The place we came into was a tepid office in leather, and by now my bluff was already turning cold inside me, congealing. I told myself I could back out, so long as I didn’t handprint or sign anything, or as long as I didn’t record my assent verbally on tape. He’d need my permission for any of those. Or, if I did, maybe Demeta would have to honor the transaction? Maybe it would be clever to do just that. But basically I hate lying, big lies. It’s so complicated.
He sat in a chair and a drinks tray came out of the wall. We had a drink. His hands trembled, and my hands trembled. But both our hands still trembled on our second drinks, his around the rye whisky, mine around the lemon juice. I guess we had both, in our different ways, had a rough day. He told me all about Electronic Metals, but I don’t remember what he said. I had to pretend I was alert, or thought I did, the prospective buyer making sure everything was in order, and all my concentration went into that. I think I heard one word in twenty. I still couldn’t quite believe I’d gotten into the building.
“There’s an exhibition formula we have here,” he said, and I heard that because instinctively I knew it was a prelude to the display of E.M.’s wares. “I dreamed it up myself, actually, to show off the three types to full advantage. If you’ll step through?” He drained his glass, took another, and held my arm as one of the walls folded back. “Excuse me, madam, but you’re ver-ry young.”
“I’m eighteen.” Should I have tried for twenty?
“Gorgeous age, eighteen. Can just remember it, I think.” (It occurs to me now, writing it out, that he may have been making a halfhearted pass at me. He was attractive in a stereotyped way, and knew he was attractive and not that he was stereotyped, merely in the mode. And he’d made it with a rich girl before. Perhaps he thought I’d be useful, somehow, if I fell for him and poured cash over him. How embarrassing. I never even thought of this at the time.) “Actually, um, I think I know which of the Formats you’ll choose. It’s proficient in pre-Ast. oriental dance—one of the female Golder range. But wait till you see.”
He knew I wasn’t even eighteen. He thought me an innocent, even if he made a pass, unless he thought I was M-B. How would I be able to tell him now, past the barriers in my throat and soul, that my chosen robot was masculine?
Riven with my shyness, I moved away from his guiding hand, and into the area beyond the reception office. It was a large room we entered, windowless, with a soft suffused light all over the ceiling. The floor was polished.
“Don’t step beyond the red line,” said Swohnson. “Let’s just sit here and see what happens.” Proud of his innovation in the boss’s workshop, he waved us into tubular chairs. Obviously that activated a control somewhere. A slot opened in the far wall, and a woman came through.
She was tall and slender and beautiful. Hair blond as cereal haloed her head and shoulders. Her tawny- yellow cat’s eyes fastened on mine and she smiled. She was pleased to see me, you could tell. A dress like a tulip flame swathed her, and she held a purple rose. Her skin was a pale creamy copper.
“Hallo,” she said. “I’m one of Electronic Metals’ experimental range. My registration is Copper. That is C.O.P.P.E.R.: Copper Optimum Pre-Programmed Electronic Robot.” She half closed her eyes. A stillness seemed to enfold her. The music of her voice grew hushed, hypnotic. “Gallop apace,” she said, “you fiery footed steeds, to Phoebus’ lodging…” She spoke Juliet’s lines in a way I never heard before. The air scintillated, my eyes filled with tears. She spoke of love, knew love,
The left hand wall opened.
A man strode through. Hair like smooth black ink, splashing over his head to his shoulders. Black silk eyes. Skin like molten gold. He wore black, his cloak lined with the green of sour apples. His registration, he told me, was Golden G.O.L.D.E.R.: Gold Optimum Locomotive Dermatized Electronic Robot. His eyes smoldered at me, burning through to my deepest awareness. He flung himself suddenly into an aerial cartwheel that flowed and sliced, and landed in strange graceful menacing ripplings and contortions of his frame. It was a dance, but a dance capable of dealing death.
“Based on Japanese martial arts,” Swohnson muttered to me. “Not only elegant, but will make an excellent bodyguard for someone who likes that kind of show. And particularly good skinlinings in this type.” Having started to talk, Swohnson didn’t stop. As the golden midnight figure swirled and leapt, Swohnson said, “the Copper line are the actors, the Silvers the musicians, the Golds are dancers.” He went on, and I forgot to listen. Two women, the golden robot’s sisters, came into the room, their hands lightly connected, and repeated who they were. Their long fingers had long nails, one set jade green, one set jade white. Their trousers were Asian, cream silk, green silk. Above the trousers one wore a bolero and gold-embroidered shirt. The other a waistcoat of emerald spangles, fastened with three malachite butterflies. The dance was slow, incredible, balletic, impossible. Human muscles would have evaporated and human bones dislocated. Their black hair mopped the floor and furled over the ceiling. “Jette, lift measured at seven feet from the ground. But they make good teachers. Charming teachers. Wonderful exercise for the human body, even if you can never be as good. My God, they
They went away, and my heart burst, disintegrated, as it had begun to do when the Coppers went out. I was waiting for the third door to open. This time, it would have to be—
It opened. Silver’s sister came through. Her auburn hair was dressed with blue carnations. She wore snow fringed with blood. A keyboard glided after her on runners. She stood before it, and played something I didn’t know, like a shower of sparks shooting from a volcano. Then she looked at me, smiling. I knew what she’d say. “I’m Silver…”
A man walked through the opening, and I stopped breathing. Because it wasn’t him. Alike, but not like. The same hair, but different. The same amber eyes; different, different. The movements, the voice, the same, the same, yet different. Different, different. Utterly, wholly different. Not like at all. I forget what he wore. I couldn’t seem to see him properly.
“I’m Silver. S.I.L…”
The features of the face weren’t even similar. I was so glad, I could have wept. The silver woman played Vivaldi on the electric piano and the silver man sang a futuristic melody against it, in a beautiful, unrecognized voice. The words were about a star, a girl in love with the star, and the star saying to the girl, “I am too old for you.”
“Dammit,” said Swohnson. “Where’s the other one?”
My eyes blurred. The silver robots were walking into the wall.
“There’s another of the bloody things. I beg your pardon, er, madam. It’s been a helluva day. These exhibition models are in blocks of three. There’s a third one with the silvers. A guy. Damn. Wrecks the whole display. He’s supposed to come in with a guitar. God. You spend days and nights dreaming up these gimmicks, and then the relay screws it. Excuse me.” He went to a wall phone and hit buttons unsteadily. He’d forgotten I would want the Golder format. He was angry because his artistic interpretation had been spoiled.
My eyes were filming over. The lemon juice had a smoky taste. Where is the third silver robot? Where? Where? Oh, he’s in bits, taken apart. Piece of wiring fouled, cog busted. Have to scrap it. Put it in the dustbin. Melt it down. Make it into objets d’art for rich bitches like this fourteen-year-old I’ve got in here right now.
Don’t be stupid. Why are you so obsessed with the idea that he has been… taken to bits.
How could I have—
Swohnson was spluttering at the phone.
“What? Why wasn’t I told? When? Um. Um? I didn’t see it.”
Then he came back from the phone. He looked at me.
“Well, you can judge anyway, bright, er, lady like you. You don’t need to see that other one. He’s just like the other male silver. Of course, some customers would want to see the full physique. Stripped. But really, madam—do I have to keep calling you that?—I don’t think that’s your problem. Is it?”
I gripped the tube arms of the chair, and refused to think about what he’d just said.