Jonathan Latimer
Red Gardenias
CHAPTER I
'There s a burglar downstairs,' Ann Fortune said.
'A burglar?' William Crane sat up in the colonial four-poster, blinked his eyes in the light. 'A burglar?'
'He didn t send up a card,' Ann said.
Crane modestly pulled the patchwork quilt about him. 'Let him burgle.' Ash-gray, like cigarette smoke, his breath hung in the air. 'It isn t our house.'
'Everyone thinks it is.'
'Do we care what a burglar thinks?'
'Yes.' She tried not to smile, but her sea-green eyes crinkled at the corners. 'You have to go down and shoot him.'
'Oh, very well,' he said. 'I ll go down and shoot him in the leg.'
He swung his feet over the side of the bed. The air was very cold near the floor. He put his feet back under the covers.
She watched from the bedroom door. 'Well?'
'You re beautiful,' he said.
'Aren t you going to shoot him?'
'Beautiful, blonde… and bloodthirsty!'
'Not so loud. You ll frighten him.'
'I hope I do.'
'You re a fine, brave detective. I thought — ' She hesitated for a halved second. 'Hear him?'
There was a tinkling noise downstairs. A breath of November wind, rustling the shades, momentarily silenced it; then, in a lull, they heard it again. Crane was favorably impressed.
'I think he s pouring a drink.'
'He s in the living room,' Ann said.
'He could pour a drink in the living room, couldn t he?'
A Nile-green robe, drawn close, revealed her slender figure. 'Bill!' Her hair was as pale as Manila rope. 'As head of this household, it s your duty…'
'All right,' he said hastily. 'But I m inexperienced with burglars.'
'Now s your chance to learn.'
'What a wife you ll make some guy.' He shuddered as his feet touched the floor. 'It s cold, too.'
'In the eyes of the world, I am your wife.'
'Not in the eyes of God… yet.'
'And never,' she said. 'Hurry up.'
'I think he s gone.'
'No.'
He put on slippers and a Scotch-plaid dressing gown. He took a police. 38 out of a pigskin zipper bag. 'If I m killed you ll have me on your conscience.'
She said, 'It won t be much of a load.'
He went by her at the door, thinking how nice it would be to kiss her. He liked her skin, stained the color of cornhusks by the sun, and the way her green eyes crinkled at the corners. He almost wished he was married to her.
'Good-by now,' she said.
Halfway down the stairs he thought he might have pretended he was really saying good-by to her and so kissed her. He almost went back to attempt this, but he didn t. He remembered he was stalking a burglar. That was a serious business.
By leaning over the banister he could see a sliver of banana-colored light near the living-room door. He would have liked to fire a couple of shots down the stairs and frighten the burglar away, but he supposed he had to capture him. He and Ann had just been assigned to what might be a murder case by their agency, and it was possible the burglar was connected with it in some way.
Besides, it was a rented house and the shots wouldn t be good for the rugs.
He crept down a few steps and discovered he was a little frightened. He wondered if he ought to rush in and overpower the man, or simply shoot him. He remembered with growing indignation the calm manner in which Ann had sent him downstairs. Women were queer. They d fuss over a man going out in a rainstorm or on a fishing trip, but they d send him after a burglar as offhandedly as they would for the morning milk.
He crossed the hall and peeped in the living room.
Dim rays from a parchment-shaded desk lamp made a half circle of blue and oyster white on an Aubusson rug, lost themselves in shadows on high blue walls, reappeared like fireflies in a crystal chandelier. Over the desk, over bright sheets of paper, a man leaned. As Crane watched, he tore one of the papers, let the pieces flutter into a metal wastebasket. He took a drink from a glass by the lamp.
Crane thought it was a damn funny way for a burglar to act. He reached into the room and snapped on the overhead lights. 'Put your hands up,' he ordered.
Getting to his feet, the man knocked over his glass. 'What the deuce!' Two ice cubes fell on the blue-and- white Aubusson.
'That s what I say,' said Crane.
He was a young, good-looking burglar. He had very black hair and heavy, straight eyebrows and he wore a tweed suit. It was a well-tailored suit; gray with flecks of green and red in it.
'I m unarmed,' he said. 'You can put your gun away.'
'It s all right,' Crane assured him. 'I m not sure it s loaded.'
'You re Mr Crane?'
Crane nodded and said, 'You have the advantage of me.'
The young man stared pointedly at Crane s revolver. 'I d hardly say that.'
'Possibly not,' Crane agreed. He looked at the litter of papers on the desk. There were letters, some bills, some typewritten documents. He looked at the overturned glass. 'Do you carry a flask?' he asked.
'Didn t Dad show you the liquor?' the young man said.
'Does your father burgle, too?'
'Maybe I ought to explain,' said the young man. 'My father is Simeon March.'
'Oh!' Crane toed the ice cubes on the Aubusson.
'We didn t expect you until tomorrow,' the young man said.
'We flew,' Crane said. 'Your father… if he is your father… wasn t home, but the butler brought us over.' He frowned, thinking hard. 'But that doesn t explain…'
'I know.' The young man moved toward a white damask chair. 'Mind if I sit down?'
'Do you mind if I do, too?'
A smile erased sullen lines at the corners of young March s mouth, made his face pleasant. He sat on the damask chair. Crane selected a sofa covered with soft blue velvet. He thought the room must have been furnished by an interior decorator, so carefully blended were the blues and whites.
Young March said conversationally, 'This house belonged to my cousin, Richard March.'
'So I was told.'
Crane thought the decorations had been selected to match the Aubusson. There were on the windows white taffeta curtains, drawn close at their middles with a blue cord so that each curtain looked like half of a very-graceful woman wearing a Grecian robe. Over the white marble fireplace was a blue-framed mirror. Lilies, on an eighteenth-century English mahogany table, arched their necks above a crystal vase.
