the security cameras for the last hour, if you can. You’ll see. All of them. It’s horrible.’ He trailed off, shaking his head as if Summerfield were in the room and could see him.
‘Jonah?’
‘All of them, dead — but not lying down.’ And he had stated the truth of it at last, though he could not understand.
‘That doesn’t make sense.’
‘I know.’
‘Melinda? Satpal? Holly?’
‘No,’ Jonah whispered. He sat down and stared at the breach on the screen.
‘Holy shit,’ Summerfield said.
‘I know. Wherever she is now-’
‘I can see Moore at the duct housing,’ Summerfield cut in. ‘He touched the maintenance hatch and it fell off. It’s open, Jonah.’
‘Close it,’ Jonah said urgently. ‘Rick, seal that hatch, weld it, bury it in fucking concrete but-’
‘Oh, hang on. Someone’s. .’
‘Rick?’
‘It’s. . it’s okay, it’s Alex. He looks-’
‘Rick!’ Jonah shouted. ‘Tell Moore to get back, tell him-’
Jonah heard the distant rattle of gunfire, and then silence, and then Rick Summerfield screamed, ‘Oh my fucking Christ.’
‘Rick? Rick!’ But Rick had gone. Jonah closed his eyes but he couldn’t think straight.
He disconnected, but kept hold of the satphone. After so many congratulatory phone calls over the past three days, he would now be the one to spread the devastating news. ‘Contagion,’ he said, practising the word again, and then he dialled.
After breaking the news to three key people on three continents, Jonah switched off the satphone and watched another friend die. Though he tried to he could not close his eyes. He saw Andy tripped and then pushed against a wall in the electrical plant room, arms thrashing at the mutilated guard holding him there, Motorhead T- shirt slashed and torn and darkened with his blood, eyes wide with panic and terror and disbelief as the guard pressed forward and closed his mouth on Andy’s nose and ripped his head to the side. . and Jonah could not close his eyes. Here was his legacy, in blood. Here was the result of everything he had thrown himself into for years. The guard bit again and again, and then moved away to let Andy slump to the floor, dead.
It was only as Andy shoved himself upright again, half a minute later, that Jonah looked away.
The temptation to turn off the viewing screens was great. In his seventy-six years he had seen two dead bodies: his dear wife Wendy, prepared and laid to rest, her hair brushed the wrong way and her visage so painfully, terribly still; and Bill Coldbrook, his old friend and boss, whom Jonah had discovered hours after his suicide. Death was no stranger to him, yet it had always been distant.
But he berated himself for his cowardice. He was responsible for Coldbrook, and he had a responsibility for almost forty staff members down here, from the most talented scientist to the canteen cook. He
Jonah kept two of the four screens focused on Control, one zoomed in on the breach, the other encompassing the whole room. It was a dead place. Since he’d locked himself in Secondary fifteen minutes ago he had seen no movement there, though his attention flickered back to those screens every few seconds, drawn by the breach. It looked so harmless. So benign.
What had come through now lay dead on the floor of Control, one of the few motionless bodies he could find. Others, like Andy, moved on, perpetuating the violence and hunting down those as yet untouched. Shocked and confused though he was, Jonah was a scientist, someone who had always retained his sense of wonder. And already he was analysing what he was seeing.
The bites stopped them, they fell, and then they rose again, usually within a minute. The infection — because that was what it had to be — changed them.
‘Jesus,’ Jonah muttered, because it seemed the horror would never end. There were no microphones on the facility cameras and silence made the carnage more shocking somehow. The picture flickered and settled on the canteen, apparently still and peaceful until a naked man pulled himself up on one of the dining tables, his throat a ragged mess, his chest scored by scratch marks, and ran quickly from the room.
The image flicked to the kitchen. There was no one there and no movement, and then there was a thrashing at one edge of the screen, someone moving just out of shot, their shadow thrown across the room by harsh fluorescents, and a spray of blood splashed across the previously pristine food-preparation surface.
The large garage area: unsettlingly still, three big vehicles sitting like soldiers awaiting orders. He scanned the image, trying to work out what was wrong with what he saw but unable to find anything.
One of the accommodation hallways: no movement, but a heavy smear of blood along one wall, and something that looked like bloody clothing piled against a closed door. Jonah counted three out of eight doors that were still closed. There were no cameras inside the rooms. Invasion of privacy. He wished he could reach through and knock on those doors, but if there was anyone inside left alive they would surely not answer.
A second accommodation hallway: and the shock of what he saw made him flinch back in his seat. At the far end of the hallway, thirty feet from the camera, bodies thrashed and fought, maybe seven or eight of them. He saw the flash of several gunshots and one body flipped back. A man leaned from a doorway and aimed down at the body, shooting three more times. He retreated back into the room and the light changed as the door slammed, and then the body stood again and started throwing itself against the door. Its chest was a ragged mess. It wore a nightdress, and Jonah thought its foot had been torn apart until he realised it was a fluffy rabbit slipper.
Jonah changed views to a storeroom close to the gym. Estelle and Uri were huddled together in a corner, the guard who’d left with them crouching behind the locked door. Jonah could see their careful movements to ease pressure on bent limbs, their heavy breathing as fear refused to loosen its grip on them. Uri glanced up at the camera, then back at Estelle. He was holding her tightly. She held him too. Uri used to juggle during his lunch breaks to settle his nervous disposition, and Estelle had a quotation handy for most occasions. Jonah wondered what she would come up with for this one but he could see that she was silent.
He checked the list of camera locations displayed on the laptop before him and entered a code for the fourth screen. It was a view of the short storage-area corridor, and it was full of dead people.
There were seven people in the corridor and all of them were standing still. Their wounds flickered slightly on-screen: wet, open, but no longer bleeding. He knew all their names but tried not to think of them. They seemed to be listening, waiting. They knew what was behind the door.
In the storeroom, the guard seemed to be whispering to Uri and Estelle. Jonah wished he could hear, because he had a terrible sense of what was about to happen.