The Midnight Tour

“Whoever did this,” Tuck said, “it looks like he only bothered Ethel. Could’ve been a lot worse.”

They started down the stairs.

“Do you think somebody on the staff might’ve done it?” Dana asked. “As a prank, or something?”

“Pretty heavy for a prank, ruining the gown like that. That sort of thing would get you fired. And maybe prosecuted. I’d probably bring charges against him for destruction of the property.”

“Him?”

“Had to be a guy, don’t you think?”

Dana shook her head. “Not necessarily. Might’ve been a gal wanting it to look like the work of a guy. There’re all kinds of possibilities.”

“I suppose,” Tuck said.

As they walked from the foot of the stairs to the front door, she added, “I still think it was probably a guy. No sign of a break-in, so I’d guess that he took the tour yesterday and liked the looks of Ethel.” She opened the door. Dana followed her onto the porch. “He made sure to get his cassette player back to us, then he hid somewhere in the house until we’d locked up and gone home. After that, he had all the time in the world to fool around with her.”

Though they walked into sunlight as they descended the porch stairs, Dana didn’t notice its brightness or feel its heat. Her mind was inside the Beast House parlor, gazing through the darkness at a figure hunched over the body of Ethel Hughes. In the dim moonlight from the window, she watched him rip at the mannequin’s gown with both hands. He panted for air. He moaned as his hands latched on to her bare breasts. Then he was kissing them, licking them, then kissing his way down her body until his mouth found the crevice between her legs.

Tuck must’ve been thinking about him, too. “If he got off,” she said, “at least he didn’t leave a mess on the floor.”

Dana felt heat rush to her face. “Considerate of him.”

“Maybe he used a condom.”

“He couldn’t have actually penetrated her.”

“Nah. Not very far, anyway.” Stopping, Tuck turned around and stared back at the house.

“What?” Dana asked.

“I wonder if I should go back in and check her mouth.”

“Good idea. I’ll wait here.”

Shaking her head, Tuck glanced at her wristwatch. “No time. We’re already a couple of minutes late for the meeting. Come on.”

She led the way across the lawn, then up a walkway alongside the house. When they stepped past the rear corner, Dana saw three people waiting in front of the snack shop. Clyde and two young women—Rhonda and Sharon. They all wore the tan uniform with the red and white Beast House logo on the back of the shirt. Clyde wore long pants; the other two wore shorts. Clyde, standing, had a white stryofoam cup in one hand and a cigarette in the other. The girls were seated at one of the small white tables. Rhonda, a husky brunette, drank from a cup while Sharon worked on a cigarette. Sharon, slim and deeply tanned, had a long tail of braided blond hair hanging down her back.

At the approach of Tuck and Dana, heads turned. Dana saw friendly smiles and nods from the girls, but Clyde looked somewhat annoyed.

“Hey, y’all,” Tuck said. “Sorry we’re late. How’s everybody this morning?”

No complaints.

“You remember my friend, Dana Lake?”

More nods and smiles and soft-spoken greetings came from Rhonda and Sharon.

“She’ll be the upstairs monitor today. Whose got downstairs?”

Squinting through pale smoke, Sharon said, “That’ll be me.”

“Good.” Tuck smiled at Dana. “Shaion’s our oldest hand.”

“Been here six years,” Sharon said to Dana. She looked as if she might be in her mid-twenties. Her voice was low and husky. With that voice, the sharp angles of her face and her excess of makeup, she seemed to Dana more like a barmaid than a tour guide. Not that Dana’d seen many barmaids, except in the movies. “You have any questions,” Sharon said, “just ask. I know damn near everything. What I don’t know, I improvise.”

Dana smiled and nodded.

“Okay,” Tuck said. “Who’s out front?”

“I’m tickets,” Clyde said.

“I’m tape players,” said Rhonda. She had rosy cheeks and big, friendly eyes.

“Sharon, you were tape players yesterday?”

“Right,” Sharon said, raising two fingers and the cigarette between them.

“The count turned out okay?”

“Oh, yeah. You damn betcha. What’s up? We have a hider last night?”

“Looks that way. Somebody ripped Ethel’s nightgown. I fixed her up so she’s decent enough for the public, and Dana and I did a quick search of the house. We didn’t spot any other problems. No obvious signs of forced entry. It probably was a hider.”

“The count came out right on the button,” Sharon told her.

“Okay. Well, keep an eye out when you’re inside today. Just because we couldn’t find him doesn’t mean he’s gone.”

“You bet,” Sharon said.

“Everybody look sharp today,” Tuck said, her eyes roaming the others. “The guy is probably some sort of pervert.”

“He fuck Ethel?” Sharon asked.

Clyde snorted out a laugh. Rhonda blushed.

“I don’t think so,” Tuck said.

“Nobody’d do that,” the Rhonda said, looking disturbed.

Sharon, grinning, shook her head. “Well, don’t let me burst your bubble.”

“I want everyone to be alert and careful,” Tuck said. “Watch for anyone who seems to be lurking about or acting strange.”

“That’d be about half our customers,” Sharon said, then tipped a wink at Dana and took a puff on her cigarette. “Poor Clyde, too. That boy’s a lurker if I ever seen one.”

Clyde smirked at her, lit up another cigarette and said, “You’re just upset because I stopped lurking in your pants.”

“All right, folks, it’s time we take our positions and open up. Any questions? No questions? Okay, let’s do it.”

Chapter Seven

SANDY’S STORY—August 1980

Sandy started Marlon Slade’s MG, pushed the dutch pedal down with her foot, and shoved the shift around for a while until she found what was probably first gear. Then she let the dutch up. The car jolted forward and died.

“No problem,” she muttered.

In her whole life, she’d never tried to drive any vehicle except for Agnes Kutch’s old pickup truck. And she’d only driven it a few times, off on back roads, because she was too young for a driver’s license.

She’d done just fine with the steering side of things. It was the shifting that had always given her trouble. She’d killed the engine again and again, mostly when trying to start out.

“Yer poppin the clutch, ” Agnes bad explained from the passenger seat. “Ease off her gentle and easy, and step on the gas as ya let her up.”

Following Agnes’s advice now, Sandy twisted the ignition key, gave the engine some gas with her right foot, and raised her left foot very slowly to let the clutch pedal rise beneath it. The car started rolling forward.

'All right!”