collections, tithes, and contributions as
The sections on sexuality have also been revised and enlarged. An introductory comment explains what changes have occurred since the first edition of
Data that could not be established or even statistically approximated, such as how many women are raped per minute, are presented, with scrupulous qualifications, as conjectures: the experts of this sad phenomenon maintain that the majority of rape victims hide their shame in silence. Since, however, no one of either sex today need be ashamed of homosexuality or conceal it,
As we leaf through this thick volume — thicker than the first edition — we encounter, from time to time, data that tell us that we live in an era where the flowering of art is barely distinguishable from its demise. The rules and boundaries that distinguish art from what cannot be art have eroded completely and disappeared. Thus, on the one hand, more works of art are being created in the world than cars, planes, tractors, locomotives, and ships combined. On the other hand, that great volume is lost, as it were, in the still greater volume of objects that have no use whatever. For me these numbers gave rise to black thoughts. First, the world of art has been shattered once and for all, and no art lover can piece things together again, even if he is only interested in one area, like painting or sculpture. One might think that the technology of communication had advanced for the express purpose of revealing to us the microscopic capacity of the human brain. What good is it if everything that is beautiful lies at our disposal, and can even be called up on the screen of a home computer, if we are — again — like a child facing the ocean with a spoon? And, as I glanced at the tables of how many different kinds of “works of art” are made per minute (and of what materials), I was saddened by the banality of those works. If archaeologists in the distant future make excavations to learn what kind of graphic art was produced in our era, they will find nothing. They will not be able to distinguish our everyday garbage and litter from our “works of art,” because often there is no objective difference between them. That a can of Campbell’s tomato soup is a work of art is the result of its being put on exhibit, but when it lies in some dump no one will ever gaze upon it in aesthetic rapture like an archaeologist contemplating the vase or marble goddess he has recovered from the Greek silt. One might conclude that the real intention of the authors of
Again we have the dilemma on which the first critics of this book broke their teeth. Is the terrible predominance of evil over good, of malice over loving kindness, of stupidity over intelligence, the true balance sheet of the human world? Or is it the result, in part, of the computers and the statistical viewpoint?
It is easier to give the tonnage per minute that the sex industry produces — the mountains of genital appliances, photographs, special clothing, chains, whips, and other accessories that facilitate the application of our reproductive physiology to perverted practices — than to measure, weigh, or simply
The industrialization of emotion in all its aspects — say the indignant critics of
There is no denying the merit of such arguments as these; the trouble is that without the backing of facts and figures they remain generalities. The publishers of
With the help of the alphabetical index, anyone who seeks an answer to a particular question can easily locate the relevant data. It is true that the conclusions drawn from data combined in this way are far from unequivocal. Even today, five billion human brains process less information per minute than do computers in the same time; computers make possible the solution of problems and the execution of tasks otherwise beyond reach.
Automated telephone communication on a global scale is a splendid thing, no question. But it did produce a by-product — numerically not insignificant — that is, telephone sex. In the last few years, agencies offering such services have mushroomed. You have but to pick up the receiver, dial, and give your credit-card number in order to avail yourself of your favorite variety of conversational lewdness — copulating in words, so to speak — with an Australian, say, while you sit in Ontario. But, then, no one can deny that the split between technological progress and moral progress has taken place and is irreversible — impossible though it may be to establish the date of this separation, which marks the collapse of our nineteenth-century faith in the collective march into the happy future. Technological solutions to one’s desires can serve evil as well as good. But goodness, again, is not measurable, and sometimes it happens that neither concept can be pinned down. In
Looking under the proper heading, one learns what computers — which seem to be changing from assistants to managers of our civilization — can accomplish in one minute. Models of the newest generation can perform nearly a billion logical operations in that interval. But a fragmentary look will not tell us what is really going on in science. Perhaps for that reason — or to give the book greater weight, without diminishing its readability — an extensive afterword was included, in addition to the commentaries introducing each chapter to the reader. This is actually an essay presenting the methods of calculation employed in