near the canals, where there would be no spying eyes and ears. She nursed him and kept him warm and fed him from a spoon for days--and then, suddenly, one day he looked up at her with sense in his eyes, and said 'Who are you? Where am I?' and she answered him. And then, like he'd been watching the same dreams, he reached up, and pulled off her cap and her hair came tumbling down and he said, 'My God, you saved my life, and you're beautiful!'

Well, what was any girl to do when a handsome man said that to her, in her own bed, in her own house, on a moonlit night when the lagoon was bright and glassy-smooth?

He didn't tell her a lot about himself, afterwards. Except that he was a danger to her, and he had to leave her--which she expected, really. But what he said then she didn't expect.

'How can I leave you? I love you!'

--and she, fierce as a lion with a cub, swore she could help him, keep him safe from those enemies--she'd known they were enemies all along, no footpad ever bothered tying a rock to someone to sink him. But then he told her who those enemies were--the Milanese--and that he'd been working for them right up until the moment that they betrayed him. Almost, almost she took it all back, almost told him to leave. Almost.

But she hadn't. And she'd hidden him until she was able to get him to someone who could offer him, for a price, a precarious bit of protection. Then a little more. And him, with his sneak's ways and his angel's face, clawed and fought his way up to being very valuable--alive--to enough people that it was no longer more profitable for him to be dead. For now, at least.

And that was why Maria Garavelli found herself rowing her boat along a back-canal in the dead of night, roused by a messenger; going, once again, to pick up her lover from wherever-he-was now; short on sleep, short on temper, and wondering if this time, despite passwords and safeguards, it wasn't him, but an ambush. And lovesick idiot that she was, she'd have been sculling through canals of fire if she had to, to get to him.

The ache in her fists suddenly registered on her brain, and she eased up her grip on the oar. For some reason, that reminded her of Benito and his peculiar 'peace offering.'

For a moment, Maria's natural combativeness caused her to frown. But, within seconds, the frown cleared away and she uttered a soft little laugh.

That scamp!

Truth be told, she thought she was probably fond of Benito. Maybe.

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